Results
-
£34.95Descent, The - Christopher Bond
The Descent takes its inspiration from Victorian author Jules Verne; specifically, his work Twenty Thousand Leagues Under the Sea. In Twenty Thousand Leagues Under the Sea, Professor Arronax finds himself a prisoner of the mysterious Captain Nemo, on a remarkable submarine called the Nautilus. Nemo is one of Verne's most memorable characters. He's a man who has turned his back on the world, and his name - Nemo - means 'No Man.' He has vowed never to set foot on dry land ever again. Verne gives his hero's brilliance and benevolence a dark underside - the man's obsessive hate for Empires and Imperialism. Captain Nemo is a genius, an engineer, an artist, an athlete, sometimes a pacifist, sometimes a righter of wrongs, sometimes an out and out villain, and he invented the Nautilus. The Descent is based on the idea of a descent to the depths of the ocean in the Nautilus with Captain Nemo, with the cornet soloist expressing both the anguish and reflective sides of the character. On one hand, a troubled and agitated figure, juxtaposed with the reflective memories of his homeland, children, mother and father. The work was written for and commissioned by Flowers Band as part of their programme of music at Brass in Concert 2019.
Estimated dispatch 5-10 working days
-
£24.95Lest We Forget - Christopher Bond
Lest We Forget is a phrase added as a final line at the end of the Ode of Remembrance, taken from Laurence Binyon's poem For the Fallen, first published in The Times newspaper in September 1914. Providing the title for this work for brass band, the piece aims to combine both the acoustic nature of the brass band medium alongside narrated passages and pre-recorded extracts to provide a moving tribute. The words originally spoken by Prime Minister Herbert Asquith in 1914 can be narrated in performance. However, a free audio download, manipulated to sound like a 1914 radio broadcast is available from Prima Vista. Lest We Forget received its premiere at The Sage, Gateshead, on November 17th 2014, performed by the Grimethorpe Colliery Band, conducted by Robert Childs. The work opened their winning Brass in Concert programme, and has since been performed by bands all over the world as a fitting tribute to the Great War.
Estimated dispatch 5-10 working days
-
£34.95Over The Horizon - Christopher Bond
Over the Horizon (2017), whilst both harmonically and compositionally a simple endeavour, is a spine-tingling beautiful melody for soprano cornet. Based on the painting seen in the sleeve notes of Steve Stewart's album of the same name, the work takes its inspiration from the open expansiveness of the ocean, glistening in the moonlight as four people sit quietly - two parents, a boy, and a girl. A feeling of heartfelt longing throughout the work which is developed both melodically and texturally by soloist and accompaniment; perhaps reflecting the desire to know indeed what is over the horizon. The longing intensifies with a climatic section of grandeur - a feeling of longing which arguably isn't resolved until that all-important - and high - last note. Over The Horizon was written for and commissioned by Steve Stewart and Cory Band in Spring 2017.
Estimated dispatch 5-10 working days
-
£34.95Sprites & Flares - Christopher Bond
Sprites & Flares (2015), refers to the uncertain activities of sprites (upper atmospheric lightening) and solar flares (solar activity from the sun which cannot penetrate the earth's atmosphere) and uses these two ideas as a basis for the kind of musical material heard within the work - dramatic, swirling motifs, often of a virtuosic nature. The work's dramatic opening ensures the first thirty seconds are high in energy and full of impact. Following this, the music dies down and presents an ethereal atmospheric section, perhaps reflecting the calm before the storm. Before long, the music takes a turn for dramatic, fast, virtuosic playing, all reflecting the theme of the work, and indeed remains in this style through to the close, gaining momentum and becoming ever- more triumphant as the work reaches its close. A huge ending is heard, full of excitement and drama, but more importantly grandeur and rich harmonic-chords. The work was commissioned by and written for Leyland Band and its conductor, Thomas Wyss, as the finale to its 2015 Brass in Concert programme, premiered at The Sage, Gateshead, on 15th November 2015.
Estimated dispatch 5-10 working days
-
£34.95Storyteller - Christopher Bond
2016 marked one hundred years since the birth of iconic children's author, Roald Dahl. Storyteller, inspired by the imagination of Roald Dahl, is an ideal opener, with fizzing rhythmic motifs, forward-momentum, and a feeling of excitement through to the close. As with Dahl's magical imagination, ideas are presented boldly and developed throughout the work, with solo contributions from euphonium and baritone, and optional standing moments for soloists and sections. The work was commissioned by and written for Brighouse & Rastrick Band as the opening item to its podium-placed 2016 Brass in Concert programme, premiered at The Sage, Gateshead, on 20th November 2016.
