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£69.95Concerto for Horn (Horn Solo with Brass Band - Score and Parts) - Gregson, Edward
Horn in F with Brass BandComposed in 1971 for Ifor James, the Concerto for French Horn and Band revealed some of those elements that have made Gregson's music so popular with audiences (and not just brass band audiences) worldwide: the boldness of his melodies, with the interval of the fourth revealing his admiration for the music of Paul Hindemith; his incisive rhythms, betraying the influence of another favourite composer, Bla Bartk; an admirable economy of means; and the clarity of his scoring.Each of the Concerto's three movements displays a different facet of the French Horn's character. The first is serious, symphonic in impulse, the rising fourths of the opening gesture giving the music an almost Germanic weight. In the slow movement, the soloist becomes the first among equals, sharing with the cornet soloist some typically haunting melodies. The lyrical flow is interrupted at the mid-point by mysterious, fleet-of-foot cadenzas. A rondo finale brings the concerto to a light-hearted conclusion. The rising fourths here are the impulse for a jaunty theme which reveals another of Gregson's early influences - William Walton, and in particular that composer's Partita for orchestra.Duration: 18.00
Estimated dispatch 7-14 working days
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£69.95
CONCERTO FOR HORN (Horn in F/Eb Solo with Brass Band Set) - Edward Gregson
Estimated dispatch 7-14 working days
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£69.95Horn Concerto (Horn Solo with Brass Band)
Horn in F/E flat with Brass BandComposed in 1971 for Ifor James, the Concerto for French Horn and Band revealed some of those elements that have made Gregson's music so popular with audiences (and not just brass band audiences) worldwide: the boldness of his melodies, with the interval of the fourth revealing his admiration for the music of Paul Hindemith; his incisive rhythms, betraying the influence of another favourite composer, Bla Bartk; an admirable economy of means; and the clarity of his scoring.Each of the Concerto's three movements displays a different facet of the French Horn's character. The first is serious, symphonic in impulse, the rising fourths of the opening gesture giving the music an almost Germanic weight. In the slow movement, the soloist becomes the first among equals, sharing with the cornet soloist some typically haunting melodies. The lyrical flow is interrupted at the mid-point by mysterious, fleet-of-foot cadenzas. A rondo finale brings the concerto to a lighthearted conclusion. The rising fourths here are the impulse for a jaunty theme which reveals another of Gregson's early influences - William Walton, and in particular that composer's Partita for orchestra.
Estimated dispatch 7-14 working days
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£44.50The Covid Collection - Gavin Somerset
This exciting new 22-minute concert suite for Brass Sextet has been composed during the months of lockdown charting the feelings of a nation, with seven movements playable by 6 (or more) players. The music was composed with the intention for players to perform either together live in a small group, in isolation by way of a virtual performance (downloadable backing tracks are available to play along to) and ultimately, to give players something to enjoy as we all miss our brass band families. This concert suite is the perfect addition to all bands' libraries at a time when rehearsals are limited. Several of the movements are already in preparation for a full band edition to be released at a later date: (also available as a digital download worldwide - purchase now & print to play). Bands purchasing this sextet edition will be eligible for a discount on the upcoming full brass band edition of the concert suite. ------------------------------------------------------------------------------------- Movement 1: FANFARE: The Call of the Band - CLICK HERE TO DOWNLOAD PLAYBACK TRACK This opening fanfare gives way to a full of life and energy. With catchy melodies and harmonies, it is an effective opening to any concert