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  • £44.95

    Judd: Turris Fortissima

    The geographical position of Plymouth (the composer's home city) means that, at various times in history, the city has been the United Kingdom's first line of defence. A series of forts around the coast bears testimony to this and forts have featured on the city's coat of arms ever since. However, the city's forefathers believed that physical security was worthless without a faith in God's protection and this is reflected in the city motto; Turris fortissima est nomen Jehovah (The name of Jehovah is our strongest tower) (Proverbs 18:10). Written for Enfield Citadel Band's tour of the USA in 2007, the music attempts to portray this assurance with the use of the tune Ein' Fest Burg (A mighty fortress is our God) along with the more contemporary Blessed be the Name of the Lord and Shout to the Lord. There is also an apt reference to Dean Goffin's My Strength, My Tower as the music builds to its dramatic final bars.

    Estimated dispatch 7-14 working days
  • £29.95

    Judd: War Cry

    'War Cry' was written at the request of Bandmaster Ronald Waiksnoris for the New York Staff Band's 125th Anniversary concert in Carnegie Hall, New York, in March 2012. He wanted a piece to open the concert with and so 'War Cry' was born. It is based on the song, 'Ever is the War Cry'. You will find the piece is quite militant in nature, which is a direct reflection of the text of the song.

    Estimated dispatch 7-14 working days
  • £49.95

    The Dark Side Of The Moon (Score and Parts)

    This piece was commissioned by Dr. Nicholas Childs and Black Dyke Band on behalf of Rotary International and received its world premire performance at St. David's Hall, Cardiff on Saturday 27th January 2007. It is dedicated to the composer's father, Harry Cooper.The music was selected by the National Contesting Council as the 3rd section test piece for the 2008 Regional Brass Band Championships of Great Britain. A Note from the Composer...Have you ever thought of a holiday destination, tourist attraction, event, place, site or period in history and thought 'I wonder what it would be like?' - somwhere you have never been and can only let your imagination run wild on. What would the place be like, and all the things surrounding it such as the mood, feelings you get experiencing it, the temperature? Who would be there and what you would see? This piece is my musical imagination of the dark side of the moon. I know from news reports, the internet and other footage that the moon is a very desolate place, very barren and rugged. So from the start the piece gives the listener a musical picture of the rugged landscape with little light and warmth.However, the one place that has had me thinking about is the side of the moon that we don't see in our night skies, the side of the moon with no sun and no light pollution from civilisation. I can only imagine the eeriness one would feel being stood in complete darkness on the moon's surface looking around.As you slowly explore the surroundings and your eyes drift up to the night sky, there is an awesome sight unfolding in front of you - countless stars and galaxies, planets and different solar systems and all right in front of you glistening from the light of the sun beaming from the other side of the moon. The Dark Side of the Moon portrays a musical picture of the whole experience as seen in my imagination taking the listener from the rugged landscape to the awesome beauty that sits endlessly in front of you.Paul Lovatt-Cooper, September 2007

    Estimated dispatch 7-14 working days
  • £24.95

    The Dark Side Of The Moon (Score Only)

    This piece was commissioned by Dr. Nicholas Childs and Black Dyke Band on behalf of Rotary International and received its world premire performance at St. David's Hall, Cardiff on Saturday 27th January 2007. It is dedicated to the composer's father, Harry Cooper.The music was selected by the National Contesting Council as the 3rd section test piece for the 2008 Regional Brass Band Championships of Great Britain. A Note from the Composer...Have you ever thought of a holiday destination, tourist attraction, event, place, site or period in history and thought 'I wonder what it would be like?' - somwhere you have never been and can only let your imagination run wild on. What would the place be like, and all the things surrounding it such as the mood, feelings you get experiencing it, the temperature? Who would be there and what you would see? This piece is my musical imagination of the dark side of the moon. I know from news reports, the internet and other footage that the moon is a very desolate place, very barren and rugged. So from the start the piece gives the listener a musical picture of the rugged landscape with little light and warmth.However, the one place that has had me thinking about is the side of the moon that we don't see in our night skies, the side of the moon with no sun and no light pollution from civilisation. I can only imagine the eeriness one would feel being stood in complete darkness on the moon's surface looking around.As you slowly explore the surroundings and your eyes drift up to the night sky, there is an awesome sight unfolding in front of you - countless stars and galaxies, planets and different solar systems and all right in front of you glistening from the light of the sun beaming from the other side of the moon. The Dark Side of the Moon portrays a musical picture of the whole experience as seen in my imagination taking the listener from the rugged landscape to the awesome beauty that sits endlessly in front of you.Paul Lovatt-Cooper, September 2007

