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  • £37.95

    ON WITH THE MOTLEY (Bb or Eb Solo with Brass Band) - Leoncavallo, Ruggero - Farr, Ray

    Supplied with parts for soloist in E-flat or B-flat treble clef. This famous aria from the Opera Pagliacci is popular all over the world and sits perfectly for the euphonium. Recorded on Polyphonic QPRL010D Firebird. Duration 3:00.

    Estimated dispatch 7-14 working days

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  • £34.99

    Take Five (Brass Band - Score and Parts) - Desmond, Paul - Sykes, Steve

    The classic jazz number 'Take Five' was first recorded by the Dave Brubeck Quartet and released on its 1959 album Time Out. Composed by Paul Desmond, the group's saxophonist, it became famous for its distinctive, catchy melody and use of quintuple time, from which the piece got its name. This brass band arrangement, by Steve Sykes, captures the jaunty slant of the original.Suitable for Advanced Youth/3rd Section Bands and aboveDuration: 4.00

    Estimated dispatch 7-14 working days
  • £63.50

    Caprice (Euphonium Solo with Brass Band) Andrew Batterham

    VIEW SCORE PDF Caprice was written for Matthew van Emmerik, to showcase his virtuosity in an engaging piece of concert music. The work is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo, a collection of 24 caprices for solo violin. This theme has been the inspiration for similar works by many composers since it was first published, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber. In this work, the famous theme is treated to a more contemporary approach. The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the band. It is couched in an organic scale reminiscent of the Phrygian mode. The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument. The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the last, until the work concludes with a whirlwind dance at breakneck speed. Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will. This arrangement was made possible through Matt's instigation and generosity. To view a video of Matthew van Emmerik performing the version with brass band please visit www.youtube.com/watch?v=D0hsvux_a5o To view a video of Fletcher Mitchell performing the version with piano please visit www.youtube.com/watch?v=NOZ6KRldDVo Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £90.00

    Impressions of Seurat - Brass Band - LM482

    COMPOSER: Chris Cobon1 - Stone breakersThe Suite opens with the only picture, of the five, which is not in the pointillist style. Several pictures were produced on the Stone Breaker theme, painted in oil on small panels called croquetons. The subjects in the art are breaking stones for use in road building. Musically the piece starts canonically alluding to the repetitive nature of the labour. A more direct, rhythmic link of three hammer blows, are first heard in the opening passages in the percussion. These hammer blows are also built into each third bar of the cannon and, therefore, become embedded into the opening section. Arising from the flurry of activity are two, three bar legato phrases in a majestic style until it falls to a more dramatic sounding of the legato phrase over a resounding of the cannon in a new textural order. This leads to a short, new section, featuring a trombone trio underneath rising scales in the cornet section.2: Bathers at AsnieresBathers at Asnieres was Seurat's first major painting...The canvas is of a suburban, Parisian riverside scene. Isolated figures, with their clothes, piled sculpturally on the riverbank, together with trees, austere boundary walls and buildings, and the River Seine are presented in a formal layout. This moment aims to capture the tranquillity of a summer's day in the park. This painting led the development of the pointillist technique whereby the colours were applied as small dots that combine to form a picture when viewed at a distance. The trombones capture this idea in the opening bars with their carillon-style entries. The 2nd/3rd cornets make a more direct link by individual picking out single notes of a melody being sounded on Baritones and trombones at C. The use of mutes adds a subtle darker side to this movement which nods to the industrial working-class aspects of the painting.3: White DogWhite Dog features a few characters relaxing in the sun, and a white dog with its tail held high. Having two dogs myself, I've taken the idea of an excited dog with a waggy tail as the basis for this short, middle, movement.4: Sunday Afternoonon the Island of La Grande Jatte Sunday Afternoon on the Island of La Grande Jatte is arguably Seurat's most famous work.5: Parade de CirqueCircus Sideshow Parade de Cirque encompasses a circus scene's boisterousness, vitality and chaos. However, the painting, constructed with the new pointillist technique, also portrays stillness, calmness and precision. As expected from looking at the picture, the trombone takes centre stage in various locations on either side of the calming circus waltz and pointillist section (I).

