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£45.00The Pilgrim - Josiah Walters
Josiah describes his composition'The Pilgrim' as a journey of development and emotion, encompassing three key stages of emotional state: from the opening sounds which are full of anticipation and uncertainty, through to a passage of disillusionment and frustration, then moving on to a concluding stage which reintroduces the positive elements of the opening optimism, yet closing quietly, symbolizing an inner peace and contentment at the end of the musical journey.The composer's emotive approach to the creation of the work embraces a wealth of passion, anguish and enlightenment. Through his use of imaginative melody, themes and harmonic texture, Josiah has represented a collection of powerful emotions. Essentially non-programmatic, the piece opens in a contemplative manner, building with enthusiasm, and first introducing the use of bells and bell effects as a musical metaphor which is used throughout the piece to signify the journey's destination.As the sentiment continues, the music evolves in to an Allegro Furioso section, opening up a strong sense of frustration. At this section's climax, the symbolic use of the bells is reintroduced to create an over-tone of hope and purpose, although this does not last long as they fade into the Misterioso Molto Rubato section.As the melodies and harmonies develop onwards, 'The Pilgrim' evolves into a more reflective phase, reintroducing the sounds and motifs of the more strident opening.This closing section symbolizes the realisation that everything needed was already available to The Pilgrim, but travelling the journey, confronting and overcoming all of the challenges was the only route of discovery - peacefulness prevails, bringing the work to a close with a sense of contentment and enlightenment.'The Pilgrim', highly emotive in its creation, offers a wealth of musical imagery.Even to the uninformed listener, this fascinating, powerful and beautiful work stirs and stimulates a variety of emotional reactions - offering each listener an opportunity to apply the music to their own journey, their own personal pilgrimage.
Estimated dispatch 7-14 working days
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£35.00
The Water of Tyne - Traditional
A delightful setting of a traditional North East melody, arranged in a hauntingly pastorale style with all the skill we have come to expect from Philip Harper. Featuring the euphonium and principal cornet with the melody at first, the piece then builds to a passionate full band rendition which eases back to a tranquil, effective close.A great piece to offer every level of band the opportunity to add some stylish peace to their programme.Also available for Concert Band.
Estimated dispatch 7-14 working days
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£25.00Fanfare from La PA(c)ri - Paul Dukas arr. Phillip Littlemore
La Peri is a 1912 ballet in one act by French composer Paul Dukas, about a man's search for immortality and an encounter with a mythological Peri (a winged, fairy-like creature). The original music to La Peri was written in 1911 as a Poeme Danse En Un Tableau (Dance Poem in One Scene), and was his last published work.The ballet itself is preceded by this brilliant Fanfare which is often performed separately. This arrangement is for full brass band, and would make a good opener for any concert or event. It can also be performed with or without percussion.Duration: 1'40"Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days
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£35.00Symphonic Dance No.3 - Sergei Rachmaninov arr. Phillip Littlemore
Completed in 1940, the set of Symphonic Dances was Sergei Rachmaninov's last composition. The work is fully representative of the composer's late style with its curious, shifting harmonies, the almost Prokofiev-like outer movements and the focus on individual instrumental tone colours throughout. Rachmaninov composed the Symphonic Dances four years after his Third Symphony, mostly at the Honeyman Estate, 'Orchard Point', in Centerport, New York, overlooking Long Island Sound. The three-movement work's original name was Fantastic Dances, with movement titles of 'Noon', 'Twilight' and 'Midnight'. When the composer wrote to the conductor Eugene Ormandy in late August, he said that the piece was finished and needed only to be orchestrated, but the manuscript for the full score actually bears completion dates of September and October 1940. It was premiered by Ormandy and the Philadelphia Orchestra, to whom it is dedicated, on 3rd January, 1941.This arrangement is of the last dance and is a kind of struggle between the Dies Irae theme, representing Death, and a quotation from Rachmaninov's own Vespers (also known as the All-night Vigil, 1915), representing Resurrection. The Resurrection theme proves victorious in the end as the composer actually wrote the word 'Hallelujah' at the relevant place the score (one bar after Fig. 16 in this arrangement). Duration: 3'45"Diffiuclty: 2nd Section and above
Estimated dispatch 5-7 working days
