Results
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£44.95My Fair Lady Selection
Includes: With a Little Bit of Luck; On the Street Where You Live; Wouldn't It Be Loverly; Get Me to the Church on Time; I've Grown Accustomed to her Face; I Could Have Danced All Night.
Estimated dispatch 7-14 working days
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£39.95Salute to Jolson Selection
Includes: I'm Just Wild About Harry; I Only Have Eye's For You; Avalon; Rock A-Bye Your Baby; California Here I Come.
Estimated dispatch 7-14 working days
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£32.50Vienna Nights (Score Only)
The City of Vienna stands at one of the historic crossroads of the world, linking east and west and embracing artistic influences from all sides. In the 250th anniversary year of Mozart's birth, this fantasy on Mozart's celebrated Piano Sonata in A (K331), has been composed true to the form and content of the original, but also to the underlying substance of the conception.One of Mozart's distinguishing features, and one that links him to later music by Beethoven, Schubert, Mahler and Schoenberg, is the breadth of his musical vision. His music links intellectual rigour with ecstatic utterance and darker preoccupations. It is, perhaps, this shadow-laden side of his musical nature which gives his work a profundity often absent in the work of his contemporaries. Admirers of his Requiem Mass or the Statue music in Don Giovanni will recognise that it is this extra sense of reality which makes Mozart so relevant to the modern age, and where he may link hands with the other great Viennese thinkers such as Berg, Webern and Adorno.The composer follows the three movement plan of the Sonata closely. The original begins with a Theme and Variations which is freely quoted. His Minuet is mirrored in the Recitative and Notturno, where each section of the band lays down a metaphoric rose to his memory. Famously, the sonata ends in populistic style with a Turkish Rondo. Ever since the Hapsburg-Ottoman Wars, which came to an end in the seventeenth century, Viennese composers have included Turkish elements in their music, not least in the use of certain percussion instruments. Vienna Nights is thusly a homage.It celebrates the world's greatest composer, but also the city which fostered his work. Here, in your imagination, you might easily conjure up a caf table near the Opera House, where Mozart, Mahler and Sigmund Freud, observed by us all from a discreet distance, may meet as old friends.
Estimated dispatch 7-14 working days
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£39.58March - The Stewards (Brass Band) Dave Collins
This rousing march by Dave Collins is a dedication to the remarkable group of volunteers - the unsung heroes - who, each year, organise and run the iconic Whit Friday brass band contests. They ensure that the heritage and tradition of this uniquely special event is not lost, preserving its ongoing and continued success. BrookWright is offering a 25% discount for bands who perform this march at the Whit Friday Contest. To claim the discount, please send a scan or photo of your band's adjudication card after the event to [email protected] Whit Friday, 'The Greatest Free Show on Earth', is synonymous with the brass band tradition. Its importance in the annual calendar to the players, supporters and spectators is vital to the Tameside and Saddleworth community. However, this mighty contest simply could not take place without the willing volunteers who dedicate their services year after year to keep this unique banding tradition going.Traditionally, on Whit Friday Morning, Hail! Smiling Morn (Roud #1346), also known as Praise Ye the Lord, is heard across the Saddleworth villages. This is where I have taken my inspiration, and the entire march is built upon quotes and references of this joyous work.The Stewards has many traditional elements drawing on the vast repertory of well-known marches, as well as some untraditional techniques and harmonies. The work aims to be a good test for the bands in its performance, but also fun and entertaining for the players and audiences alike - featuring a cheeky cornet solo, thunderous bass feature, and lyrical euphonium melodies, before concluding with a triumphant quote from the original source material.To you all who perform or hear this work, the stewards of the brass band tradition, HAIL! To view a follow-the-score video featuring Tredegar Town Band performing the work please visit www.youtube.com/watch?v=-CNgqvc534s PDF download includes score and parts, and comes in both A4 size and A5 landscape parts for marching purposes. A single page A5 conductor reduced score is also included. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 3rd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Cymbals Side Drum Bass Drum
