Results
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£55.00
Masque. - Kenneth Hesketh
A Masque (short for Masquerade) has been defined by Historians as 'A revel in which Mummers or masked folk come with torches blazing into the festive hall and call upon the company to dance and dice'. The chaos of this dramaticdance is depicted in this 'Masque' by Hesketh. The main theme is bravura and is often present, in the background. The form of the piece is a simple scherzo-trio-scherzo. Colourful scoring (upper wind solos, trumpet and horn solosalternating with full bodied tuttis) with a dash of wildness may tease both player and listener to let their hair down a little! 'Masque' has been transcribed for wind band by Kenneth Hesketh from his 'Scherzo forOrchestra',commissioned by the National Children's Orchestra in 1987.
Estimated dispatch 5-14 working days
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£68.99
South Down Pictures - Philip Sparke
South Down Pictures was commissioned by Millenium Brass 2000, an organisation comprising three brass bands from the county of Sussex, England.The bands (Patcham Silver, Hangleton and Brighton Silver) had got together to organise many events to mark the new millennium and these culminated in a concert in Hove Town Hall on July 9th 2000 when all three bands combined to give the first performance of South Down Pictures. The composer spent much of his childhood amongst the South Downs, a range of hills in Sussex which runs parallel to the sea.Opening with a strong unison passage, interrupted briefly by faster figures based on the interval of a fifth, South Down Picturesdevelops with an often-passionate legato melody. Reaching a climax, this is then followed by the main vivo section of the work, whose main theme is based on the earlier 'fifth' figures. A bridge passage leads to a short chorale figure and a rhythmic climax which dissolves into a plaintive cornet solo over staccato chords. This theme is taken up by the whole band and leads back to a recapitulation of the main theme and earlier material. The cornet tune returns triumphantly in the major key before the opening unison passage reappears to provide a stirring coda.
Estimated dispatch 5-14 working days
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£106.99
Manhattan - Philip Sparke
Manhattan was commissioned by the United States Army Band for their solo cornet player Woodrow English and first performed by them in Carnegie Hall, New York, in November 2003. The two-movement work demonstrates both the lyrical and technical abilities of this outstanding player. The 'theme' is a weekend in New York and the opening bluesy movement, Saturday Serenade, describes the city on a Saturday night. While writing the second movement, Sunday Scherzo, the composer pictured an early morning jog in Central Park. This vivaciously rhythmic second movement ends with an even quicker coda bringing the work to a brilliant close. Each movement can also be playedindividually when a shorter solo is required.
Estimated dispatch 5-14 working days
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£29.95
By Trevone Bay (Flugel Horn Solo)
By Trevone Bay was composed for Flugel Soloist Zoe Hancock and the Black Dyke Band to celebrate both their Double Champion Victory at the British Open and National Championships 2014 and Zoe's unique achievement in winning the Best Soloist Award in both contests - an accomplishment never done before. The world premier was performed by Zoe and the band at Birmingham's Symphony Hall on February 8th 2015.By Trevone Bay is a lovely lyrical slow melody that utilises the full range and colour of the flugel horn. Starting with an atmospheric opening the soloist performs the main theme, which repeats with more colour in the accompanying parts and solo line. After introducing a second theme from the ensemble, the solo cornets perform the main melody with the soloist enjoying a lyrical counter melody. The piece develops with a tranquil middle section from the soloist that builds for the second theme to return, performed by the ensemble while the soloist soars over the top. Ending as it starts, the piece dies away to leave the soloist performing the opening melodic phrase to a tranquil close.As for the title: Trevone Bay is a beautiful tiny bay in Cornwall, close to Zoe's home town of Roche. Its tranquil waters lead out to the Celtic Sea and provide a picturesque landscape. The views there can be enjoyed all year round but they are particularly beautiful at sunset.
