Results
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£44.95
Tallis Variations (Score Only)
The hymn tune on which these variations are based is the third of nine that Thomas Tallis wrote in 1567 as part of a psalter for the first Anglican Archbishop of Canterbury, Matthew Parker. It was later used by Vaughan Williams in the English Hymnal an
Estimated dispatch 7-14 working days
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£17.50
The Mansions of Glory (Score Only)
"A young, talented and tender-hearted actress was passing along the street of a large city. Seeing a pale, sick girl lying upon a couch just within the half-open door of a beautiful dwelling, she entered, with the thought that by her vivacity and pleasant conversation she might cheer the young invalid. The sick girl was a devoted Christian, and her words, her patience, her submission and heaven-lit countenance so demonstrated the spirit of her religion that the actress was led to give some earnest thought to the claims of Christianity, and was thoroughly converted and became a true follower of Christ. She told her father, the leader of a theatre troupe, of her conversion and of her desire to abandon the stage, stating that she could not live a consistent Christian life and follow the life of an actress. Her father was astonished beyond measure and told his daughter that their living would be lost to them and their business ruined if she persisted in her resolution.Loving her father dearly, she was shaken somewhat in her purpose and partially consented to fill the published engagement to be met in a few days. She was the star of the troupe, and a general favourite. Every preparation was made for the play in which she was to appear. The evening came and the father rejoiced that he had won back his daughter and that their living was not to be lost. The hour arrived; a large audience had assembled. The curtain rose and the young actress stepped forward firmly, amid the applause of the multitude. But an unwonted light beamed from her beautiful face. Amid the breathless silence of the audience, she repeated: 'My Jesus, I love thee, I know thou art mine,For thee all the pleasures of sin I resign;My gracious Redeemer, my Saviour art thou,If ever I loved thee, my Jesus, 'tis now.' This was all. Through Christ she had conquered and, leaving the audience in tears, she retired from the stage, never to appear upon it again. Through her influence her father was converted, and through their united evangelistic labours many were led to God." 1. My Jesus, I love thee, I know thou art mine,For thee all the pleasures of sin I resign;My gracious Redeemer, my Saviour art thou,If ever I loved thee, my Jesus, 'tis now.2. I love thee because thou hast first lovd me,And purchased my pardon on Calvary's tree;I love thee for wearing the thorns on thy brow,If ever I loved thee, my Jesus, 'tis now.3. I will love thee in life, I will love thee in death, And praise thee as long as thou lendest me breath; And say, when the death-dew lies cold on my brow; If ever I loved thee, my Jesus, 'tis now.4. In mansions of Glory and endless delight,I'll ever adore thee and dwell in thy sight; I'll sing with the glittering crown on my brow: If ever I loved thee, my Jesus, 'tis now. William Ralph Featherstone
Estimated dispatch 7-14 working days
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£87.95
The New Buckenham Suite (Score and Parts)
The New Buckenham Suite was commissioned to celebrate the centenary (1887-1987) of the New Buckenham Silver Band and was first performed by them and the GUS band on 20th June 1987, conducted by the composer. Each of the four movements suggests a place
Estimated dispatch 7-14 working days
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£37.95
The New Buckenham Suite (Score Only)
The New Buckenham Suite was commissioned to celebrate the centenary (1887-1987) of the New Buckenham Silver Band and was first performed by them and the GUS band on 20th June 1987, conducted by the composer. Each of the four movements suggests a place
Estimated dispatch 7-14 working days
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£38.50
Thriller (Score and Parts)
It seems like yesterday . . . but it was almost 34 years ago in 1982 that Michael Jackson's Thriller album was first released. It was this album that catapulted him to super-stardom. This is a stunning arrangement by Philip Harper.
Estimated dispatch 7-14 working days
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£42.95
Ubi Caritas
Composed for the marriage of His Royal Highness Prince William of Wales, K.G. to Miss Catherine Middleton and first performed by the Choirs of Westminster Abbey and Her Majesty's Chapel Royal, St James's Palace, conducted by James O'Donnell, at Westminster Abbey, Friday 29 April 2011.
Estimated dispatch 7-14 working days
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£69.95
Variations on the Shining River (Score and Parts)
Published in 1958 as a Theme and variations with beautiful melodic writing. Contains: Var.1 - "First Dance" 3/4 Allegretto; Var.2 - Cradle Song 3/4 Andante; Var.3 - Pageant 3/4 Andante Maestoso; Var.4 - "Ostinato" 4/4 Allegro; Var.5 - "Second Dance"
Estimated dispatch 7-14 working days
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£32.95
Variations on the Shining River (Score Only)
Published in 1958 as a Theme and variations with beautiful melodic writing. Contains: Var.1 - "First Dance" 3/4 Allegretto; Var.2 - Cradle Song 3/4 Andante; Var.3 - Pageant 3/4 Andante Maestoso; Var.4 - "Ostinato" 4/4 Allegro; Var.5 - "Second Dance"
Estimated dispatch 7-14 working days
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£9.95
Second Quartet (Brass Quartet - Score and Parts)
My second Brass Quartet was written in 1968, immediately after I finished my studies at the Royal Academy of Music, and was in response to a request from my then publisher, R Smith & Co, to write some chamber music for brass band instruments. My Brass Quartet No 1 (also written in 1968) was scored for the usual combination of two cornets, horn and euphonium, but the second is scored for two horns, baritone, and tuba, giving the music a somewhat mellower sound world than the First Quartet. It is also a miniature in form in that it barely lasts six minutes. The music is in three movements: Prelude, Scherzo and Postlude. The outer movements are slow and thoughtful, while the middle Scherzo is rather astringent in character, with virtuoso demands made on the players. The Prelude begins with a duet for the two horns, answered by baritone and tuba, the material being rather rhetorical in style and although the Postlude begins in a similar fashion it also develops material from the Scherzo (slowed down of course) in the manner of a fugal exposition. The music ends with a series of quiet chords. - Edward Gregson
Estimated dispatch 7-14 working days
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£29.95
Tournament for Brass (Score Only)
This is not descriptive music: the tournament is within the band!In the first movement, small groups of instruments are featured - mainly in duets and trios - in a kind of "conversation piece".The second movement is in the form of a Theme with Variations, the band's main soloists being given a chance to show their paces.In the final Scherzo there is more general ensemble playing, although soloists again carry some of the responsibility.
Estimated dispatch 7-14 working days