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  • £82.30

    Julepastorale - Arild Sandvold

    Arild Sandvold (1895 - 1984) began his studies at the Music Conservatory in Kristiania (Oslo) in 1906, in piano and organ as well as music theory. After his debut as organist and pianist, he had his debut as orchestral conductor in 1924. At the same time he also had two periods of studies in Leipzig. In addition to studies in piano and organ, he received tutoring in composition. He was a teacher at the Oslo Music Conservatory and organist and a cathedral cantor in Oslo for more than 50 years. Sandvold brought both Baroque and Romantic organ works to a wider audience. He wrote a number of works for organ, in addition to music for choir and orchestra. The polyfony of the lateBaroque and the harmony of the Romantic period serve as the basis of his musical style. "A Christmas Pastorale" arranged with thoughts about the brass bands possibility for sound and colour, and should be a nice piece to do on concerts in the Christmas time.

    Estimated dispatch 5-14 working days

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  • £102.60

    Generalstabens Honnormarsj - Oscar Borg

    This march was written in 1919 by Norways own March King Oscar Borg (1851-1930).He was born in the town of Halden in the southeast of Norway and received his education at the Royal Academy in Stockholm, Sweden.Upon his return to Halden he became a driving force in the towns musical life in several respects. He conducted choirs, amateur bands and played the organ in church.Borg was also the conductor of 1. Brigades Musikkorps (today The Norwegian Wind Ensemble) from 1881 to 1918.His significance for the Norwegian military bands and their repertoire is unquestionable.He wrote over 60 marches and he played several instruments; the violin, flute, cornet and the organ.This arrangement was written for Askoy Brass Band in 2021.Svein H. Giske

    Estimated dispatch 5-14 working days

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  • £120.00

    Myte - Torstein Aagaard-Nilsen

    Commissioned by Radoy Brass for their 20 years anniversary.This version was first performed by Manger Skulemusikklag in 2005.The Work is devided into Five Scenes:1. Sverdet (The Sword) 3:452. Advarsel - fra en vis mann (Warning - from a Wise Man) 2:303. Dragen (The Dragon) 3:004. Advarsel II - fra syngende fugler (Warning II - from singing birds) 1:355. Gull - forbannelsen (Gold - The Curse) 2:50Total durata 13:30This work is based on five scenes from the tale about "Sigurd Favnesbane" (Sigurd the dragonslayer). Moods and atmospheres in the piece represent my way of retelling the old myth.1. The SwordThe dwarf blacksmith Regin is hammering and sharpening the edges of the magical sword Gram. After three attempts the sword is finally sharp enough to kill a dragon. 2. Warning - from a Wise manRichard Wagners opera Sigfried is based on the same story. In the opera the hero get warned by a wise man. He tells the secret of how to survive an attack of the dragon by hiding in a hole in the pathway and then kill the dragon with the sword as the dragon passes on its way to the river to drink water.3. DragonThe Dragon (Favne) guards a fantastic treasure, but he is also the brother of the blacksmith Regin. Favne get killed and his blood flows slowly while he laments (trombone/bass trombone).4. Warning II - from singing birdsWhile frying the heart, Sigurd burns his thumb and put it into his mouth to cool it down. Then he swallow a drop of fresh magic dragon blood which transfers the ability to understand the birdlanguage. The birds sing warnings to Sigurd telling him that Regin will betray him and later kill him. Sigurd then kills Regin instead.5. Gold - the CurseSigurd takes the gold treasure and escapes on the horseback of Grane. But his robbery of the gold lead him into trouble: The gold is banned and a curse will hit everyone whotakes it...Myth is a programmatic work where the story is quite clearly illustrated throughout the piece:In the first movement you can hear the blacksmith working with hammer on ambolt while the heat is intense from the glows. The dwarf has got his own theme i lower brass (bar 4-5). The hero Sigurd has his own identifying chord (2 bars before F). The chord is also a symbol of the sword.In the second movement the warning from the wise man is expressed in the lyric bass line.The airblow in instruments illustrate the dragon Favne on his way out of his cave, and later the blood flows slowly. The dragon takes his last deep breath after a painful duet in trombones. The birds sing their motifs (lightly, but not cheerful though), until Sigurd cuts the head off Regin and it hits the ground.The last movement describes the atmosphere andstate of mind as the curse infects the obsessed thief.

    Estimated dispatch 12-14 working days
  • £144.00

    Banderole - Hakon Berge

    Hakon Berge (born 22 April 1954 in Stavanger) is a Norwegian composer, conductor, arranger and music administrator, resident in Oslo. He studied at the Rogaland Conservatoire and at the Norwegian State Academy of Music.Berge has composed music for theatrical productions in venues such as the Rogaland Theatre, The National Theater in Bergen and the National Theatre in Oslo. He is also experienced in television production and was responsible for televised opera Gagarin - A Space Travel Opera(1991). He has composed a considerable number of commissions, including the music for the opening of the Alexandria Library, music for the opening of the Nobel Peace Centre in Oslo, and the test piece Brass Blot (for the European Brass Band Championships in Stavanger in 2008, in which Cory Band from South Wales won the first prize.Berge has also written the music to the documentary musical Byterminalen, also described as a rock opera, which was premiered in May 2008 in connection with the celebration of Stavanger as European City of Culture.Hakon Berge has held a number of offices in the musical life of Norway: he has been chairman both of the Norwegian Society of Composers and of TONO, the Norwegian performing rights organization.