programme and the perfect way to begin the Suite. Movement 2: March of the Antibodies - CLICK HERE TO DOWNLOAD PLAYBACK TRACK A cheeky little number that keeps on fighting though. Whilst not a March in the traditional brass band sense, players should aim to give a 'happy' performance of this movement ensuring smiles all around for both performers and the audience.Movement 3: Solidarity - CLICK HERE TO DOWNLOAD PLAYBACK TRACK The first slow movement of the concert suite aims to reflect on the isolation many of us felt during the time of lockdown. However, during these times, walks out with loved ones allowed many to connect and enjoy downtime, not often afforded to many. Movement 4: Lazy Days - CLICK HERE TO DOWNLOAD PLAYBACK TRACK A movement whose title really does say it all. A laid back swing number that should be played in an as relaxed manner, as possible!Movement 5: Hymn for Carers (Dedicated to the NHS & Care Workers) - CLICK HERE TO DOWNLOAD PLAYBACK TRACK Dedicated to the NHS & Care Workers, this hymn tune is filled with emotional highs and lows, felt by many of the hospital and care staff who worked tirelessly to keep our people safe, with a timely nod at the end to Vera Lynn & our missed VE day commemorations. Movement 6: Army of the Keyworkers - CLICK HERE TO DOWNLOAD PLAYBACK TRACK A stirring work in 12/8 which rightfully, depicts our heroes who kept the country moving through the most difficult of times. An heroic number for players to enjoy.Movement 7: CELEBRATION: Return of the Band - CLICK HERE TO DOWNLOAD PLAYBACK TRACK Little needs to be said about this movement, as at this time of release, we cannot yet celebrate the return of all players to the band rooms across the country. However, when that time comes, this movement is to be played with the joy of normality we shall all feel. CLICK HERE TO DOWNLOAD THE FULL SUITE BACKING TRACK ------------------------------------------------------------------------------------- Each movement can be performed as a standalone item, or form part of the full 22-minute concert suite. Sextet scored for: x1 Cornet I in Bbx1 Cornet 2 in Bb1x Flugelhorn1x Tenor Horn in Eb1x Euphonium/Baritone in Bb1x Eb Bass*extra parts included are, Cornet parts in Eb & C, Horn in F, Euphonium/Baritone in BC, Trombone (TC and BC), BBb Bass in TC & Tuba in BC.
In Stock: Estimated dispatch 1-3 working days
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£199.95Tunes and Toasts for all Times (Brass Band Value Set) - Barsotti, Roger
Brass Band set includes:Eb Soprano Cornet x1Solo Bb Cornet x4Repiano Bb Cornet x12nd Bb Cornet x23rd Bb cornet x2Bb Flugel Horn x1Solo Eb Horn x11st Eb Horn x12nd Eb Horn x11st Bb Baritone x12nd Bb Baritone x11st Bb Trombone (TC) x12nd Bb Trombone (TC) x1Bass Trombone x1Bb Euphonium (TC) x2Eb Bass x2Bb Bass x2The Piano Conductor Score and Drums are available separately.Titles:ENGLISH AIRSA fine old English GentlemanA-hunting we will goBritish GrenadiersCherry ripeClementineCome, lassies and ladsDrink to me onlyDulce DomumDrunken sailor (The)For he's a jolly good fellowFarmer's boy (The)Floral DanceFrothblowers' AnthemGirl I left behind me (The)Here's a health to all good ladiesHere's a health unto her MajestyHere's to the maidenJohn PeelKeel row (The)Love's old sweet songMarch of the Fire BrigadesMistletoe bough (The)On Ilkla MoorPrincess Royal's Red Cross marchRoast beef of old EnglandSir Roger de CoverleySee the conquering hero comesSoldiers of the QueenThere is a tavern in the townNAUTICALHeart of oakHornpipeLife on the ocean waveShenandoahRed, white and blue (The)Rule, BritanniaSCOTTISH AIRSAnnie LaurieAuld lang syneBonnie banks of LochBonnie DundeeBlue-bells of ScotlandCampbells are coming (The)Charlie is my darlingFlowers of the forestHundred pipers (The)Highland LaddieRobin AdairScotch ReelScots wha haeWill ye no come back againYe banks and braesIRISH AIRSCome back to ErinDanny boy (Londonderry air)Harp that once through Tara's hallIrish Washerwoman (The)KillarneyMinstrel boy (The)Oft in the stilly nightOff to PhiladelphiaSt. Patrick's DayWELSH AIRSAll through the nightAsh grove (The)Bells of AberdoveyDavid of the white rockLand of my fathersMen of HarlechAMERICAN AIRSCarry me back to old VirginnyDixieGood-night (shine, shine, moon)John Brown's bodyMarching thro' GeorgiaOld folks at home (The)Star Spangled BannerTramp, tramp, tramp, the boys are marchingWhen Johnny comes marching homeYankee doodleCANADA AlouetteMaple leaf (The)O CanadaAUSTRALIAWaltzing MatildaSACRED AIRS & CAROLS Abide with meEternal Father strong to saveO God our help in ages pastFirst Nowell (The)Good King WenceslasO come all ya faithfulWhile shepherds watchedJerusalemSupreme sacrifice (The)Dead march in SaulPARADES (All organisations)General saluteSlow march or troop "Scipio"Troop "May-blossom"FANFARES, etcDeclamatory No. 1Occasoinal Fanfare No. 2"Reveille""Retrear""Last Post"Galop from "Orpheus in the Underworld"God save the Queen (in B flat)God save the Queen (in F)
Estimated dispatch 7-14 working days
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£5.00O Mio Babbino Caro (Trombone or Horn Solo and Piano Accompaniment)
This famous aria is from the opera Gianni Schicchi. Lauretta, daughter of Gianni Schicchi, has fallen in love with Rinuccio but there are huge tensions between their two families which threaten to keep the young couple apart. The rather discordant music which opens portrays these tensions before giving way to Lauretta's tender appeal to her father to allow her to marry the man she loves. A brass band arrangement of this aria was prepared at the request of Brett Baker to be performed with Brass Band Of The Western Reserve, musical director Dr Keith M Wilkinson, during his visit in May, 2011. This piano accompaniment version will make this beautiful music accessible to more soloists.Parts included for Trombone BC, Trombone TC, Eb Horn, F Horn and Piano Accompaniment
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1367 - 1370, November 2024
1367: March - Risen, conquering Son (Noel Jones)Two uplifting Easter songs are featured in this march; Low in the grave he lay (S.A.S.B. 228) with words and music written by Robert Lowry, and Thine is the glory (S.A.S.B. 276) with words by Edmond L. Budry and music by George F. Handel. Both serve as a powerful reminder of the resurrection of Jesus.1368: Horn Solo - O how much he cared for me (Keith Wilkinson)This solo was originally penned for Bandsman Frank Taylor, who plays Solo Horn at Stapleford Citadel Corps. As its basis, it uses the popular hymn No one ever cared for me like Jesus by Charles F. Weigle, a Baptist evangelist who wrote more than a thousand hymns.1369: My Redeemer lives (Olaf Ritman)This arrangement of Reuben Morgan's well-known worship song (S.A.S.B. 223) was first written as an accompaniment for congregational singing and can still be used in that way. It was inspired by the American R&B group Tower of Power and is meant to sound soulful and funky.1370: Selection - With life anew (Mervyn Clarke)This selection features music associated with two hymns; Blessd Saviour, now behold me (S.A.S.B. 575) by William Baugh and Breathe on me, breath of God (S.A.S.B. 294) by Edwin Hatch. Although Edwin Hatch's hymn-writing output was very small, this hymn has seen numerous settings and melodies associated with the words from which the piece takes its title; two of these melodies are featured here in Trentham and Carlisle.
Estimated dispatch 7-14 working days
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£19.95
Fanfare of a Nation (10 Piece Brass Ensemble)
Fanfare of a Nation (2012) was commissioned by the Greater Gwent Youth Brass Ensemble as a short fanfare for ten brass players plus percussion, and was performed in the presence of HM Queen Elizabeth II & The Duke of Edinburgh on the occasion of their visit to Wales to mark the Diamond Jubilee, under its original title The Royal Diamond Jubilee Fanfare. The fanfare has since been performed throughout the UK with both its original instrumentation, and also the extended full brass band version. This short work mesmerizes, dazzles and utilizes the fanfare effects so often associated with the brass family.Instrumentation - 4 x Trumpets, 1 x Horn in F, 3 x Tenor Trombones, 1 x Bass Trombone, 1 x Tuba, 1 x PercussionNote - Trumpet 1 is available in both E-flat & B-flat, Horn in F is available in E-flat, Tenor Trombone and Tuba parts available in both treble or bass clef.
