Results
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£82.95LE CARNAVAL ROMAN (Overture) (Brass Band - Score and Parts) - Berlioz, Hector - Wright, Frank
Recorded on Polyphonic QPRL207D Quincentenary Concert
Estimated dispatch 7-14 working days
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£37.95
LE CARNAVAL ROMAN (Overture) (Brass Band - Score only) - Berlioz, Hector - Wright, Frank
Recorded on Polyphonic QPRL207D Quincentenary Concert
Estimated dispatch 7-14 working days
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£53.20LES FRANCS JUGES (Judges of the Secret Court) (Brass Band) - Berlioz, Hector - Lorriman, Howard
Advanced
Estimated dispatch 7-14 working days
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£49.20
MARCH HONGROISE (Brass Band) - Berlioz, Hector - Newsome, Roy
Medium
Estimated dispatch 7-14 working days
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£53.20
MARCH TO THE SCAFFOLD (Brass Band) - Berlioz, Hector - Barry, Darrol
Medium/Advanced
Estimated dispatch 7-14 working days
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£37.95
SHEPHERD'S FAREWELL (Brass Band) - Berlioz, Hector - Sparke, Philip
Estimated dispatch 7-14 working days
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£35.00WITCHES SABBATH, A (Brass Band) - Berlioz, Hector - Duncan, Andrew
from Symphonie Fantastique.
Estimated dispatch 7-14 working days
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£37.95Benvenuto Cellini (Brass Band - Score only) - Berlioz, Hector - Wright, Frank
Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
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£82.95Benvenuto Cellini (Brass Band - Score and Parts) - Berlioz, Hector - Wright, Frank
Berlioz's opera Benvenuto Cellini was first produced in Paris in 1838 but was withdrawn as a failure, and it was not until the production in Dresden in 1888 that it was finally acclaimed by the Germans as a triumph. Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story, laid in Rome during the mid-sixteenth century, is not strictly historical. The short opening Allegro, marked deciso con impeto, is conceived in the most brilliant Berlioz manner, utilising full instrumentation. In the Larghetto we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaptation of Teresa's aria (Act I). Towards the end the Cardinal theme is re-introduced by trombones, fortissimo against an energetic cornet and euphonium passage (senza stringendo - without hurry, says the score). After a unison passage storming skywards, there is a sudden, dramatic three-bar silent pause broken by Eb basses alone, again stating the Cardinal theme. A simple molto crescendo on the dominant, begun piano, leads to the long, resounding chord.
Estimated dispatch 7-14 working days
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£97.10
Carnaval Romain - Hector Berlioz
Estimated dispatch 5-14 working days
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