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  • £34.50

    Concerto for Cornet with Brass Band Accompaniment

    Estimated dispatch 5-7 working days

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  • £29.50

    Brass Monkey's Soloists - Martin Geovess

    The main goal of any training band is to eventually see the players progress through the ranks and ultimately, be placed within the senior band. This latest instalment of the Brass Monkeys series, aims to bring that goal much closer and boost the confidence of the learners. The 'Brass Monkey's Soloists' publication features four specially composed works which allows the young soloists to perform a feature piece with accompaniment from the senior band. There is no bigger confidence boost than playing up alongside the 'big band'. The specially tailored solo parts are written at an advanced training band level, whilst the senior band parts will keep them busy as they aid the future generations to come. This publication features...THE OLD 'F' AND 'C' - (Solo for Cornet / Flugel)LAZY DAYS - (Solo for Trombone)DANNI'S SONG - (Solo for Tenor Horn)THE SHOWMAN - (Solo for Euphonium / Baritone / Xylophone)

    In Stock: Estimated dispatch 1-3 working days
  • £35.62

    Have Yourself a Merry Little Christmas (Vocal or Flugel/Cornet Solo with Band)

    This attractive Bossa Nova-style arrangement for vocal or flugel/cornet soloist with brass band has been made by Australian composer Sam Creamer. The key is suitable for male or female vocalists, or in the absence of a vocal soloist a part has been supplied for flugel horn or cornet soloist. A piano accompaniment that matches this band arrangement is also available here and may be used as an alternate accompaniment in the absence of a full band, or can be used simultaneously by a rhythm section alongside the brass band. Have Yourself a Merry Little Christmas has been a Christmas favourite to many since its first release, extensively featuring in Christmas movies, broadcasts and programming. It has also been recorded numerous times by artists including Judy Garland, Frank Sinatra, Tori Amos, Michael Buble, Christina Aguilera, and Chicago. To view a rolling score video of this piece please visit www.youtube.com/watch?v=sSZHxzsJheg Duration: Approx. 3.00 minutes Difficulty Level: 4th Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Vocal Soloist Cornet/Flugel Horn Soloist Bb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbPercussion I (Timpani, Vibraphone, Glockenspiel) Percussion II (Bongos, Shaker, Triangle) Percussion III(Drum Set)

    In Stock: Estimated dispatch 1-3 working days
  • £35.62

    Fanfare for the Future (Brass Band) Robbert Vos

    Fanfare for the Future is a stirring and optimistic piece of music that celebrates the possibilities of the future. The piece is scored for brass band and percussion, and it features two contrasting themes: an exciting fanfare and a hymn-like melody. Written during Covid, the fanfare represents the challenges and obstacles that we face in the world, while the hymn represents our hopes and dreams for the future. The two themes come together in a grand finale, which represents our determination to overcome the challenges of the present and build a better future for ourselves and for generations to come. To view a follow-the-score video of the work please visit www.youtube.com/watch?v=tBbFpNFd3I4 PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + This title is also available for brass choir with percussion here. Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £35.62

    Sunset (Cornet Solo with Brass Band) David Robb

    Sunset was written in June 2023 as a graduation present for the composer's son Callum and is dedicated to him. It portrays an older father (the composer) reminiscing about the love, respect and pride he has for his grown-up son and all that he has achieved and worked for. Sunset is lyrical and song-like in style. A soaring solo line is accompanied by a mainly homophonic background which should support, but never overpower the soloist. The tutti sections feature the melody accompanied by flowing scalic figures which portray the passing of time. The piece ends with an ad lib cadenza section where the soloist can really put their own mark on the music. To view a video of Dominic Longhurst and Victoria Brass performing the solo please visit www.youtube.com/watch?v=nzYwOvlqaYU PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 4th Section + Length: 4.10 minutes Instrumentation: Cornet Soloist Bb Soprano Cornet Eb Tutti Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Suspended Cymbal Glockenspiel

    In Stock: Estimated dispatch 1-3 working days
  • £51.46

    Angel Voices (Rhapsody for Soprano Cornet & Band) Brian Bowen

    This solo for soprano cornet and brass band was written by the late Brian Bowen for the New York Staff Band in 1989 when Gordon Ward was its very fine soprano cornetist. The title comes from a song by Ernest Rance (music) and Reginald Woods (lyrics) published by The Salvation Army in 1955. In this rhapsody Rance's melody is first alluded to by the horns at the pick-up to bars 19-21, then more fully with the soloist's entry to bar 51 (but in minor mode until bar 55). Much of the original music is ethereal in nature, maybe reflecting the angelic hosts. Published by BrookWright Music in 2023, the score now carries the inscription 'To the memory of Linda Ward' - Gordon Ward's wife who very sadly died in November 2021. The first commercial recording of the rhapsody was released in 1990, performed by Gordon Ward and the New York Staff Band on its Music Makers CD (TRCD 1049), available to listen to here: https://on.soundcloud.com/nHch1 PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: Soprano Cornet Soloist Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion

