Results
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£159.99RUSH HOUR (Brass Band) - Crausaz, Etienne
Rush Hour was commissioned by the Swiss Brass Band Association (SBBV) on the occasion of the 38th Swiss National Brass Band Championships 2012 (Montreux SBBW) as the test piece in the Championship division. Structured in three parts without breaks, the work opens in a heavy, oppressive atmosphere, sometimes even noisy. After a short passage in a lighter mood a quick tempo takes over, the music becomes nervous and unrelenting, with constant twists and turns. The tension builds, leading to a slower movement in which various soloists are highlighted. A few humorous touches are heard in contrast to a majestic, powerful and dramatic chorale. The end of this part is brighter and more peaceful. This atmosphere is soon replaced by a return of the thematic material heard in the first movement, developing into an oppressive moos. The piece concludes with a last ecstatic tutti, reusing the harmonies of the introduction in a kind of final flurry. Rush Hour attempts to express the range of feelings we may experience when caught in various stressful situations in the middle of the rush hour. Duration: 13:45
Estimated dispatch 7-14 working days
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£59.95The Plantagenets (Brass Band - Score and Parts) - Gregson, Edward
A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30
Estimated dispatch 7-14 working days
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£29.95
The Plantagenets (Brass Band - Score only) - Gregson, Edward
A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30
Estimated dispatch 7-14 working days
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£30.00No Other Option - Jock McKenzie
I seem to have taught a number of students in recent years who have either embarked on medical careers or are studying to do so. Whether it be our beleaguered NHS in general or the working conditions of Junior Doctors in particular, sentiments naturally run high. I was asked & inspired to write a piece for some of these 'medical musicians' to perform in situations of protest or industrial action; situations in which they felt there was "No OtherOption" than to make their feelings known through their chosen path of protest. There is a deliberate irony in the fact that this piece is written in the style of an upbeat and good-humoured folk reel.
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£30.00Janacek's 'Taras Bulba' - Janacek
Comments from Tim Paton, the arranger of Janacek's 'Taras Bulba': "I will never forget the day in 1967 when I was introduced to the music of Leos Janacek, a Czech composer born in 1854, who died in 1928. Janacek was little known in Britain until the 1960's, when the conductor Charles Macherras introduced his unique music. I heard a recording of Macherras conducting the Pro Arte Orchestra in a performance of Janacek's "Sinfonietta".It was in 1969 that I first heard Janacek's Symphonic Rhapsody, "Taras Bulba".Janacek's music is exciting, powerful, emotive, impassioned and unpredictable.I have taken the first and third movements of this piece, and adapted them for Brass Band, which was at times extremely difficult, but rewarding. It sometimes took up to an hour to be satisfied that a mere several bars had been reproduced to convey the composer's intentions.The Death of AndriThe Cossaks, under the leadership of Taras Bulba, are fighting against the Poles in the 17th century. Taras's son Andri seeks to rescue his love, a Polish princess, from a city which is being besieged by the Cossaks. Having found her, he throws in his lot with the Poles, but is finally captured by his father, who executes him as a traitor before riding off again to battle.Prophesy and Death of Taras BulbaTaras himself is finally captured and condemned to be nailed to a tree and burned alive. As the flames creep around him, Taras has the satisfaction of seeing histroops escape, and as he dies, sees a vision of his country freed at last.This is incredibly descriptive music. The mood is constantly changing, creating feelings of love and anger, celebration and melancholy, despair and triumph.This Brass Band EditionThe duration of the original symphonic rhapsody, three movements, is approximately 23 minutes. I chose the first and third movements, so the Brass Band edition is approximately 14 minutes. The main reason is twofold: Being realistic about the demands this music would place on the stamina of the brass player; Keeping the piece less than 15 minutes, so that, if desired, it could be used on the contest platform.Two unique qualities of Janacek's music had to be taken into account when preparing this brass band version. His compositional technique was individual, at times not sticking to traditional expectations, in both form and orchestration. I imagined what the genius himself would have said looking at my work, and how to tackle a particular section to emulate his original intentions. This was particularly the case when dealing with high woodwind and violin parts, the use of tremolo in string parts, and the orchestral harp.Percussion: Janacek included timpani, side drum, cymbals, triangle and tubular bells. For reasons stated previously, I have also included xylophone and glockenspiel. I have also added the gong in a couple of places to enhance the dramatic effect of the music.
