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£69.00End of the Year Special - Andrew Pearce
The end of the year special is an original composition not based on any carols, written originally for orchestra for a French TV channel to celebrate their end of the year festivities. It's a short 2 1/2 minute opener with lots of tuned percussion and sleigh bells, plus some solo work for the euphonium. It's fun and festive and a great way to open any Holiday concert. There's even an optional part for women's chorus if you like. End of the Year Special could very well be the perfect opening for your Christmas concert.
Estimated dispatch 10-14 working days
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£39.99Amid the Cold Of Winter- The Rose ("Es ist ein Ros entsprungen")
ABOUT THIS PIECE: Introduce a touch of elegance to your Christmas programme with Amid the Cold of Winter - The Rose, a beautiful arrangement of the traditional carol Es ist ein Ros entsprungen (Lo, How a Rose E'er Blooming). This cherished melody dates back to the late 16th century and has been celebrated for its gentle beauty and profound sense of reverence. Its origins in German sacred music have made it a favourite across centuries, embodying the spirit of hope and renewal. This arrangement, crafted for quartet with brass band accompaniment, enhances the carol's delicate charm while providing a fresh, rhythmic and gentle take on the accompaniment and overall feel. Perfect for seasonal concerts, or gentle and reflective moments in your programme, this piece allows a quartet of soloists to shine. ENSEMBLE: Quartet (soprano cornet, repiano cornet, solo tenor horn & solo baritone) with Standard British Brass Band. For information: As only two solo cornets are required, it is suggested that remaining cornet player play additional percussion. Soprano part available in Bb to be played by Bb cornet. Solo Horn part available in Bb to be played by trombone (trombone part available in Eb to be played by tenor horn in this scenario). WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 1 LISTEN: DURATION: c. 4-minutes EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£87.99Sunday in the Park - Philip Sparke
Sunday in the Park was written for tenor horn virtuoso Sheona White, and commissioned by her partner, Matt Wade, as a Christmas present.Composer Philip Sparke had known and admired Sheona's playing for many years, having produced her first solo CD and written pieces for her previously.Both composer and performer are huge fans of the late Karen Carpenter, Sheona in part modelling her sound on the singer's sultry voice; so it was decided that this new solo would be a piece which, whilst not being a 'Carpenters' pastiche, paid tribute to their relaxed style and rich harmonic language. Sunday in the Park openswith an accompanied cadenza for the soloist, which leads to a gentle rhythmic melody with a laid-back feel. This is taken up by the band but the soloist sparks a change of mood by introducing a faster light rock interlude. This reaches a climax, at which point the music unwinds until the original mood returns.A variation on the original melody leads to a short cadenza from the soloist, which brings the work to a peaceful close.
Estimated dispatch 5-14 working days
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£87.99Sunday in the Park (Tenor Horn Solo with Brass Band - Score and Parts) - Sparke, Philip
Sunday in the Park was written for tenor horn virtuoso Sheona White, and commissioned by her partner, Matt Wade, as a Christmas present. Composer Philip Sparke had known and admired Sheona's playing for many years, having produced her first solo CD and written pieces for her previously. Both composer and performer are huge fans of the late Karen Carpenter, Sheona in part modelling her sound on the singer's sultry voice; so it was decided that this new solo would be a piece which, whilst not being a 'Carpenters' pastiche, paid tribute to their relaxed style and rich harmonic language. Sunday in the Park opens with an accompanied cadenza for the soloist, which leads to a gentle rhythmic melody with a laid-back feel. This is taken up by the band but the soloist sparks a change of mood by introducing a faster light rock interlude. This reaches a climax, at which point the music unwinds until the original mood returns. A variation on the original melody leads to a short cadenza from the soloist, which brings the work to a peaceful close.Duration: 7:00
Estimated dispatch 7-14 working days
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£34.95Bah Humbug! - Jonathan Bates
DURATION: 3'00". DIFFICULTY: 3rd+. Composed for Strata Brass in 2020 as part of their COVID-19 induced, virtually recorded 'A Christmas Carol' (a new suite for brass band lasting around 30 minutes in total), 'Bah Humbug!' is a tongue-in-cheek yet showy solo composed for Bass Trombone. Throughout the work, the solo line is used to depict Ebenezer Scrooge, a miserly old man with little-to-no compassion or generosity and this grumpiness is portrayed throughout the solo. Often there will be moments of lightness and hoy, quickly banished by the misery of the Bass Trombonist!.
