Results
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£57.50Prelude on an Irish Folk Tune (Brass Band - Score and Parts) - Sparke, Philip
The Irish folk tune, which appears towards the end of the piece, is Slane, a hymn tune version of the much older folk melody The Banks of the Bann. In Prelude on an Irish Folk Tune, fragments of the folk tune hint at what is to come later in the piece, but another folk-like tune is predominant. This later acts as a descant to Slane when it finally appears. Add a little Sparke sparkle to any concert with this lovely interlude.Duration: 4:00
Estimated dispatch 7-14 working days
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£57.50Prelude on an Irish Folk Tune - Philip Sparke
The Irish folk tune, which appears towards the end of the piece, is Slane, a hymn tune version of the much older folk melody The Banks of the Bann. In Prelude on an Irish Folk Tune, fragments of the folk tune hint at what is to come later in the piece, but another folk-like tune is predominant. This later acts as a descant to Slane when it finally appears. Add a little Sparke sparkle to any concert with this lovely interlude.
Estimated dispatch 5-14 working days
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£29.95Prelude on St. Clements - Jonathan Bates
DIFFICULTY: 3rd+. DURATION: 5'00". 'Prelude on St Clement's' was composed for the 2023 Royal Northern College of Music Brass Band Festival in memory of internationally renowned conductor and composer Bramwell Tovey. . Bramwell was the Artistic Director of the National Youth Brass Band of Great Britain throughout the composer's 7 years as a tenor horn player in the NYBBGB and the hymn tune 'St Clement's (no. 82 in the 120 Hymns for Brass Band book) was used by Bramwell to conclude every course. This setting of 3 verses of the hymn tune 'The Day Thou Gavest. was premiered by the RNCM Brass Band in January 2023.
In Stock: Estimated dispatch 1-3 working days
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£59.99Fanfare Prelude (on Lobe den Herren) (Brass Band - Score and Parts) - Curnow, James
Designed as an opener or finale for a concert or special occasion, Fanfare Prelude on 'Lobe den Herren' is based on Johann Cruger's majestic hymn tune which firs appeared in the Stralsung Gesangbuch in 1665. The setting strives to capture the spirit of the text - 'Praise to the Lord, the Almighty'.Duration: 3.00
Estimated dispatch 7-14 working days
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£59.99Fanfare Prelude on Lobe den Herren - James Curnow
Designed as an opener or finale for a concert or special occasion, Fanfare Prelude on 'Lobe den Herren' is based on Johann Cruger's majestic hymn tune which firs appeared in the Stralsung Gesangbuch in 1665. The setting strives to capture the spirit of the text - 'Praise to the Lord, the Almighty'.
Estimated dispatch 5-14 working days
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£40.00Hymn at Sunrise (Score only) - Ray Steadman-Allen
The idea for this work was prompted by a poem - Hymn Before Sunrise - which describes the majesty of a mountain in darkness, the sounds of a nearby waterfall and so on. Nothing came of the exposure to these pictures except for general thoughts about the dawn of day and a series of movements expressing a personal response to the wonder of creation in an imaginary moment in time. The movement titles, which were added later, are intended to underline a prevailing sense of worship, wonder and exaltation. The music is pure, not pictoral, though listeners may conjure their own images. An actual hymn - Tallis' Cannon - is incorporated. There are five movements: 1. Thanksgiving: A short prelude in two parts. First a brief passage of 'dawn music' before things become more vigorous: fanfare-like music ushers in the trombone section's presentation of the Tallis tune. A broad band version concludes the movement. 2. De Profundis: A slow movement shot through with anxious questionings featuring flugel and trombone. The mood lightens a little in the centre where the soprano cornet is featured and the movement ends serenely. 3. Celebration is characterised by rhythmic drive, this is buoyant with plenty of incident pointed up by the percussion. 4. Invocation: Melodic in nature and sober in mood, the first section is a series of short solos mingled with chorale-like statements. Central to the movement is a chorale-prelude style presentation of the Tallis tune. The third section reintroduces the earlier solo music by the full ensemble. Dissolving, the music enters the last movement without a break. 5. Paean: Marked allegro con spirito there is, quite rightly, a fair amount of fun in the rejoicing. Snatches of Tallis are heard, then comes a gentle passage with a cornet solo leading to fanfare music and recapitulation. Two recitatives are succeeded by a coda which brings the work to a sonorous and exultant conclusion.
Estimated dispatch 7-9 working days
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£50.00Hymn at Sunrise (Parts only) - Ray Steadman-Allen
The idea for this work was prompted by a poem - Hymn Before Sunrise - which describes the majesty of a mountain in darkness, the sounds of a nearby waterfall and so on. Nothing came of the exposure to these pictures except for general thoughts about the dawn of day and a series of movements expressing a personal response to the wonder of creation in an imaginary moment in time. The movement titles, which were added later, are intended to underline a prevailing sense of worship, wonder and exaltation. The music is pure, not pictoral, though listeners may conjure their own images. An actual hymn - Tallis' Cannon - is incorporated. There are five movements: 1. Thanksgiving: A short prelude in two parts. First a brief passage of 'dawn music' before things become more vigorous: fanfare-like music ushers in the trombone section's presentation of the Tallis tune. A broad band version concludes the movement. 2. De Profundis: A slow movement shot through with anxious questionings featuring flugel and trombone. The mood lightens a little in the centre where the soprano cornet is featured and the movement ends serenely. 3. Celebration is characterised by rhythmic drive, this is buoyant with plenty of incident pointed up by the percussion. 4. Invocation: Melodic in nature and sober in mood, the first section is a series of short solos mingled with chorale-like statements. Central to the movement is a chorale-prelude style presentation of the Tallis tune. The third section reintroduces the earlier solo music by the full ensemble. Dissolving, the music enters the last movement without a break. 5. Paean: Marked allegro con spirito there is, quite rightly, a fair amount of fun in the rejoicing. Snatches of Tallis are heard, then comes a gentle passage with a cornet solo leading to fanfare music and recapitulation. Two recitatives are succeeded by a coda which brings the work to a sonorous and exultant conclusion.