In Stock: Estimated dispatch 1-3 working days
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£71.26Pyrenean Carol Suite (Brass Band) David Taylor
This attractive suite for brass band by David Taylor features five traditional carols from the Pyrenees region of Spain, as follows: i. Nadal Tindaire (Jingling Christmas) - Occitan traditional This Occitan Christmas song tells of musical instruments used to celebrate the Nativity - 'fifes and trumpets, timpani and pipes, or you, clear little bells, along with the angels' choir.' ii. Gabriel's Message (Birjina Gaztetto Bat Zegoen) - Basque traditional The most widely-known of the chosen carols, honouring Jesus's mother Mary, this is often sung in its English version, but the melody came from the Basque country. The Basque words were adapted from the Mediaeval song Angelus ad Virginem. Here, we feature the flugel horn. This movement was originally written on its own, with organ accompaniment, for the composer's wife, Diane Scott. iii. El Noi de la Mare (The Child of the Mother) - Catalan traditional A beautiful Catalan carol celebrating the birth of Jesus, telling of the tasty gifts that the singer would bring - 'Raisins and figs and nuts and olives; Raisins and figs and honey and mato [a Catalan dessert cheese traditionally served with honey.]' Here we feature the euphonium. The tune was made famous by guitarist Andres Segovia, who used it as a favourite encore, and by John Rutter, who made a widely-used setting for choir. iv. Paure Satan (Poor Satan) - Occitan traditional This rather unusual carol tells of the pain that Satan is put to by the arrival of the infant Jesus. Its mocking and sarcastic tone is reflected here, where the tuba soloist (as Satan) is given musical trouble throughout by the other parts. At first they conflict with the soloist, then the soloist makes overtures of friendship, which are treated with suspicion followed by contempt. The soloist finally gives in to their accompaniment (or do they?). There are plenty of opportunities for little theatrical touches here, if the tuba player is so inclined! The tuba part in this movement is notably more difficult than the rest of the music, and a number of optional changes have been marked to make the part easier to play, if so desired. The player is also welcome to add suitable extra embellishments to taste if they wish, within the character of the music. v. Fum, Fum, Fum! - Catalan traditional A favourite Catalan Christmas song for centuries, this rousing melody provides a fitting way to round off the suite, with its repeated rhythmic refrain of the nonsense title phrase. It tells of the Nativity, and then it tells of the celebratory feasting and good times that the singers look forward to to honour it. Although the suite is intended to be performed whole, it is also intended for usage with a selection of movements on occasions where a shorter piece is wanted. Suggested formats include a single movement alone (2, 3, and 5 are likely most appropriate), a pair of movements (any of the first four, plus 5), and a suite of three or four movements (1 and 5, plus one or two of 2, 3, or 4 in the middle). It is suggested that a good way to design a 'pick-your-own-suite' from the movements is to think of the earlier movements as introductory to the final movement. To view a rolling score video featuring Kidlington Concert Brass please visit www.youtube.com/watch?v=QIGdul-yxxg PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 3rd Section + Length: 9.45 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£110.00
Legend - Geert Jan Kroon
Other than the title, there is no real story that connects this piece to eyeballs or werewolves. There is no real legend that precedes this work. The legend will evolve in the listener's mind while listening to this piece. For me, it started with the title. It was dreamed up by my son. He also suggested a musical gesture, which I then used to build all the musical materials in this piece. I have sought to capture a dark atmosphere with a sense of excitement. Although, there are some not so dark moments in the piece which serve as a musical contrast. I would like to invite every listener to imagine a world where there exists a legend of a bleeding eyeball and a blind werewolf. And if you do dream up a great story, please let me know and share it with each other!