Estimated dispatch 7-14 working days
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£104.99
Manhattan (Cornet Solo with Brass Band - Score and Parts)
Cornet or Trumpet Solo with Brass BandManhattan was commissioned by the United States Army Band for their solo cornet player Woodrow English and first performed by them in Carnegie Hall, New York, in November 2003. The two-movement work demonstrates both the lyrical and technical abilities of this outstanding player. The 'theme' is a weekend in New York and the opening bluesy movement, Saturday Serenade, describes the city on a Saturday night. While writing Sunday Scherzo, the composer pictured an early morning jog in Central Park. This vivaciously rhythmic second movement ends with an even quicker coda bringing the work to a brilliant close. Each movement can also be played individually when a shorter solo is required.Duration: 9:30
Estimated dispatch 7-14 working days
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£94.95
Dances and Arias (Brass Band - Score and Parts)
This work was commissioned by Boosey & Hawkes Band Festivals (with funds provided by the Arts Council of Great Britain) for the National Brass Band Championships of Great Britain, held at the Royal Albert Hall, London, on 7th October 1984.Dances and Arias is in one continuous movement, but as the title suggests is a series of alternating fast and slow sections as follows: Dance - Aria I - Dance (scherzo) - Aria II - Dance. The opening dance is energetic and introduces a four-note motif (on trombones) which is the basis for much of the melodic material in the work. Throughout, there is a continuous process of thematic cross-reference and transformation.The first aria unfolds a long melody on solo cornet, eventually continued by all the solo cornets, and dissolving into a shimmering harmonic background (muted cornets, horns and baritones) over which is heard a brief self-quotation on solo tuba. This leads into the second dance, a frenetic scherzo, followed by the second aria, in the style of a lament (solo euphonium, followed by two flugel horns). This builds to a powerful climax which subsides, leaving the percussion to introduce the final toccata-like dance. It transforms material from the opening before a coda brings the music to a triumphant close. The large percussion section is an integral part in the work and uses a wide variety of instruments including timpani, glockenspiel, vibraphone, xylophone, tubular bells, tom-toms, snare drum, bongos and tam-tam.
Estimated dispatch 7-14 working days
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£69.95
Decade - Jonathan Bates
DIFFICULTY: 3rd+. DURATION: 10'00". 'Decade' was composed to mark the 10th anniversary of the Foden's Youth Band in 2022 and was premiered by the band, Foden's Band and Foden's Junior Band at Manchester's Stoller Hall. The work is in 3 clear movements - yet is through-composed, each movement based around the figure 10. Right from the initial 10 bell strikes at the opening of the piece, the musical material is also derived from the number 10 with the main 'motif' in the piece spanning an interval of a 10th - and the piece lasts 10 minutes!. .
In Stock: Estimated dispatch 1-3 working days
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£40.00
Shackleton's Cross (Cornet Solo with Brass Band - Score and Parts) - Goodall, Howard - Hall, Daniel
Shackleton's Cross was inspired by a painting created in 1957 by the English artist Edward Seago (1910 1974). The title refers to a cross which was erected to the memory of Sir Ernest Shackleton, who led a number of explorations to the Antarctic. Shackleton died in 1922 whilst on a Polar expedition, and the cross can be found on a promontory at the entrance to the bay at Grytviken Whaling Station in South Georgia. The painting is owned by HRH The Duke of Edinburgh, and was part of an exhibition at Buckingham Palace from October 2011 to April 2012. Originally scored for oboe, trumpet and small orchestra, Daniel Hall's sensitive arrangement for trumpet or cornet and brass band follows the composer's alternative version for solo trumpet and organ, created for Crispian Steele-Perkins (trumpet) and David Goode (organ). Duration: 5.00
Estimated dispatch 7-14 working days
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£139.99
Missa Brevis Brass Band (Score & Parts)
Missa Brevis is a major work for choir and brass band for performance in church or in the concert hall. For this mass, there are many performance possibilities depending on the musicians available. In addition to the standard orchestration of choir and band a brass quartet can also play the choral parts. For this it is desirable for the brass quartet to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is heard. It is also possible to perform the work with brass band and organ. A truly flexible religious masterpiece. 20:00
Estimated dispatch 7-14 working days
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£37.95
Connotations (Brass Band - Score only) - Gregson, Edward
Connotations was commissioned for the 1977 National Brass Band Championship finals, held in the Royal Albert Hall, London (the winner, incidentally, of that particular competition was the famous Black Dyke Mills Band).At the age of 32 Gregson was the youngest composer to have received the honour of such a commission. It came at the end of a productive five years writing for the brass band publisher R Smith. Some of those works - The Plantagenets, Essay and Patterns for example, with their direct and tuneful style, have remained popular with brass bands the world over.For Gregson, these were the means by which he sharpened the tools of his trade, preparing the ground, as it were, for his finest work to date - Connotations. He thought of calling the piece Variations on a Fourth, but with due deference to Gilbert Vinter perhaps (Variations on a Ninth), he chose a more appropriate one. As Gregson has written, 'Connotations suggests more than one way of looking at something, an idea, and this is exactly what the piece is about'.Writing a competition piece brought its own problems. 'It has to be technically difficult and yet musically satisfying. I didn't like being kept to an eleven-minute maximum. The inclusion of short cadenzas for less usual solo instruments seems to signify a certain test-piece mentality'.Gregson solved the problems admirably by adopting a symphonic approach to variation form: Introduction - fanfares, a call to attention, in effect Variation 1; Theme - a six-note motif, given a lyrical and restrained first statement; Variation 2 - a delicate toccata; Variation 3 - typically robust in melody and rhythm; Variation 4 - lyrical solos; Variation 5 - a scherzo; Variation 6 - cadenzas; Variations 7-9 - an introduction, fugato and resounding restatement of the theme.Duration: 10.30
Estimated dispatch 7-14 working days