Results
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£42.95WATCHING THE WHEAT (Flugel Horn Solo with Brass Band) - Davoren, Tom
Instrumentation: Score; Flugelhorn; Solo E flat Horn; 1st E flat Horn; 2nd E flat Horn; 1 st B flat Baritone; 2nd B flat Baritone; 1st B flat Trombone; 2nd B flat Trombone; Bass Trombone; B flat Euphonium; E flat Bass; B flat Bass; Timpani; Percussion 1; Percussion 2; Percussion 3. Cornets are tacet throughout.
Estimated dispatch 7-14 working days
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£50.90HAVE I TOLD YOU LATELY (B flat Cornet or Flugel Horn Solo with Brass Band) - Morrison, Van - Wormald, Christopher
B flat Cornet or Flutelhorn Solo & Brass Band. Grade Easy
Estimated dispatch 7-14 working days
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£36.28Sweet Hour of Prayer (Eb Bass Solo with Brass Band) Bradbury arr. Rowsell
A beautiful arrangement by Jonathan Rowsell for solo Eb bass with brass band accompaniment of the popular hymn Sweet hour of prayer, by William B. Bradbury. A version with piano accompaniment is also available here. To view a performance video of the solo (piano accompaniment version) please visit: www.youtube.com/watch?v=7iDpCO5A8vU Length: 3.15 minutes Sheet music available from www.brassband.co.uk Instrumentation: Solo Bass Eb Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion
In Stock: Estimated dispatch 1-3 working days
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£36.28Going Home - Flugelhorn/Trumpet Solo with Brass Band (Dvorak arr. Kevin Larsson)
VIEW SCORE PDF A beautiful setting for flugelhorn/trumpet soloist by Kevin Larsson of the Largo from Symphony No. 9 in E minor, 'From the New World', Op. 95, B. 178, popularly known as the 'New World Symphony'. To view a video of Jens Lindemann performing the solo with the Canadian Staff Band, please visit: https://www.youtube.com/watch?v=fobUFG5QorQ PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 4th Section + Instrumentation: Flugelhorn/Trumpet Soloist Bb Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£44.95Sweet Name (Flugel Horn Solo with Brass Band - Score and Parts)
The music was written at the request of Richard Woodrow of The International Staff Band in 2018. It is a big band setting of William Henry Rudd's melody The Saviour's name (T.B. 119), to which we associate the following words by Frederick Whitfield (S.A.S.B. 94):There is a name I love to hear,I love to sing its worth;It sounds like music in mine ear,The sweetest name on earth.O how I love the Saviour's name!The sweetest name on earth.
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1343 - 1346, November 2022
1343: March - Spreading the Word (Ian Clarke)This lively march features the songs Look, ye saints! the sight is glorious (S.A.S.B. 227), When we walk with the Lord (S.A.S.B. 690), I want to tell what God has done (S.A.S.B. 852), and makes reference to the old chorus When I remember that he died for me I'll never go back any more.1344: Prelude on 'Anstasis' (Sam Creamer)The Greek word anstasis translates to resurrection and particularly refers to the resurrection of Jesus Christ. The popular worship song O praise the name (Anstasis) forms the basis of this prelude. While the theme of this work is most applicable for Easter use, it could well find its place in programme and worship repertoire all year round.1345: Flugel Solo - The old rugged cross (Eiliv Herikstad)This Flugel Horn Solo (also playable by Cornet) includes chords on the soloist part so that the soloist can have improvisational freedom, or can play the written out solo.1346: March - Showers of blessing (Zachary Docter)This energetic march uses Gary Rose's melody Showers of blessing (STTL Vol.24, Pt.1).