    In Stock: Estimated dispatch 3-5 working days
  • £42.95

    When You Believe (Euphonium Solo with Brass Band - Score and Parts) - Schwartz, Stephen - Phillips, Richard

    Originally performed by Michelle Pfeiffer and Sally Dworsky in the DreamWorks movie, The Prince of Egypt, the more famous pop single version of this work was performed by Mariah Carey and the late great Whitney Houston.In this version arranged for Soloist and Brass Band, you can showcase your star Euphonium player.Duration: 4.30

    Estimated dispatch 7-14 working days

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  • £49.95

    Caprice (Euphonium Solo with Brass Band - Score and Parts) - Batterham, Andrew

    Caprice was written for Matthew can Emmerik, to showcase his virtuosity in an engaging piece of concert music. It is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo. This theme has been the inspiration for similar works by many composers, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber.In this work, the famous theme is treated to a more contemporary approach.The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the accompaniment. It is couched in an organic scale reminiscent of the Phrygian mode.The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument.The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the previous one, until the work concludes with a whirlwind dance at breakneck speed.Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will!

    Estimated dispatch 7-14 working days

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  • £53.00

    Last Night of the Proms Medley (Brass Band - Score and Parts) - Barton, Tom

    A collection of the finest and most famous repertoire, performed at the most quintessential of English summer classical music concerts, "The Proms". Unravel your Union Jack flag in preparation for "Rule Britannia" (Thomas Arne), "The Saucy Arethusa" (Henry Wood), "The Sailor's Hornpipe" (Traditional), "Land of Hope and Glory" (Edward Elgar), "Jerusalem" (Hubert Parry) and "The Can-can" (Jacques Offenbach). Duration: 8.00. Suitable for 1st Section Bands and above.

    Estimated dispatch 7-14 working days
  • £59.99

    You're a Lady (Brass Band - Score and Parts) - Skellern, Peter - Stalman, Wim

    Songwriter and composer Peter Skellern was a great writer of many truly sensitive love songs, with You're A Lady being the most famous by far. This evergreen was originally performed with brass band backing, making it an obvious choice for a brass band arrangement.Duration: 5:15

    Estimated dispatch 7-14 working days
  • £42.50

    O Holy Night (Soprano Cornet Solo with Brass Band - Score and Parts) - Adam, Adolphe - Bulla, Stephen

    This terrific melody by the 19th century French composer Adolph Adam is one of the world's most famous Christmas solo melodies. It is unique due to the fact that it was the only Christmas song recorded by the legendary opera singer Enrico Caruso. This arrangement for soprano cornet and brass band will make a fantastic touching addition to any Christmas carol.Duration: 5.30

    Estimated dispatch 7-14 working days
  • £44.95

    Bravura (A Fantasy on British Folk Songs) (Euphonium Solo with Brass Band - Score and Parts) - Graham, Peter

    Bravura is a companion piece to the composer's earlier euphonium display piece Brillante, utilising the same traditional 19th century "fantasy variation" structure, familiar to generations of brass soloists. Folk songs from the four corners of Great Britain are featured; Oranges and Lemons, (England), The Blue Bells of Scotland, The Minstrel Boy (Ireland) and the famous Welsh anthem Men of Harlech.The solo is a conflation of the original version, written for the 2002 Royal Albert Hall Gala Concert, which followed the National Brass Band Championships of Great Britain. On that occasion the combined talents of virtuosi David Childs, Derick Kane, Steven Mead and David Thornton (with guests Robert and Nicholas Childs) were on display, each personalising the cadenza section towards the end. This version incorporates a published cadenza, though soloists should feel free to improvise their own material at this point.

    Estimated dispatch 7-14 working days

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