    Estimated dispatch 12-14 working days
  • £38.00

    Moose on the Loose (Brass Band - Score and Parts) - Hamlyn, Mark

    "I had a dream of a moose that escapes captivity and heads towards the city. At first he has a ball with all the new things to see but as he approaches the centre he gradually despairs at the chaos of the crowds of people and traffic. In the end he flees desperately out of the city and slams himself back into his cage. The piece is clearly a homage to Shostakovich and perhaps shouldn't be taken too seriously" - Mark Hamlyn. Duration: 4.00. Suitable for 1st Section Bands and above.

    Estimated dispatch 7-14 working days
  • £24.95

    Brother James' Air (Brass Band - Score and Parts) - Bain, James - Downie, Kenneth

    The 'brother James' who wrote this beautiful tune was James Leith Macbeth Bain. He was born in Scotland in 1840 and died in Liverpool in 1925. Besides being a musician, he was a poet, mystic and had a great interest in healing. He published a book called 'The brotherhood of healing' in 1906 and spent the latter years of his life working with the underprivileged in Liverpool. He wrote this simple but charming tune to accompany the familiar paraphrase of Psalm 23 which comes from the Scottish Psalter of 1650; 'The Lord's my shepherd, I'll not want'.

    Estimated dispatch 7-14 working days
  • £12.50

    Brother James' Air (Brass Band - Score Only) - Bain, James - Downie, Kenneth

    The 'brother James' who wrote this beautiful tune was James Leith Macbeth Bain. He was born in Scotland in 1840 and died in Liverpool in 1925. Besides being a musician, he was a poet, mystic and had a great interest in healing. He published a book called 'The brotherhood of healing' in 1906 and spent the latter years of his life working with the underprivileged in Liverpool. He wrote this simple but charming tune to accompany the familiar paraphrase of Psalm 23 which comes from the Scottish Psalter of 1650; 'The Lord's my shepherd, I'll not want'.

    Estimated dispatch 7-14 working days
  • £119.99

    Flashback (Brass Band - Score and Parts) - De Haan, Jan

    A flashback is an interesting psychological phenomenon: a seemingly random trigger can bring back long-forgotten memories from the subconscious mind. The composer underwent a similar experience before writing this piece. He was asked to write a piece for The National Youth Fanfare Band in the Netherlands, one which he heard perform many years ago. All of a sudden he remembered Deep Harmony, a piece frequently programmed back then. He used his own flashback-experience as an inspiration to weave an old English hymn into his new composition, much like a musical flashback. The right idea at the right moment, as this piece will prove!Duration: 11:00

    Estimated dispatch 7-14 working days

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  • £24.95

    Brother James' Air (Brass Band - Score and Parts)

    The 'brother James' who wrote this beautiful tune was James Leith Macbeth Bain. He was born in Scotland in 1840 and died in Liverpool in 1925. Besides being a musician, he was a poet, mystic and had a great interest in healing. He published a book called 'The brotherhood of healing' in 1906 and spent the latter years of his life working with the underprivileged in Liverpool. He wrote this simple but charming tune to accompany the familiar paraphrase of Psalm 23 which comes from the Scottish Psalter of 1650; 'The Lord's my shepherd, I'll not want'.

    Estimated dispatch 7-14 working days
  • £87.95

    Masquerade (Score and Parts)

    The first performance took place on the 4th. September 1993 at the Free Trade Hall in Manchester during the British Open Brass Band Championships.Note by Philip Wilby:Masquerade is a centenary tribute to Verdi's last opera Falstaff and takes its final scene as the basis for my own piece. Thus I have used some of Verdi's music, and some of Shalespeare's plot, and woven them into a fabric with highly demanding music of my own to produce a work in the great tradition of operatically-based brass band pieces. Such scores date from the very beginnings of band repertory and are often not direct arrangements in the established sense but new compositions produced in homage to a past master. They may still offer performers and audience alike something familiar interwoven with something new. My own piece reuses some elements from the original story: . .Falstaff has been caught in a web of his own lies by the ladies of the town, who propose to teach him a lesson. The story opens at night in Windsor Great Park. The plotters, variously disguised in Hallowe'en fashion (as fairies,elves hobgoblins etc!) assemble in the park to await Falstaff's arrival (musicologists will, perhaps, note a rare use of 'large bottle in F' being used during this scene of suppressed alcoholic revelry!). Falstaff's companions, Bardolph,Piston and Robin, enter (represented here by the three trombones!), and are variously abused by the masqueraders. At the height of the Tout an alarm sounds and Falstaff (euphonium cadenza) enters as Midnight strikes. From a safe hiding place he watches as the disguised Nanetta (principal comet) sings a serene solo as the moon appcars above the trees. With sudden force the others seize him and drag him from his hiding place. As in the traditional game 'Blind Man's Buff', he is roughly turned seven times (a sequence of solo accelerandi) until, at last, he recognizes his assailants as his sometime friends. Far from complaining, Verdi's character concludes the opera with a good-humoured fugue on the words.... 'All the World's a Joke... Every mortal laughs at the others, But he laughs best who has the final laugh. Philip Wilby.

    Estimated dispatch 7-14 working days