Results
-
£35.00
Blues on the March - Barry, D
Traditional marches are great, but sometimes you want something different to kick off your concert. This piece gives your band a chance to get into the 'swing' of things, based on the traditional twelve bar blues it features a contrasting middle section with a trombone trio and a flugel (cornet) obligato.4th section +Duration 3.50 mins
In Stock: Estimated dispatch 1-3 working days
-
£40.00
Don't Stop Me Now - Mercury, F - Harper, P
This prize-winning arrangement of the Queen track from the 1978 album Jazz begins with a deliciously harmonized flugel solo before exploding into life. The song is one of Queen's most popular and, with Philip Harper's usual recipe of no nonsense scoring with added showmanship, is guaranteed to bring the house down at any concert.3rd section +Listen here - Courtesy of Cory Band
In Stock: Estimated dispatch 1-3 working days
-
£35.00
Love Theme from Romeo and Juliet - Tchaikovsky, P - Harper, P
Adapted from Tchaikovsky's famous overture, this romantic duet features flugel and euphonium.2nd sectionDuration 3.30 minsListen to Helen and Glyn Williams with Cory Band on 'Summon the Heroes'Courtesy of World of Brass
In Stock: Estimated dispatch 1-3 working days
-
£33.00
Lux Aeterna - Harper, P
The title Lux Aeterna (Eternal Light) can be interpreted on a number of levels. Musically it has a rather mystical feel to it, and the single note with which the piece begins continues uninterrupted throughout, like an inextinguishable flame, or a constant source of hope. There are lyrical and song-like solo lines for cornet, flugel and euphonium. In a recent review Paul Hindmarsh described the piece as a touching new work by Philip Harper that would have got my vote for best new work for its technical ingenuity if not its 'wow factor'.Listen to Cory BandCourtesy of World of Brass
In Stock: Estimated dispatch 1-3 working days
-
£40.00
Nobody Does it Better - Hamlisch, M - Wormald, C
Featuring trombone, flugel, tenor horn and baritone, this arrangement is faithful to the 1977 hit from the James Bond film The Spy Who Loved Me, and playable by all grades of band.4th section +Duration 3 mins
In Stock: Estimated dispatch 1-3 working days
-
£35.00
Somewhere - Bernstein, L. - Harper, P
One of the most famous numbers from Bernstein's West Side Story arranged as a show-stopping finale. Features either the trombone or optionally the flugel.2nd sectionDuration 3.30 minsListen to Cory Band on 'Summon the Heroes'Courtesy of World of Brass
In Stock: Estimated dispatch 1-3 working days
-
£26.50
Venamair - Weston, PG
Rhapsody for Flugel HornIncludes a full band set (no score)
In Stock: Estimated dispatch 1-3 working days
-
£29.95Salvation Army Classics 25-28 for Small Ensemble
Salvation Army Classics arranged for Flexible Brass Band Numbers 25-28Bognor Regis - Leslie CondonGoldcrest - James AndersonHe found me - Howard DaviesSt Peter - Keith Griffin This series features pieces that have been rescored for Unity Series (five-part) scoring.PART I 1st Cornet BbPART II 2nd Cornet Bb and 1st Horn EbPART III 2nd Horn Eb and Baritone or Trombone BbPART IV Euphonium BbPART V Bass Eb and Bass BbThese transcriptions have been carried out in such a way to facilitate the addition of any original parts that may be available.Where relevant, suggestions are made for a variation in tone colour (i.e. 2nd Cornet, Flugel, Baritone, Trombone) as well asthe occasional opportunity for rest.
Estimated dispatch 7-14 working days
-
£40.00English Counterpoint (Score and Parts)
The winner of the inaugural RWCMD Cory Composition Prize in 2015, debutant brass band composer Lewis Furber unlocks an original and evoactive soundworld, where the influence of composers such as Vaughan Williams is never far away. Features solos for flugel horn, euphonium and baritone.
Estimated dispatch 7-14 working days
-
£29.95Judd: Before The Cross
Written at the request of David Daws for his solo album The Sound of David Daws, this meditation for cornet and brass band uses the composer's own song Before the cross (The Musical Salvationist, April 1965), the first lines of which are "Before the cross I stand in fear and wonder, and see that all my sins on Thee are laid". The song was written at an early stage of the composer's career, just before commencing study at The Royal Academy of Music, London. After a brief introduction the melody is heard twice, first played by the soloist, then on euphonium and flugel horn with the soloist adding ornate counterpoint before taking up the melody once again, this time leading to a quiet and reflective conclusion.
Estimated dispatch 7-14 working days
View Music