Estimated dispatch 7-9 working days
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£24.95Prelude- The truth from above - Ralph Vaughan Williams
In hisPrelude - The Truth from Above, outstanding arranger and curator Paul Hindmarsh has distilled the essence of a timeless Christmas classic by Ralph Vaughan Williams into five minutes of ravishingly unforgettable music for brass band. The variants of the Herefordshire tune popular from theFantasia on Christmas CarolsandThe Oxford Book of Carolsare skilfully and stylishly woven together, from an evocative opening to an ecstatic, multi-layered coda. Unerringly true to the timeless spirit of the original, with the added beauty of the brass-band sound at its most sonorously grave and haunting,Prelude - The Truth from Abovemay be performed separately, or as the first of two preludes, preceding Paul's arrangement ofRhosymedre from the Three Preludes Founded on Welsh Hymn Tunes, also available from Stainer & Bell.
Estimated dispatch 5-14 working days
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£77.00General Series Brass Band Journal, Numbers 2230 - 2233, April 2023
2230: Prelude on 'Ascalon' (Geoffrey Nobes)This prelude was written for the Band of the Free Evangelical Church of Geisweid in Germany. The beautiful hymn tune Ascalon is heard in two complete statement, a free-flowing lyrical section followed by a contrasting section using the phrases of the melody to build to a full final working of the hymn.2231: Salt and light (Mark Feltwell)This original work follows the journey of someone who is finding their way through faith. Using inspiration from Shine, Jesus, Shine and Matthew 5:14, the journey ends with a triumphant fanfare.2232: Hymn Tune Arrangement - Esher (Dudley Bright)A two verse setting of the well know benediction, God be in my head.2233: Song Arrangement - The heart of worship (David Mills)The song The heart of worship (S.A.S.B. 635) speaks of the need to worship without any barriers or obstacles.
Estimated dispatch 7-14 working days
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£10.00Edward Gregson: Concertante for Piano and Brass Band
DescriptionProgramme NoteThe Concertante for Piano and Brass Band was written in 1966, when the composer was an undergraduate student at the Royal Academy of Music in London. It received its first public concert performance in 1967 at the Royal Festival Hall, London, when the composer was the soloist with the International Band of the Salvation Army, conducted by Bernard Adams. It was one of the first major works to be written for this particular combination.The Concertante is unashamedly romantic in idiom and is in three movements: Prelude, Nocturne and Rondo. The Prelude is cast in sonata form and opens with a short cadenza-like flourish from the soloist, followed by two main ideas - the first sweepingly dramatic, the second highly lyrical. The interplay between these two themes forms the main focus of the movement, and after a return to the opening theme, an exuberant codetta brings the music to a close, albeit a quiet one.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-1st-movt-clip.mp3The tender Nocturne opens with an introduction from the band that contains precursors of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'bluesy' character with its flattened third and seventh notes of the scale, and is a love song dedicated to the composer's wife-to-be. The band enters with phrases of a chorale already hinted at in the introduction - Ray Steadman-Allen's hymn tune 'Esher' - but never quite presented in its complete state. Both ideas are developed alongside each other, with eventually the first theme returning, this time with piano and band together, and building to a majestic climax, before subsiding to a peaceful coda - a return to the very opening of the movement.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-2-clip.mp3The final Rondo is full of energetic rhythms and changing time patterns. The main theme is playful in character, with much interplay between soloist and band, whilst the middle section presents a new theme, and one that has more than a hint of the hymn tune 'Onward Christian Soldiers', in what amounts to a good humoured parody. The opening Rondo theme returns, this time leading to a powerful and dissonant climax from the band. This is followed by an extended piano cadenza, underlying the virtuoso aspect of the work, and leading to an energetic and life-affirming coda, which brings the work to a triumphant conclusion.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-3-clip.mp3Duration: 18 minutesInstrumentation:Please note that there is no 1st/Repiano Cornet part in this work. The 1st/Repiano Cornet player should join the Solo Cornet bench. As such an extra Solo Cornet part is provided in the set of parts.Version for two pianosA version of the Concertante for two pianos is available for rehearsal purposes. Piano 1 is the solo part and Piano 2 the band reduction. However, for those pianists not needing to rehearse the work in this way, a solo piano part is also provided with the main set of band parts.To view a preview of the solo part for the first movement click here.The youthful Gregson (his work was written as a third year undergraduate) was seemingly a bit of a musical magpie - but one heck of a skilful one at that.These were shiny baubles of poise, panache and pastiche, with affectionate, remarkably mature nods of appreciation towards Gershwin, Rachmaninov, Ireland and even Elmer as well as Leonard Bernstein.The rich colour palette and flowing lines (with the tenderest of central Nocturnes) were a joy - as were the little buds of motifs that dotted the score like seeds ready to be planted on a future fertile brass band compositional field. - Iwan Fox, 4Barsrest.com, June 2019For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com
Estimated dispatch 7-14 working days
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