In Stock: Estimated dispatch 1-3 working days
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£44.00
Don't Sit Under the Apple Tree - Stept-Brown-Tobias - Bjorn Morten Kjaernes
"Don't Sit Under the Apple Tree (With Anyone Else but Me)" is a popular song that was made famous by Glenn Miller and by the Andrews Sisters during World War II. Its lyrics are the words of two young lovers who pledge their fidelity while one of them is away serving in the war. Originally titled "Anywhere the Bluebird Goes", the melody was written by Sam H. Stept as an updated version of the nineteenth-century English folk song "Long, Long Ago". Lew Brown and Charles Tobias wrote the lyrics and the song debuted in the 1939 Broadway musical Yokel Boy. After the United States entered the war in December 1941, Brown and Tobias modified the lyrics to their current form, with the chorus ending with "...'till I come marching home".In 1942 the song was featured in the film Private Buckaroo as a performance by the Andrews Sisters with the Harry James orchestra and featuring a tap dancing routine by The Jivin' Jacks and Jills. It was featured in the films Twelve O'Clock High (1949), With a Song in My Heart (1952), Kiss Them for Me (1957), A Carol for Another Christmas (1964), In Dreams (1999) and The Master (2012). It also featured in the mini-series The Pacific. You can use the song both on musical concerts, movie concerts or just as a happy jazz tune on your next concert. On the sections (like from bar 25), please work carefully to make a good balance with all parts, and that each chord is balanced. With 4-part harmonies sometimes you need to hold back certain notes to make the accord sound good. If you want to open up for a longer improvisation, you can repeat 65 to 81, but then change the part 2 in bar 80 from Eb to a D on the repeat. The accord will be an F6 instead of F7 (on beat 3 and 4 in bar 80) Have fun and enjoy!
Estimated dispatch 7-14 working days
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£35.00In Pitch Black - Lucy Pankhurst
An extremely emotional and poignant work for brass band composed by Lucy Pankhurst, in memory and tribute to those affected by the Pretoria Pit disaster in Lancashire on 21st December 1910. The piece is chilling in its depiction of the tragic story, sensitively conveying the atmosphere and emotions as perceived before, during and after the event. Through its use of playing techniques, effects, sound combinations and even silences, In Pitch Black offers a powerfully reflective piece.Pritoria Pit DisasterLancashire's worst pit disaster and Britain's third largest loss of life from a single mining accident happened at the No. 3 Bank Pit belonging to the Hulton Colliery Company, just 4 days before Christmas 1910. The pit known as the 'Pretoria Pit' was situated on Hulton Parkland on the border of Atherton and Westhoughton. An explosion occurred at 7.50 am on Wednesday, 21 December 1910, resulting in the death of 344 men and boys, including many members of The Wingates Band.The Writing ExperienceDuring Lucy's research for this work, she acknowledges that she found the harsh reality from the shocking images and historical accounts of the event most disturbing, and is not embarrassed to disclose that it was wholly a very emotional experience in creating the composition. Consequently, she chose to create something to illustrate the true emotion of the situation. She wanted to pay tribute to the lives lost and the devastation which remained in their absence, by creating a piece of music which begins in darkness; desolate and claustrophobic, whilst still leaving the audience feeling uplifted and thoughtful in the final bars.The significance and musical appreciation for the creation of In Pitch Black was formally recognised by BASCA in 2011, when Lucy Pankhurst won the internationally acclaimed British Composer Award (the first time a brass band work had received the award, and the first time a female composer had won the category).Full programme notes are included in the product images.Look and Listen (performance courtesy of Manchester University Brass Band):
In Stock: Estimated dispatch 3-5 working days
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£30.00Stars and Stripes Forever, The - John Philip Sousa arr. Phillip Littlemore
The patriotic American march The Stars and Stripes Forever is the official National March of the United States of America, as decreed by a 1987 act of the U.S. Congress. It is probably Sousa's most famous composition.While on vacation in Europe with his wife, Sousa received word that his good friend and band manager, David Blakely, had died. Sousa quickly returned to the States aboard the S.S. Teutonic, and whilst aboard he began to form the music that was to become his most famous march. According to his Sousa's autobiography, Marching On, he composed the majority of the work on Christmas Day 1896: "I did not transfer a note of that music to paper while I was on the steamer, but when we reached shore, I set down the measures that my brain had been playing for me, and not a note of it has ever changed." For twenty-five years Sousa's Band played the march at almost every concert it held.Duration: 3'50"Difficulty: Suitable for all
Estimated dispatch 5-7 working days
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Tiger In The Night - Mike Batt - Len Jenkins
"Tiger in the Night" is a song made popular by Colin Blunstone and Katie Melua, and takes its inspiration from the poem by William Blake.It features in the soundtrack of the 1997 film 'Keep the Aspidistra Flying' which was based on the 1936 book by George Orwell. The title of the book is a reference to 'Keep the Red Flag Flying' but applied to the stuffiness of the British Middle Class. The music for the film was composed by Mike Batt who was also responsible for "The Wombling Song" and "Wombling Merry Christmas" which we also publish for brass.
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£38.95Unity Series Band Journal - Numbers 506 - 509, June 2022
506: Lord of all hopefulness (Gary Rose)The hymn Lord of all hopefulness, Lord of all Joy (S.A.S.B. 772) and its associate tune, Slane, creates a reflective work beautifully penned by Gary Rose507: Carol Arrangement - Glory in the highest (Sam Creamer)This Christmas favourite is given the classic Count Basie big band swing style - a perfect addition to your December concerts.508: Meditation - In Holiness (Dean Jones)Written for Merthyr Tydfil Corps band, this expressive work pieces together the tunes Hereford (T.B. 16) and Beethoven (T.B. 5).509: March - Ellan Vannie (Paul Sharman)The opening statement of this march reference the tune Ellan Vannin (T.B. 366) which gives rise to the title. 'Ellan Vannin' is Manx Gaelic for 'Isle of Man' and this music was written for a musician's weekend at Douglas Corps
Estimated dispatch 7-14 working days
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