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  • £64.95

    Dance Spirit (Brass Band - Score and Parts) - Wiffin, Rob

    Dance Spirit is a three movement suite of dances comprising Stomping Dance, Waltz Interlude and Duende linked by solo dancer cadenzas. It started life as the wind band piece Spirit of the Dance. In it I attempted to capture some of the elements of this most fundamental of human activities, the urge to move our bodies to the rhythm of the music. In re-working it for brass band I extended the duration of the Waltz Interlude and increased the technical level in some areas with the intention of making it a suitable test piece.Stomping Dance - The suite starts with perhaps the most basic dance feeling, the desire to stomp our feet to the music, unrefined, no knowledge of steps needed. The heavy stomp is not always present in the music here, and sometimes you can sense the dancers trying something a little more refined, but it is always lurking in the background, ready to draw us back to the elemental rhythm of the beat.Waltz Interlude - Of course, dance does not always have to have heat, it can be elegant and restrained, emphasising fluidity of line and movement. In the waltz it is occasionally suspended by the held poses before the motion starts again. Unlike the outer movements, the Waltz Interlude is cool, danced in moonlight rather than under the sun. The two dancers sometimes move as one and at other times the man provides a frame for the more intricate arabesques of his partner.Duende - During my time living in Spain I went to watch some flamenco dancing. I was expecting the normal tourist cliches but the dancers were serious students of Flamenco Nuevo y Viejo (new and old). They performed with passion to some pounding asymmetric rhythms and their performance was the inspiration for Duende. Duende as a term is hard to define. It is a spirit of performance - that moment when you are right in the middle of the creative spirit of the music. It is about soul and a heightened state of emotion. Federico Garcia Lorca wrote: I have heard an old maestro of the guitar say, The duende is not in the throat; the duende climbs up inside you, from the soles of the feet. Meaning this: it is not a question of ability, but of true, living style, of blood, of the most ancient culture, of spontaneous creation.- Rob WiffinDuration: 13.45

    Estimated dispatch 7-14 working days

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  • £29.95

    Unity Series Band Journal June 2014 Numbers 418-421

    No.418 March - Heavenly Treasures (Noel Jones)Rich people cannot take money with them when they die but Christians have the joy of laying up treasure in Heaven. This march by Noel Jones incorporates two choruses 'Lay up treasure in Heaven' (TBCS 249)and 'Bright Crowns' (TB 78).No.419 Swing it, Shepherds! (Nicholas King)The traditional English Carol, 'While shepherds watched' and the spiritual carol 'Rise up, shepherd!' are combined in a bright swing arrangement by Deputy Songsters Leader Nicholas King, who is also a member of the Music Ministries Unit.No.420 Good King Wenceslas (Paul Sharman)The lyrics of the well-known carol 'Good King Wenceslas' were written by John Mason Neale in the 1850s and the tune used comes from a collection of medieval Latin songs, Piae Cantiones, published in 1582. It has been given a light-hearted treatment, which also features brief references to other carols.No.421 As we are gathered (Trevor Worthington)An arrangement of John Daniels' lovely song, the words of which say:As we are gathered, Jesus is here;One with each other, Jesus is here;Joined by the Spirit, washed in the blood,Part of the Body, the Church of God.As we are gathered, Jesus is here;One with each other, Jesus is here.

    Estimated dispatch 7-14 working days
  • £35.00

    Cranborne Chase - Philip Harper

    Cranborne Chase was commissioned by the Charles Church Camberley Band in 2011 in memory of solo horn player and life-long member Libby Godden.Libby joined the band in 1966 which marked the start of a long association, during which she progressed to the solo horn position, recruited four family members to play with the band, and had spells on the committee as publicity officer and chairman. Most recently she led the Training Ensemble in her role as Assistant Bandmaster. Libby continued to be active with the band despite a diagnosis of cancer, which finally claimed her life in February 2011.Programme notes from the composer, Philip Harper:The Music: As well as invoking the joyous spirit befitting Libby's approach to life, there are several musical ideas woven into the score. After a brief introduction, the main theme uses the musical letters of Libby's surname: G, O(A), D, D, E, N(G), whilst the harmonic progression here is based on that of the slow movement of Edward Gregson's Partita for Brass Band, one of Libby's favourite passages of music.To further imbue the piece with Libby's persona, the lyrical theme is first introduced as a traditional brass band quartet (two cornets, horn and euphonium), one of her favourite musical genres.After the first rehearsal of the piece the band members, with the composer's blessing, decided on the name Cranborne Chase, which is the name of a place in Dorset with which Libby Godden had a great affinity.Raising Funds for Cancer Research UK. The Music Company (UK) Ltd has been involved in charitable work for many years both nationally and internationally. Through publishing Cranborne Chase, The Music Company is extending its charitable support by helping to raise funds for the Cancer Research UK charity, in memory of Libby Godden (a band-friend since childhood of Clair Tomalin, Business Director of The Music Company (UK) Ltd).A donation will therefore be made by The Music Company (UK) Ltd for every purchased set of this piece. There is a hope that every band in the UK will have Cranborne Chase as part of their library and included in their concert programmes, enabling a significant amount of money to be raised for Cancer Research UK through the enjoyment of music.

    Estimated dispatch 7-14 working days