    In Stock: Estimated dispatch 1-3 working days
  • £31.66

    For Uncommon Valor (Brass Band) Andrew E. Lawson trs. Andrew Wainwright

    A rousing fanfare for brass and percussion, this work by Andrew E. Lawson was the winner of the prestigious Dallas Winds Fanfare Competition 2019. Here it is has been transcribed for brass band by Andrew Wainwright. The composer writes: 'In honor of the 1,177 crewman killed among the battleship USS Arizona, For Uncommon Valor is inspired by the story of the brave men, women, and children who witnessed, fought, and endured the tragic events of December 7, 1941 at Pearl Harbor, and across the Hawaiian Island of Oahu. The story of Pearl Harbor, however, does not end with a sunken battleship, or a defeated nation. A mighty nation, 'the sleeping giant', awoke to face the challenge at hand and claim victory for those who could not claim it for themselves. The uncommon valor displayed by the men and women of the Pacific Fleet brought forth the greatest fighting force ever seen and put on display for all to see, the strength and resilience of the American people.' To view a video of Dallas Brass Band performing the work please visit: www.youtube.com/watch?v=hk-skGoNnro Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-4

    In Stock: Estimated dispatch 1-3 working days
  • £39.58

    Capriccio for Brass Band (Robbert Vos)

    VIEW SCORE PDF Capriccio for Brass Band (Robbert Vos) was the winner of both the overall prize decided by the judges and Public Commendation prize for the 2020 International Brass Band Composer Competition, a contest that included some 92 entries from around the world. The composer writes: 'My Capriccio for Brass Band is a lively, intense and virtuosic piece based on several thematic, rhythmical and harmonic ideas which are developed during the piece. It is non-programmatic and not based on a storyline. The middle section, in contrary, is in more of a minimalistic style, where there is room to create a mysterious and open atmosphere. Rhythmical elements are quoted from the opening movement, whilst clashing chords are used to build up tension. The last movement builds to a big climax, where several of the compositorial ideas used before come together for the finale.' PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: Championship Section Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone 1st Euphonium Bb 2nd Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days

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  • £107.95

    Cornet Concerto (Brass Band - Score and Parts) - Gregson, Edward

    The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival's Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument's capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled 'Of More Distant Memories') and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word 'Sonata' is used in its original meaning of 'sounding together'.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation - a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, 'Of Distant Memories'.The final Rondo, the shortest of the three movements, is a lively and 'fleet-of foot' Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.Click here for the piano reduction

    Estimated dispatch 7-14 working days

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  • £10.00

    Edward Gregson: Concertante for Piano and Brass Band

    DescriptionProgramme NoteThe Concertante for Piano and Brass Band was written in 1966, when the composer was an undergraduate student at the Royal Academy of Music in London. It received its first public concert performance in 1967 at the Royal Festival Hall, London, when the composer was the soloist with the International Band of the Salvation Army, conducted by Bernard Adams. It was one of the first major works to be written for this particular combination.The Concertante is unashamedly romantic in idiom and is in three movements: Prelude, Nocturne and Rondo. The Prelude is cast in sonata form and opens with a short cadenza-like flourish from the soloist, followed by two main ideas - the first sweepingly dramatic, the second highly lyrical. The interplay between these two themes forms the main focus of the movement, and after a return to the opening theme, an exuberant codetta brings the music to a close, albeit a quiet one.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-1st-movt-clip.mp3The tender Nocturne opens with an introduction from the band that contains precursors of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'bluesy' character with its flattened third and seventh notes of the scale, and is a love song dedicated to the composer's wife-to-be. The band enters with phrases of a chorale already hinted at in the introduction - Ray Steadman-Allen's hymn tune 'Esher' - but never quite presented in its complete state. Both ideas are developed alongside each other, with eventually the first theme returning, this time with piano and band together, and building to a majestic climax, before subsiding to a peaceful coda - a return to the very opening of the movement.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-2-clip.mp3The final Rondo is full of energetic rhythms and changing time patterns. The main theme is playful in character, with much interplay between soloist and band, whilst the middle section presents a new theme, and one that has more than a hint of the hymn tune 'Onward Christian Soldiers', in what amounts to a good humoured parody. The opening Rondo theme returns, this time leading to a powerful and dissonant climax from the band. This is followed by an extended piano cadenza, underlying the virtuoso aspect of the work, and leading to an energetic and life-affirming coda, which brings the work to a triumphant conclusion.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-3-clip.mp3Duration: 18 minutesInstrumentation:Please note that there is no 1st/Repiano Cornet part in this work. The 1st/Repiano Cornet player should join the Solo Cornet bench. As such an extra Solo Cornet part is provided in the set of parts.Version for two pianosA version of the Concertante for two pianos is available for rehearsal purposes. Piano 1 is the solo part and Piano 2 the band reduction. However, for those pianists not needing to rehearse the work in this way, a solo piano part is also provided with the main set of band parts.To view a preview of the solo part for the first movement click here.The youthful Gregson (his work was written as a third year undergraduate) was seemingly a bit of a musical magpie - but one heck of a skilful one at that.These were shiny baubles of poise, panache and pastiche, with affectionate, remarkably mature nods of appreciation towards Gershwin, Rachmaninov, Ireland and even Elmer as well as Leonard Bernstein.The rich colour palette and flowing lines (with the tenderest of central Nocturnes) were a joy - as were the little buds of motifs that dotted the score like seeds ready to be planted on a future fertile brass band compositional field. - Iwan Fox, 4Barsrest.com, June 2019For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com

    Estimated dispatch 7-14 working days

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