In Stock: Estimated dispatch 3-5 working days
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£40.00
Reflections of Freedom - Andrew Duncan
Reflections of Freedom depicts the emotions and feelings of the many migrant farmers who left 19th Century Scotland to set up home and begin a new life in the 'New World'. In particular, the joys experienced on the reaping of their first harvest.Use is made of the American folk tune, Bringing in the Sheaves. Written for the US Army Brass Band in Washington DC and premiered by them in 1997.'Reflections of Freedom' was the title track on the Whitburn Band CD of the same name, recorded in 24.
In Stock: Estimated dispatch 3-5 working days
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£30.00I Vow To The, My Country - Gustav Holst/Geoff Knorr arr. Phillip Littlemore
Gustav Holst wrote his suite The Planets during the early years of the first world war. The expansive movement, Jupiter, contained a tune that Holst later used to set the poem by Cecil Spring-Rice, I Vow To Thee, My Country. Originally set for unison voices with orchestra, Holst adapted it as a hymn tune and called it Thaxted, named after the village where he lived for many years.The American composer, Geoff Knorr, incorporated Holst's music into his score for the strategy-based video game Civilisation V, where it is used to depict the England of Elizabeth I. It is from this music that this transcription is made.Although originally written in 1908 and entitled Urbs Dei, Spring-Rice revisited the text of his poem in January 1918 and significantly altered both the first and second verses to reflect his feelings about the war, and those that gave the ultimate sacrifice. He also renamed the poem with the title we know today. Because of its sentiment, it has now become a staple of Remembrance services.A video of this arrangement can be found here: I Vow To Thee, My CountryDuration: 5'40"Difficulty: Suitable for all
Estimated dispatch 5-7 working days
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Peterborough Mass - Jeremy Cladd - Len Jenkins
Peterborough Mass comprises 5 Movements, Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei. It was composed by Jeremy Cladd who became Head Chorister during his teenage yearsat Peterborough Cathedral. Total immersion in the music within such an inspiring building caused Jeremy to look deeper into the liturgical aspects of the Mass in order to understand the origins of the literary text being sung, so that he could paint a musical landscape based upon his interpretation of the text. From a musical perspective, Jeremy's Kyrie takes its inspiration from Philippians 2 vv1-11 (NIV) "Imitating Christ's Humility", and is structured AB where A refers to humility and submission "lord have mercy" and B relates to "united with Christ", with the latter evoking feelings of salvation and joy. In sympathy with the literary text, the Kyrie has a short introduction, and then a ternary form ABA structure where A is influenced by polyphonic choral writing and B by homophonic choral writing. This is the first of the five Movements to be arranged for Brass Band with Choir and comprises a full brass band score, parts for all instruments and a choral practice score.
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£29.95Judd: The Pilgrim Way
Attempting to recreate the atmosphere of mediaeval pilgrims, this suite comprises three separate, yet linked movements. I. Based on John Bunyan's poem 'He Who Would Valiant Be', the music reminds us of the words 'No foes shall stay his might, though he with giants fight, he will make good his right to be a pilgrim'. II. A transcription of the composer's own setting of 'God be in my head'. III. The original themes in this movement express feelings of joy and excitement of present day pilgrims journeying on the Christian path.
Estimated dispatch 7-14 working days
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£34.95Of Wind and Weeping (Flugel Horn Solo)
Flugel Horn Solo with Brass BandThe relationship between Achilles and Patroclus is a key element of the myths associated with the Trojan war.. Its exact nature has been a subject of dispute in both the classical period and modern times. In the Iliad, the two heroes have a deep and meaningful friendship. Achilles is tender towards Patroclus, while he is callous and arrogant towards others.Of Wind & Weeping (2015) is a flugel solo, with the soloist representing Greek warrior Achilles and the pain he faces following the death of Patroclus. For a brief moment, Achilles' character shifts from a strong and unbreakable warrior to an emotional and vulnerable character. The solo should be played with expression and feeling, a character who is mourning a loved one with mixed feelings of sadness, shock and vengeance.The work was written in early 2015 for flugel soloist David James and Tongwynlais Temperance Band, with whom he is a member.
Estimated dispatch 7-14 working days
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