Estimated dispatch 7-14 working days
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£54.95WORLD WITHIN, A (Brass Band Parts) - Scott, Andy
Brass Band parts only. 'A World Within' is a one-movement work that starts with a simple theme stated by the Soprano Cornet before an ostinato figure in 6/8 time emerges (Vibraphone, Horns and muted 2nd and 3rd Cornets) over which firstly Solo Cornet, and then both Solo Cornets (1 & 2), play a sustained melody. A shift between major and minor harmonies characterises the 'B' section, before making way for a virtuosic Flugel solo. When the Flugel leaves centre stage the front line Cornets take over, leading to a full bodied reprise of the 'B' section. The low brass bridge the gap between what is in effect the end of the first main section of the piece and the second section. The constant time shift between 3/4 and 6/8 that has been prevalent through-out 'A World Within', re-emerges towards the end of the 'slow, heavy blues' section, leading into an intricate almost fugue-like passage (Horn and Baritone leading the way). Out of this comes a short transitional bridge section that leads us back to the (transposed) original 6/8 time theme and feel, this time scored with a bold directness that leads to a powerful 2/4 time passage. The climax of 'A World Within' is heralded by one dark and dissonant chord that is repeated three times. A flashback moment occurs where the 'hymn' is stated (muted Cornets) in a bitonal harmonic world. A final statement emerges from the denseness of sound, a re-working of the initial theme (Solo Cornet), with the last work being left to Solo Eb Bass. Dur: 13:00
Estimated dispatch 7-14 working days
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£20.00
WORLD WITHIN, A (Brass Band Score) - Scott, Andy
Brass Band score only. 'A World Within' is a one-movement work that starts with a simple theme stated by the Soprano Cornet before an ostinato figure in 6/8 time emerges (Vibraphone, Horns and muted 2nd and 3rd Cornets) over which firstly Solo Cornet, and then both Solo Cornets (1 & 2), play a sustained melody. A shift between major and minor harmonies characterises the 'B' section, before making way for a virtuosic Flugel solo. When the Flugel leaves centre stage the front line Cornets take over, leading to a full bodied reprise of the 'B' section. The low brass bridge the gap between what is in effect the end of the first main section of the piece and the second section. The constant time shift between 3/4 and 6/8 that has been prevalent through-out 'A World Within', re-emerges towards the end of the 'slow, heavy blues' section, leading into an intricate almost fugue-like passage (Horn and Baritone leading the way). Out of this comes a short transitional bridge section that leads us back to the (transposed) original 6/8 time theme and feel, this time scored with a bold directness that leads to a powerful 2/4 time passage. The climax of 'A World Within' is heralded by one dark and dissonant chord that is repeated three times. A flashback moment occurs where the 'hymn' is stated (muted Cornets) in a bitonal harmonic world. A final statement emerges from the denseness of sound, a re-working of the initial theme (Solo Cornet), with the last work being left to Solo Eb Bass. Dur: 13:00
Estimated dispatch 7-14 working days
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£29.50Sibelius Fantasy - Gavin Somerset
Composed in 2003 for a composition competition, this work uses elements of three major work by the Finnish composer Jean Sibelius (1865-1957). The three being... Symphony No.5, Finlandia, Karelia Suite (March) The piece starts with an atmospheric opening before setting of in bar 10 with a tempo that will remain for most of the piece. The main original theme is brought in at A before the famous sequence from Sibelius' Symphony No.5 enters at B and then very distinctly at C. The music then rollercoasts through keeping all sections of the band busy, until we reach J when the solo Euphonium can shine, helped along by Flugel and Repiano. The Molto Vivo before K sets off with dazzling trills from the cornet section, and bringing with it the theme from Finlandia in bar 165, followed shortly by the March from the Karelia Suite. From N to the end, all three pieces are brought to a final climax together. A rousing piece and makes an interesting change to a direct transcription.
In Stock: Estimated dispatch 1-3 working days
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£77.00General Series Brass Band Journal, Numbers 2234 - 2237, August 2023
2234: Festival March - Above all names (Geoff McCorriston)This Festival March was originally written for the Camberwell Citadel Band, Melbourne, Australia. This composition marks the composers debut within our band journals. Geoff McCorriston served as Deputy Bandmaster at Preston Corps (Australia) for many years before joining the Camberwell Citadel Band. He has also been a member of the Melbourne Red Shield Band. Above all names is distinct from a standard street march in that it is more developed, both rhythmically and thematically. It is an original march that references We plough the fields and scatter (S.A.S.B. 70) and Camberwell (T.B. 182).2235: Flugel Horn Solo - Father, Creator (Simon Gash)Emma Pears has a gift for contemporary song-writing, with several of her songs featuring in the Sing to the Lord publication. The style and relaxed nature of the melody of Father, Creator (first published in the Children's Voices Series in 2011, and later in the Mixed Voices in 2014) seemed a perfect fit for the Flugel Horn. Throughout the piece, juxtaposed with Father, Creator, we hear snippets of the tune St Theodulph (T.B. 231), which outline the first lines of Albert Chesham's words, 'O Father and Creator, Thou God of perfect love' (S.A.S.B. 46).2236: A winter's carol (trs. Neil Smith)The history of the carol O come, Immanuel (C.C. 62) is, like the carol itself, a little mysterious! The melody was conceived as a monastic chant during the 8th century. It was not until 1851 that the priest and hymn writer John Mason Neale translated the verses into English, exposing the carol to a wider audience. There is an aura and enigmatic feel to this melody which is captivating to so many who hear it. This setting was originally conceived for wind band by American composer Mark Williams. The brass band transcription introduces a new name to our journals, Bandmaster Neil Smith, who is the Territorial Music Director for the USA Western Territory.2237: Mighty to keep (Eiliv Herikstad)Mighty to keep marks the composer's first publication since his Promotion to Glory in April 2023. Bandmaster Eiliv Herikstad served faithfully in his native Norway throughout his life, and since the early 1970s, has provided The Salvation Army with a wealth of original compositions and skilful arrangements. Eiliv explored many styles of big-band and jazz writing which, in the 70s, were not commonplace amongst brass bands, particularly in The Salvation Army. Music Editorial are grateful to Eiliv for using his gifts to support Salvation Army music ministry.The subject of this piece is Herbert Booth's song Mighty to keep, which was first published by The Salvation Army in 1889. The chorus of the song is more well-known that the verse and was included in the chorus section of the 1986 Salvation Army Song Book.
Estimated dispatch 7-14 working days
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