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£40.00Fugal Overture - Gustav Holst arr. Phillip Littlemore
Holst began composing his Fugal Overture in the late summer of 1922 after a holiday in Derbyshire and the full score was completed on 4th January 1923. The first performance was at the Royal Opera House the following May, where it preceded the first performance of Holst's opera, The Perfect Fool. The first concert performance on 11th October that same year at the Queen's Hall with Holst conducting.Despite its name, the overture is not strictly fugal. The fugal subject is full of spiky cross-rhythms first introduced in the basses, with the upper parts persisting with a pentatonic chord. The headlong pace slackens for a central interlude, introduced by the solo horn solo. However the festivities soon return driving headlong towards its conclusion.
Estimated dispatch 5-7 working days
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£30.00Sarabande - Philip Doe
This Flugel Horn solo by Philip Doe is a beautiful melody complemented by a soft and subtle band accompaniment. It is a very welcome addition to the repertoire offering an opportunity for soloists to demonstrate their lyrical playing. It also works well as a cornet solo. A video of this arrangement can be found here: SarabandeDuration: 3'20"Difficulty: Suitable for all grades (band accompaniment)
Estimated dispatch 5-7 working days
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£35.00
Tomorrow from Annie - Strouse, C - Wilkinson, K
A new tenor horn solo of an old favourite, arranged by the experienced Keith Wilkinson. NB the solo part goes up to a top B.Click here to listen to a short excerpt4th SectionDuration 2.5 mins
In Stock: Estimated dispatch 1-3 working days
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£70.00General Series Band Journal August 2018 Numbers 2182 - 2185
2182 Festival Prelude Immeasurable Andrew Blyth2183 Flugel Horn Solo Sweet Little Jesus Boy Paul Sharman2184 Quick March Spiritoso Steven Ponsford2185 Prelude on Quem Pastores Geoffrey Nobes
Estimated dispatch 7-14 working days
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£34.95Unity Series Band Journal October 2017 Numbers 458-461
March Medley I Believe (Noel Jones)This potpourri of songs brings the strong assurance of faith and hope together in an attractive and enjoyable manner. The tunes featured are 'I believe we shall win', 'I believe God answers prayer', 'I believe in God the Father' and 'I believe in the word of God'.Horn Solo - Promises (Jorgen Ljserdorn)This is a brass setting of a song by Captain Matthew Spencer with the same title. The contemporary setting is simple in design and should prove to be popular amongst many who feature this journal.Suite Like a melody (Steve Forman)Major Stephen Foreman has written a short suite which will bring an easy yet attractive addition to most band's repertoire. I am praying (Jared Proellocks)A contemporary setting of the much loved chorus 'I am praying blessed Saviour' written by a young Salvationist from the Australian Southern Territory.
Estimated dispatch 7-14 working days
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£45.00Triumph Series Band Journal March 2013 Numbers 1235 - 1238
No. 1235 March - Lord of the future (Erik Silfverberg)The title of this short, lively march is connected to the tune 'With Christ into the future' which appears in its second half.No. 1236 Selection - The peace of the Lord (Terry Camsey)This selection seeks to portray the peace that is found in Jesus, both in its style and the tunes used; 'Peace, peace, sweet peace', 'O the peace' and 'Brahms' Lullaby'.No. 1237 Horn Solo - St Bees variations (Ray Steadman-Allen)St Bees is a simple melody and this treatment is compatible with its character. Florid and meditative passages conclude with a brisk finale.No. 1238 Song Arrangement - Stand up for Jesus (Noel Jones)The old well-known gospel song appears here in a swing style.
Estimated dispatch 7-14 working days
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£164.99Music of the Spheres (Brass Band - Score and Parts)
Music of the Spheres was commissioned by the Yorkshire Building Society Band and first performed by them at the European Brass Band Championships in Glasgow, May 2004. The piece reflects the composers fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. ('Harmonia' in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and thatthe planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notes form the basis of the sections Music of the Spheres and Harmonia. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the Big Bang itself, as the entire universe bursts out from a single point. A slower section follows called The Lonely Planet which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilisations elsewhere in the universe. Asteroids and Shooting Stars depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with The Unknown, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.Duration: 18:00
Estimated dispatch 7-14 working days
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£29.95Ballet for Band (Score Only)
Ballet for Band was written as the test-piece for the Championship section finals of the National Brass Band Championships, held at the Royal Albert Hall in October 1983.Although the work is not programmatic, within the space of ten minutes, the composer uses a form which might be considered to be the form of a ballet. Therefore there is a fanfare at the beginning which might be the overture, different characters appear, and scenes are quite clearly marked by, for instance, baritones or by muted trombone, although the listener is encouraged to use his own imagination.Thematically the work is tightly controlled, with the same material re-appearing in many different guises, as a flugel horn solo, as a waltz on the horns, and on the euphonium. Horovitz employs a rich harmonic pallet, but the work is most definitely rooted in a tonal language, with hints of Straussian richness later in the work.The work is notable for its middle section, in which the music gets slower and slower, providing a real test of control throughout the band.Ballet for Band was by no means Joseph Horovitz's first work for the medium: his fine "Concerto for Euphonium and Band" is frequently played, and he has also written a cantata entitled "Samson" for choir and band.
Estimated dispatch 7-14 working days
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£35.00Under The Boardwalk (Score and Parts)
Arranged as a flugel horn solo and played by Cory Band as part of its 2015 Brass in Concert winning programme, this piece is as simple as it gets. Playable by all levels of band.
Estimated dispatch 7-14 working days
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£18.00
Under The Boardwalk (Score Only)
Arranged as a flugel horn solo and played by Cory Band as part of its 2015 Brass in Concert winning programme, this piece is as simple as it gets. Playable by all levels of band.
Estimated dispatch 7-14 working days
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