Estimated dispatch 5-10 working days
-
£34.95Time Eternal - Christopher Bond
Time Eternal (2011) was written as a showcase for band in the form of a seven-minute journey which demonstrates the ability of the band and its soloists. As the title suggests, the idea of time is important in the work, with bell-like gestures forming the opening and closing sections. Rhythmic material is heard, often juxtaposing more lyrical passages, sometimes with dramatic percussion or semiquaver running accompaniments in the cornets.A slow and expressive middle section hears soloistic contributions from the flugel horn and euphoniums, as well as fuller tutti passages, before a return to the energetic tempo of the opening where material is heard again, often presented in different ways with a real sense of drive through to the close.
Estimated dispatch 5-10 working days
-
£29.95Trevithick - Christopher Bond
Trevithick (2013) is a march for brass band, written on the occasion of Camborne's 30th Trevithick Day celebration which saw six Cornish brass bands parade through the streets one after the other, performing the work. Structured as any traditional march is with the bass solo forming the central section, the work is formed from both existing Cornish tunes such as Trelawny and Camborne Hill, as well as original material.
Estimated dispatch 5-10 working days
-
£105.00
Handel in the Band - Kenneth Downie
Handel in the Band is a virtuoso set of symphonic variations on one of Handel's best known keyboard dances, the Sarabande from his Suite in D minor, HWV 437, based on the Spanish traditional dance La Folia. Kenneth Downie's work was commissioned by Brass Band Treize Etoiles, for performance at the 2013 Swiss National Brass Band Championships, where it was conducted by James Gourlay. The title is a reference to Percy Grainger's popular Handel in the Strand, and is indicative of the witty and theatrical nature of the music, which is more playful than conventional competition pieces and as such offers different challenges to brass bands as well as being thoroughly entertaining for audiences. Kenneth Downie is one of the most respected and experienced brass band composers. His music has been widely performed and published throughout the brass band world since the 1960s. Handel in the Band has been selected as the set work for the Championship Section final of this year's National Brass Band Championships of Great Britain, which takes place at the Royal Albert Hall, London, on 6th October 2018.
In Stock: Estimated dispatch 1-3 working days
-
£125.00
Dark Arteries Suite - Gavin Higgins
Dark Arteries was commissioned by Rambert Dance Company and first performed in May 2015 with the Tredegar Town Band sharing the stage with Rambert dancers. Dark Arteries is a personal and at times highly wrought response to the Miners Strike and its aftermath. It is in three movements, the first and last are expansive, with widely contrasting sound worlds, from dark, brooding melodies and the haunting sounds of solo flugel horn to wild syncopations on cornets, suggestive of an imposing, but often bleak mining landscape.In 2016 Higgins re-worked Dark Arteries into a virtuoso concert suite, which captures the essence of the work in three connected movements.Dark Arteries Suite was premiered by the National Youth Brass Band of Great Britain, conducted by Bramwell Tovey at the Barbican Centre, London, 22 April 2017.
In Stock: Estimated dispatch 1-3 working days
-
£95.00
Journey of the Lone Wolf (score & parts) - Simon Dobson
Journey of the Lone Wolf tells the story of the hungarian composer Bla Bartk. It was commissioned by Dr. Nicholas Childs for Black Dyke Band, who gave the first performance on Sunday 26 January 2014 at the Bridgewater Hall, Manchester as part of the Royal Northern College of Music Festival of Brass.The composer's programme notes for each movement: 1. Capturing the Peasants' SongAfter the upheaval of moving to Budapest the young Bla Bartk meets Zoltn Kodly and the pair embark on summertime adventures throughout the Hungarian countryside to collect and catalogue the astonishing variety (both harmonically and rhythmically) of gypsy and folk music heard in the Balkans. The arrival of WW1 plunges Bartk's beloved Hungary into chaos.2. Night MusicBartk was at times a cold man, aloof and lonely. The odd moments of tenderness he showed are portrayed here in a series of evocative solos. His brief but intense affairs speak of a love he could only long for. Jazz is my night music and here there are hints of what Bartk may have heard in the USA later in his life.3. Flight and FightHaving been forced by the world's evils to leave his homeland of Hungary for America, Bartk, the anti-fascist, felt isolated and angry. In this movement we hear his longing for a simpler time of gypsy folk dances as well as his maturity and depth as a composer finally exploring deeper colours and darker themes. Duration: 15 minutes.Level: Championship
In Stock: Estimated dispatch 1-3 working days
