Results
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£29.50Evermore - Alan Menken - Adrian Horn
Disney's remake of the 1991 animated picture gave the chance for composer, Alan Menken to add new music to the already popular soundtrack. In the original film, it was felt the Beast was missing any major feature song. This was put right with the live-action remake which became an instant global hit. Now arranged by Adrian Horn for Euphonium and Brass Band, this is a great new modern solo that will find favour with audiences of all ages.FREE SOLO PART - CLICK HERE
In Stock: Estimated dispatch 1-3 working days
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£37.50Italien Euphoniem - Gavin Somerset
Occasionally, a solo comes along that allows the performer to show off their skill, whilst allowing the band a licence to enjoy themselves too. From the pen of Gavin Somerset comes a solo that takes all the 'bravissimo' of the great Italian composers and delivers a piece that both the audience and performers can enjoy. This original work is written with tongue placed firmly in cheek in this playful, light-hearted take on Italian music with a built in fun factor. The work is a must for both Euphonium soloists and bands looking to add a playful item to their programme To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .
In Stock: Estimated dispatch 1-3 working days
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£29.50Clarinet Concerto (Adagio): Mozart - W.A. Mozart - Bill Willis
The most popular movement from Mozart's Clarinet Concerto in A is now available as a beautiful solo for Euphonium (with an optional Tenor Horn soloist part also included). The work was originally composed for Anton Stadler and composed in 1791. This arrangement tests the range of the soloist with some large intervals to contend with during the lyrical melodies, utilising the full range of the instrument. The tender accompaniments also require the band to be sympathetic to the soloist as band show off the controlled nature of their playing.
In Stock: Estimated dispatch 1-3 working days
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£24.50
Hey Presto! - Gerry McColl
This new gem of a solo for Euphonium is a rousing piece from start to finish. Starting with heavy syncopation from the band before the soloist can show off with this catchy little tune that you will be whistling for days (if you can whistle that fast!) The middle section then breaks into a beautiful legato tune for the soloist up in the top register, whilst the rest of the band keep on ploughing away underneath. The original tune then returns after a modulation and finishing with the soloist showing off their chromatic runs in the last couple of bars. This is one of the best new entertaining solos around.
In Stock: Estimated dispatch 1-3 working days
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£24.50Idyll - Arthur Sullivan - Phillip Anderson
Originally composed for Cello and Piano in 1865, this simple yet effective tune has been arranged for Solo Euphonium and brass band. With easy accompaniments and a wide register for the soloist to tackle, Idyll can feature successfully in any concert program
In Stock: Estimated dispatch 1-3 working days
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£29.50Sibelius Fantasy - Gavin Somerset
Composed in 2003 for a composition competition, this work uses elements of three major work by the Finnish composer Jean Sibelius (1865-1957). The three being... Symphony No.5, Finlandia, Karelia Suite (March) The piece starts with an atmospheric opening before setting of in bar 10 with a tempo that will remain for most of the piece. The main original theme is brought in at A before the famous sequence from Sibelius' Symphony No.5 enters at B and then very distinctly at C. The music then rollercoasts through keeping all sections of the band busy, until we reach J when the solo Euphonium can shine, helped along by Flugel and Repiano. The Molto Vivo before K sets off with dazzling trills from the cornet section, and bringing with it the theme from Finlandia in bar 165, followed shortly by the March from the Karelia Suite. From N to the end, all three pieces are brought to a final climax together. A rousing piece and makes an interesting change to a direct transcription.