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£29.95Ghost of Christmas Yet To Come, The - Jonathan Bates
DURATION: 3'00". DIFFICULTY: 2nd+. Composed for Strata Brass in 2020 as part of their COVID-19 induced, virtually recorded 'A Christmas Carol' (a new suite for brass bandlasting around 30 minutes in total), 'The Ghost of Christmas Yet To Come' is a jagged and virtuosic solo for Euphonium portraying what Ebenezer Scrooge sees when he is shown how his Christmases in the future will occur by the Ghost of Christmas Yet To Come. Having already been shown how is mean and uncaring ways have impacted his life this far by the previous two visions, this 3rd and final vision is enough to force Scrooge to become a changed man and embrace the Christmas spirit with all his heart. Throughout this solo, you may hear small references to Camille Saint-Saens' 'Danse Macabre'. .
In Stock: Estimated dispatch 1-3 working days
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A Carol Fantasy | Chris Ellis
An interesting and unusual take on a lesser known Christmas piece.'I have played many music selections in my time featuring Christmas music, but the funny thing is they all seem to use the same tunes! Jingle Bells, Rudolph.... but I didn't want to produce another of those!An interesting thought - all Christmas selections seem to be in 4 beats in a bar and Major keys, all bright and festive. Why not try something different?Carol Fantasy uses 3 beats in a bar, and is written in a Minor key!Some of the classics are there, We Three Kings, Coventry Carol, and We Wish you a Merry Christmas, but they are all stitched together using the lesser known Bell Carol. This could well be the only Christmas selection with a Jazz waltz feel!ChrisEnjoy a different, refreshing and enjoyable slant on Christmas music!InstrumentationSoprano CornetSolo, Repiano, 2nd and 3rd CornetsFlugelhornSolo, 1st and 2nd Tenor Horns1st and 2nd BaritonesEuphonium1st, 2nd and Bass TromboneEb and Bb BassTimpaniDrum KitXylophoneISMN: 979-0-708127-40-6
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£94.90Stjernen og Rosa (The Star and a Rose) (Brass Band - Score and Parts) - Hannevik, John Philip
The Star and a Rose is a big-scale Christmas piece for band, featuring four seasonal chorales.The first is a Gregorian-like chant Hodie Christus natus est.In this section of the piece, a soloist can be placed away from the band, maybe on a gallery. The soloist can be a tenor instrument, maybe trombone, or you can feature a vocal soloist. After this, the music leads us on to the old German Christmas chorale Lo, how a rose e'er blooming. This song is given a fairly rhythmical treatment, but make sure that the melody is presented in a cantabile style. An interlude follows, before the piece presents one of the most used and loved Scandinavian Christmas chorales, Mitt hjerte alltid vanker (My Heart will always wander), composed by the Danish bishop Hans Adolph Brorson around 1732. This song is building towards a climax, before the solo horn brings it all down to the Stable view described in the lyrics. Then comes a transition that brings us in to the final section of the piece, which presents the international Christmas Carol Adeste Fideles. As many will notice, I have borrowed a section from David Wilcocks majestic harmonization towards the end.The title of the piece has its background form the lyrics in My heart will always wander, where the text speaks about the stars in the sky. But also in the Latin text for Adeste Fideles: Stella duce, Magi, Christum adorantes. The Rose is of course from the lyrics in the chorale Lo, how a Rose.Duration: 10.30
Estimated dispatch 7-14 working days
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£66.00S.O.S. (Brass Band - Score and Parts) - Kjaernes, Bjorn Morten
When the publisher asked me to make an arrangement of an ABBA tune, S.O.S. was the first song I thought of. Its introduction and melody are well suited to play for band. Admittedly, the key had to be shifted to make it sound good for this instrumentation. To me, this is nostalgia, while for others, the Mamma Mia movie/show will be what they associate with this wonderful song. Apart from a few medleys, few of ABBA's songs are available for band. So, it was very fun to work on this classic.The arrangement is made quite simply to fit many sizes of bands. Technically, it is also relatively simple both in range and rhythm. As you can see, there are many ways to adjust this arrangement to your own ensemble. Bring out melody lines and the bassline, and a lot is done. If needed, simplify to make it sound nice.Get creative and have fun!- Bjorn Morten KjaernesDuration: 3.30
Estimated dispatch 7-14 working days
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