Results
-
£74.99
Best Songs Ever
This fantastic medley will bring great joy to all those who remember these super hits. Some of your audience may like Bill Haley and some Michael Jackson, but they are all sure to sing-along when it comes to the Village People hit YMCA !
Estimated dispatch 5-14 working days
-
£59.99
Kickoff - John Blanken
Kickoff is a short but powerful opening work. An attractive theme,a beautiful counter-melody, a driving bass motif and energeticpercussion are the ingredients of this composition. A fantastic way tokick off any concert.
Estimated dispatch 5-14 working days
-
£68.99
Queen Greatest Hits
Queen Greatest Hits is a veritable feast of fantastic melodies from one of the worlds largest supergroups. Includes: 'Bohemain Rhapsody', 'Another One Bites the Dust', 'Crazy Little Thing Called Love', 'We Will Rock You' and 'We Are the Champions'. Queen at their best!
Estimated dispatch 5-14 working days
-
£107.80
Bestefarvise - Øystein Dolmen
"My Fantastic Gramps" is a bubbly piece about an old man.The style of playing must be fresh and youthful throughout the piece.Be aware of the timpani solo and especially tom-toms at first beat in bars 28, 32 and equivalent. The tom-toms must be prominent in the balance.Please make sure that solo cornet plays he articulation (short) excessively at bar 70 (banjo-style). Feel free for some slapstick-mood at bar 86. Be creative!The style at bar 115 must be outgoing and happy, with a lot of joyfulness!
Estimated dispatch 5-14 working days
-
£40.00
FAtes - Claude Debussy arr. Phillip Littlemore
Debussy's Nocturnes are a set of three orchestral pieces inspired by three paintings by the American James McNeill Whistler from the 1870s. These three paintings, also entitled Nocturnes, were studies in light and shade offering an impression of landscapes and objects. The second movement, Fetes (Festivals) offers a dancing, vibrating rhythm with sudden flashes of ight. There is also a procession, described by Debussy as a dazzling fantastic vision, which passes through the festive scene and becomes merged in it (letter J in the score). However the background remains the same driving dance-like work.Debussy wrote the Nocturnes between 1897 and 1899 and the first two movements, the first being Clouds, received their premiere in Paris in 1900. The first performance met with a cool critical reception and Debussy made many revisions thereafter to all three movements.Duration: 6'00"Difficulty: 2nd section and above
Estimated dispatch 5-7 working days
-
£35.00
Symphonic Dance No.3 - Sergei Rachmaninov arr. Phillip Littlemore
Completed in 1940, the set of Symphonic Dances was Sergei Rachmaninov's last composition. The work is fully representative of the composer's late style with its curious, shifting harmonies, the almost Prokofiev-like outer movements and the focus on individual instrumental tone colours throughout. Rachmaninov composed the Symphonic Dances four years after his Third Symphony, mostly at the Honeyman Estate, 'Orchard Point', in Centerport, New York, overlooking Long Island Sound. The three-movement work's original name was Fantastic Dances, with movement titles of 'Noon', 'Twilight' and 'Midnight'. When the composer wrote to the conductor Eugene Ormandy in late August, he said that the piece was finished and needed only to be orchestrated, but the manuscript for the full score actually bears completion dates of September and October 1940. It was premiered by Ormandy and the Philadelphia Orchestra, to whom it is dedicated, on 3rd January, 1941.This arrangement is of the last dance and is a kind of struggle between the Dies Irae theme, representing Death, and a quotation from Rachmaninov's own Vespers (also known as the All-night Vigil, 1915), representing Resurrection. The Resurrection theme proves victorious in the end as the composer actually wrote the word 'Hallelujah' at the relevant place the score (one bar after Fig. 16 in this arrangement). Duration: 3'45"Diffiuclty: 2nd Section and above
Estimated dispatch 5-7 working days
-
£40.00
Activate - Matthew Hall
ActivateTop to bottom in less than 2 minutes! Originally composed for Tredegar Town Band under the direction of Ian Porthouse, Activate is a fantastic way to start any programme in a concert or on the contest stage.The original conception of Activate occurred when Tredegar had 18 minutes of a 20 minute contest programme and couldn't find a piece to start the performance to fit in the time slot.With funky bass lines, percussion and melody lines as well as some devilish rhythmical elements in the inner parts, Activate is a sure fire way of getting the audience's feet tapping.The trombone solo in the middle section of the piece can be substituted on to any other Bb instrument should the need occur, and the piece can also be started with a drum kit rhythm rather than straight into the first bar.Activate
Estimated dispatch 5-7 working days
-
£29.95
Christians Awake (Brass Band - Score and Parts)
This Christmas fanfare is a great way to start a concert or a second half. It has lots of excitement in the fanfare while the use of the Christmas carol Christians Awake gives it a fantastic sense of occasion.Ideal for 3rd section bands and upwards.Duration: 2:10.
Estimated dispatch 7-14 working days
-
£57.99
Queen Greatest Hits (Brass Band - Score and Parts)
Queen Greatest Hits is a veritable feast of fantastic melodies from one of the worlds largest supergroups. Includes: Bohemain Rhapsody, Another One Bites the Dust, Crazy Little Thing Called Love, We Will Rock You and We Are the Champions. Queen at their best!Duration: 6:25
Estimated dispatch 7-14 working days
-
£64.95
A Day in the Life of a Knight (Brass Band - Score and Parts)
Here we have a most descriptive piece of writing - a story through music. A fantastic 1st section test piece and championship concert work:The opening scene would depict standing on the battlements of a castle hearing the thundering hoofs of our brave Knight's horse miles in the distance. His arrival is expected, and his reputation is known across many lands. Today, he is to joust amongst mere mortal knights and compete for the hand of the fair (and local) Princess.He vanquishes all competitors and wins the day. The scene moves to evening and court where reception and dance is to be held for our winning knight. Both Knight and Princess become centre of attention during the dance. Their eyes only for each other.At last, the Knight has a chance to be a lone with his Princess as they steal away from the celebrations to a star lit rampart above the castle gardens, where the Knight declares his ever-lasting love and pledges his life and of honour to her. He asks her hand, meanwhile monks pray in the below chapel hoping for union. She say's yes. It is announced in court, then blown from the battlements.Day breaks; he is brought word of evil doings back in his own land. He leaves word to the Princess that he will be back soon to take her hand. The trouble back home was a rouse to get him away from the Princes so one of the vanquished, a dark knight in yesterdays joust, has summoned a dragon to kidnap the princess for his own.As the truth of the deception reaches our Knight he quickly returns to face the varlet that has taken his Lady. This time tis no joust, but a fight to the death with the dark knight and dragon. Our champion proves his best once again and wins the day and the hand of his Princess forever!- Phil LawrenceSuitable for 1st Section Bands and aboveDuration: 11.15
Estimated dispatch 7-14 working days