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£30.00Ave Maria - Franz Schubert arr. Phillip Littlemore
Franz Schubert wrote his Ave Maria in 1825. It is the third of three song settings from Sir Walter Scott's poem The Lady of the Lake, itself written in 1810. It's proper title is Ellen's Song, named after the heroine of Scott's poem, Ellen Douglas.It has been suggested that the opening two words of the original song may have led to the idea of it being arranged for the full text of the Roman Catholic Prayer. It is now most often performed in this latter adaptation, thus leading to the misconception that it was originally set with the prayer in mind.Even in Schubert's own brief lifetime, he was only thirty-one when he died, this song was considered a masterpiece. It acquired greater popularity when it was used in the 1940 Walt Disney film Fantasia where its beauty and simplicity offered calm and respite following the tempestuous strains of Mussorgsky's A Night on Bare Mountain .Duration: 3'40"Difficulty: Suitable for all
Estimated dispatch 5-7 working days
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£25.00O Mio Babbino Caro - vocal solo (Giacomo Puccini arr. Phillip Littlemore
O Mio Babbino Caro (Oh My Dear Papa) is taken from the opera Gianni Schicchi by Giacomo Puccini. It is sung by Schicchi's daughter, Lauretta. after tensions between Schicchi and his prospective in-laws have reached a breaking point that threaten to separate her from Rinuccio, the boy she loves.The story of Gianni Schicchi concerns a rich old man who dies leaving all his possessions to the local monastery. His outraged relatives agree to Gianni Schicchi impersonating the dead man so that he can dictate a new will. In doing so, Schicchi manages to bequeath himself the dead man's most hotly contested possessions - his mule, his house and his mills. This means that Schicchi can now provide a full dowry to enable his daughter to marry. It is the second opera of Puccini's operatic triptych, which also includes Il Tabarro and Suor Angelica .Duration: c.2'00"Grade: Suitable for all
Estimated dispatch 5-7 working days
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£35.00Trumpet Shall Sound, The - G. F, Handel arr. Phillip Littlemore
Along with the Hallelujah Chorus, the bass aria (and mini trumpet concerto) The Trumpet Shall Sound is one of the most recognisable movements from Handel's Messiah, which was composed in 1741 and received it's premiere in Dublin a year later. Written in three parts, the The Trumpet Shall Sound appears in the middle of the third and final part.The aria is rarely performed 'live' with the full repeat, as it is a particularly taxing part for the trumpet player. However, in this arrangement, the extended middle section is intact and can therefore be played at the trumpet soloists discretion!Duration: 10'30" (4'20" playing the first section only)Difficulty: Suitable for all (band accompaniment)Also available from Messiah:Hallelujah ChorusAnd The Glory, The Glory of the Lord
Estimated dispatch 5-7 working days
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£40.00Nightingale Dances - Matthew Hall
Matthew Hall Nightingale DancesNightingale Dances opens with a mellophonium-esque ensemble sound of 5 flugel horns, 3 tenor horns and trombones inspired by the Manhattan Transfer version of A Nightingale Sang in Berkeley Square, leading into a fast quickstep section for full band.Solo flugel horn takes the lead into the paso-doble middle section of the piece before the original opening to A Nightingale Sang in Berkeley Square becomes the main focus in the euphonium and baritone.A big build up into the final kit-led Hollywood-style show dance section with a half tempo feel ends the work with a real thumping ending to any contest or concert performance.Matthew Hall Nightingale Dances
Estimated dispatch 5-7 days
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£40.00Reflections of Tyne - Matthew Hall
Reflections of Tyne was commissioned by the NASUWT Riverside Band for their 2019 performance at Brass in Concert at The Sage in Gateshead.Reflections of Tyne combines two traditional songs from the North East of England into a rumbustious concert or contest finisher full of flair and excitement.The Waters of Tyne and The Cliffs of Old Tynemouth blend in the opening reflection of the stillness of the River Tyne before the industrial heritage of North East England is forces its way on to the landscape as the pace and intensity doubles almost instantaneously. A calmer, contemplative, solo passage precedes the final energetic climax in a vibrant musical rendition of the North East as we know it today, with the Tyne as important now as it ever has been.
Estimated dispatch 5-7 days
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£40.00
Situation Flammable - Matthew Hall
Situation Flammable is the second installment in the Jonny Midnight / Jim Hayes solo cornet series of pieces. Situation Flammable can be found on 'A Second from Midnight' and is a Latin-themed firecracker full of flair, style and just a hint of laid-back sophistication.
Estimated dispatch 5-7 days
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