    Estimated dispatch 7-14 working days
  • £67.30

    Temperamental (Brass Band) Fendall Hill

    This work by Fendall Hill was the set test for the 2021 National Brass Band Championships of New Zealand, B Grade. The composer writes: 'J.S. Bach (1685-1750) is deemed by many to be the 'Ulimate Composer'. He added an incredible proportion to the DNA of western music, and his influence is heard in the music of today. Like many artists, he was not overly recognised as a composer during his lifetime, and it took an 1829 performance of the St Matthew Passion by Mendelssohn to ignite a recognition of his place in the music world, a place he has maintained ever since. This piece starts with a similar spark of rediscovery of the music of Bach. It contains arrangements of various works, interspersed with composition based on Bach's chord structures, sections in the style of Bach, and original sections inspired by the moods created along the way. The first section explores the Toccata, and great organ works. This leads into an exploration of his choral works, and a finale based on the Preludes. The word 'Tempered' has different meanings, and all seem to apply to the music of Bach, and these appeal to the musical, engineering and spiritual aspects of my personal life. His music reaches to the humanity and divinity, it has strength, structure and order that creates frameworks in which incredible complexity reigns; and the complexity leads to a wildness, a kind of craziness that represents a range of human moods, and can change without warning. The same piece of music affects people in very different ways. I don't know if it's Bach's music, or us, but it can seem out of control and under control at the same time - the combination is highly temperamental. To view a follow-the-score video of the work please visit: https://youtu.be/zpNxITUqXZU Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet 1&2 Bb Solo Cornet 3&4 Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-4

    In Stock: Estimated dispatch 1-3 working days
  • £29.95

    WAR CRY (Brass Band Set) - Dorothy Gates

    This work was written as the opener for the New York Staff Band's 125th anniversary concert in Carnegie Hall in March 2012. Based on the song, 'Ever is the war cry'. the music is quite militant in nature which is a direct reflection of the text. While the composer pays homage to the past in this fitting salute, the overall musical style is decidedly that of the 21st century.

    Estimated dispatch 7-14 working days
  • £44.95

    TURRIS FORTISSIMA (Brass Band Set) - Steven Ponsford

    The geographical position of Plymouth (the composer's home city) means that, at various times in history, the city has been the United Kingdom's first line of defence. A series of forts around the coast bears testimony to this and forts have featured on the city's coat of arms ever since. However, the city's forefathers believed that physical security was worthless without a faith in God's protection and this is reflected in the city motto; Turris fortissima est nomen Jehovah (The name of Jehovah is our strongest tower) (Proverbs 18:10). Written for Enfield Citadel Band's tour of the USA in 2007, the music attempts to portray this assurance with the use of the tune Ein' Fest Burg (A mighty fortress is our God) along with the more contemporary Blessed be the Name of the Lord and Shout to the Lord. There is also an apt reference to Dean Goffin's My Strength, My Tower as the music builds to its dramatic final bars.

    Estimated dispatch 7-14 working days
  • £24.95

    DAVID OF THE WHITE ROCK (Cornet Solo with Brass Band Set) - Ray Bowes

    This melody is reputed to have originated in Caernarvonshire, North Wales. Tradition holds that a bard called David, lying on his deathbed, called for his harp and performed this plaintive tune, expressing a desire that it should be played at his funeral. Ever since the tune has been called by his name and that of his house 'Garagwen' ('Druid Stone' or 'White Rock'). The solo is not just a slow melody with brass band accompaniment but is a composite whole, the band needing as much sensitivity as the soloist in the presentation.

    Estimated dispatch 7-14 working days
  • £174.99

    Tales and Legends (Brass Band - Score and Parts) - Crausaz, Etienne

    This three-movement work by the Swiss composer Etienne Crausaz reflects three true stories and fascinating legends from the Middle Ages. The first movement tells the dramatic story of the 'witch' Catherine 'Catillon' Repond (1662-1731). She was the last woman ever to be executed for sorcery. In the second movement, the famous court jester Girard Chalamala occupies centre stage. This jester, the last one at the castle of Count Greyerz, could make everyone laugh. The third movement tells the story of Count Michael. He went down in history as a spendthrift bon-vivant. His burden of debt became so high that he did a moonlight flit and never came back! Duration: 21.00

    Estimated dispatch 7-14 working days

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  • £118.99

    Lions of Legends (Brass Band - Score and Parts) - Deleruyelle, Thierry

    This work was commissioned by Eurofestival. Ever since antiquity, mankind has been fascinated by the lion: symbolising courage, strength and temperance. Many have made use of the lion to represent themselves in symbols and emblems. In five movements the composer describes both the history of the lion throughout centuries, as well as the characteristics. A challenging idea to turn into music! The final movement King of Kings is extremely spectacular. A great choice for thematic concerts or as a main piece in your concert or contest.Duration: 11.45

    Estimated dispatch 7-14 working days

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