Estimated dispatch 7-14 working days
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£29.95Fanfare of a Nation - Christopher Bond
Fanfare of a Nation (2012) was commissioned by the Greater Gwent Youth Brass Ensemble as a short fanfare originally for ten players, and was performed in the presence of HM Queen Elizabeth II & The Duke of Edinburgh on the occasion of their visit to Wales to mark the Diamond Jubilee last year, under its original title The Royal Diamond Jubilee Fanfare. Since arranged for brass band and performed throughout the UK including by Black Dyke Band in Cardiff, this short work mesmerizes, dazzles and utilizes the fanfare effects so often associated with the brass family. Available to purchase for Brass Band or Brass Ensemble (10 players plus 1 percussion). The brass ensemble version is scored as follows: 4 x Trumpets, 1 x Horn in F, 3 x Tenor Trombones, 1 x Bass Trombone, 1 x Tuba, 1 x Percussion. Trumpet 1 is supplied in both E-flat & B-flat, Horn in F is supplied in E-flat, Tenor Trombone and Tuba parts are supplied in both bass and treble clef.
Estimated dispatch 5-10 working days
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£44.95Princethorpe Variations (Brass Band - Score and Parts) - Downie, Kenneth
Colourful harmony, rhythmic flair and melodic invention are the hallmarks of this excellent set of variations by Kenneth Downie, based on the well known church tune, Princethorpe.This major work demonstrates the well-known characteristics of the composer: colourful harmony, rhythmic flair and melodic invention, all encapsulated in scoring which is engulfing both to players and listeners alike. Following a presentation of the theme there are five variations culminating in what can be described as either a finale or coda.Theme. The composer shows his originality in the harmonic sense of this introduction. Perhaps it could be suggested that over-indulgence of rubato may be a temptation to be avoided.Sections A to F. Relentless rhythmic drive is of paramount importance in this first variation. Conscientious observance of dynamics is of course an essential requirement in conveying the exciting quality of the music; there are moments of sudden contrast of which all will need to be aware. Moving between the time-signatures of 5/4 and 6/4 these sections are built from strong easily-identifiable fragments of the theme. These is a significant increase in temp at letter F which will further the exciting impact of the music.Sections G & H. In a pastorale style this short, gentle variation affords a contrast in style between the previous and succeeding ones. The gentle undulating character of the melodic lines is governed by the Allegretto grazioso directive.Sections I to M. Commencing two bars before letter I the music is now exuberant and the tempo and style is that of a march in compound time. In this exhilarating movement there are moments of contrast and indeed of delicacy which are a foil to the more energetic moments. Rhythmic control will be essential to maintain a consistent tempo. As elsewhere in the work, the percussion section will contribute much to the success of the performance there are bars where this section alone is heard and there are important entries for glockenspiel.Sections N & O. With emotional content this Adagio variation has the first two notes of the melody as its melodic impetus. Apart from just over two bars at O (where there is an interpolatory phrase from Cornets and Trombones), the melodic line is entrusted to the plaintive sounds of the horn section. Cornets and Trombones provide a change of tone colour at the beginning of section O. Under a poco rall, this very expressive variation is concluded; there is an important link supplied by Eb Bass.Sections P & Q. A lively march-tempo is launched immediately and these sections are in the nature of an introduction to the final variations. There is a quickening of pace at Q which assists the generation of excitement which should be an essential part of the performance. Solo Cornets introduce a melodic line at Q which anticipates the compound time of the following section.Sections R & S. The Solo Cornet theme of the previous section is now a contrapuntal line accompanying the theme tune. With an elongation of the notes in the melody, the conductor will need to call on the sustaining powers of the band and at no time should the interesting accompanying lines be allowed to detract from the sonorous presentation of the basic theme.Sections T, U & V. Following a poco rit, the finale begins at letter T with the directive, molto vivace. There is much detail to be rehearsed, not least being the dynamic contrasts which are encountered. As throughout the work, the listener should have no difficulty in identifying the thematic sources of the composer's music.
Estimated dispatch 7-14 working days
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