In Stock: Estimated dispatch 1-3 working days
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£34.95Funk Engine (Score and Parts)
'Funk Engine' was commissioned by Brass Bands England for the 2016 National Youth Brass Band Championships of Great Britain. What Ryan says about the piece:"When I was commissioned to write a piece for the Championships I decided that I wanted to create something a bit different to standard brass band repertoire. I decided that the best way to do this was to go a bit out of my comfort zone and explore some styles of music that I have yet to experiment with. I have always been a great lover of jazz, funk and big band music and the sounds associated with them. In 'Funk Engine' I have tried to capture some of these sounds, however I am a brass-bander at heart and as such I've tried to create a fusion of styles that hopefully combines the best of brass band and jazz into one piece.'Funk Engine' runs continuously, but is divided into three broad sections - fast, slow, fast. The opening is in driving big band style, which segues into a smoother lyrical section; the pace then picks up into a jazz inspired scherzo. After a delicate transition from the basses and trombones the euphonium plays a soaring scale - bringing us into the central movement - which begins with a series of languid solos before descending into a darker interlude. A flugel solo lightens the mood and the music gains momentum leading into a brief cornet chorale before a euphonium solo leads into a percussive climactic passage for full band. As this section winds down to settle on an open fifth, the Hi-hat and Bass section punctuate the texture with the first notes of the final section."The final section of the piece is in similar big band style to the opening and develops material from the first two movements. The percussion feature heavily at this stage and the tension builds towards a final statement, with the piece concluding with a bang!"
Estimated dispatch 7-14 working days
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£14.95Funk Engine (Score Only)
'Funk Engine' was commissioned by Brass Bands England for the 2016 National Youth Brass Band Championships of Great Britain. What Ryan says about the piece:"When I was commissioned to write a piece for the Championships I decided that I wanted to create something a bit different to standard brass band repertoire. I decided that the best way to do this was to go a bit out of my comfort zone and explore some styles of music that I have yet to experiment with. I have always been a great lover of jazz, funk and big band music and the sounds associated with them. In 'Funk Engine' I have tried to capture some of these sounds, however I am a brass-bander at heart and as such I've tried to create a fusion of styles that hopefully combines the best of brass band and jazz into one piece.'Funk Engine' runs continuously, but is divided into three broad sections - fast, slow, fast. The opening is in driving big band style, which segues into a smoother lyrical section; the pace then picks up into a jazz inspired scherzo. After a delicate transition from the basses and trombones the euphonium plays a soaring scale - bringing us into the central movement - which begins with a series of languid solos before descending into a darker interlude. A flugel solo lightens the mood and the music gains momentum leading into a brief cornet chorale before a euphonium solo leads into a percussive climactic passage for full band. As this section winds down to settle on an open fifth, the Hi-hat and Bass section punctuate the texture with the first notes of the final section."The final section of the piece is in similar big band style to the opening and develops material from the first two movements. The percussion feature heavily at this stage and the tension builds towards a final statement, with the piece concluding with a bang!"
Estimated dispatch 7-14 working days
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£82.95Vivat! (Score and Parts)
VIVAT! was commissioned by Kapitol for the 2012 National Championship of Great Britain first section final as a celebration of the Queen's Diamond Jubilee. The work is split into three contrasting sections that run continuously, with music derived from elements of Parry's coronation anthem I Was Glad. In Memoriam evokes the noble but gentle personality of the Queen's father, George VI. Opening with an atmospheric baritone solo (and later featuring solo horn, flugel, euphonium & solo cornet), the music explores themes of grief, sentimentality and hope. Coronation, a fanfare and subsequent theme, is grandiose in style capturing the spirit and excitement of British pomp and ceremony.The closing Jubilate is a celebration of life and family values, Vivat being the Latin for life or long live. The music passes through moments of tension, virtuosity, humour and jubilance before a finale constructed from connected musical fragments drawn from throughout the work, forming (for the first time) Parry's majestic I was Glad theme.
Estimated dispatch 7-14 working days
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£40.00
Automne - Chaminade, C - Bell, K
Although female French composer Ccile Chaminade wrote many large orchestral works, she is best remembered for her extensive output of piano salon music. Automne, probably her most endearing, has been arranged by Katie Bell as a euphonium solo. A difficult solo, but well worth the rehearsal.Difficult, 1st section +
In Stock: Estimated dispatch 1-3 working days
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