Results
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£87.99With Clouds Descending (Brass Band - Score and Parts) - Sparke, Philip
A Fantasy on the Hymn Tune HelmsleyWith Clouds Descending is a fantasy on the powerful Advent hymn Helmsley which is long associated with another Advent hymn - Wesley's Lo! He Comes with Clouds Descending. The hymn tune is divided into an introduction and three complete verses of Helmsley, which surround a slower central section, whose melody is derived from the last line of the hymn tune. Philip Sparke's grade 4 arrangement of this majestic piece for Brass Band is equally suitable as a concert opener or a main concert piece.Duration: 6:30
Estimated dispatch 7-14 working days
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£59.99Meet the Band! (Brass Band - Score and Parts) - Blanken, John
Meet the Band! was written as an opening work, but it is also perfectly suitable for performing halfway through a concert programme. During the introduction, the cornet players are lined up on both sides of the stage, while the trombone players take centre stage. Gradually all the sections of the band are introduced to the audience. Meet the Band? You certainly have!Duration: 4:30
Estimated dispatch 7-14 working days
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£76.99Variants on an English Hymn Tune (Euphonium Solo with Brass Band - Score and Parts) - Sparke, Philip
This set of variations on the well-known hymn tune Holy, holy, holy! will make a most satisfying addition to the solo repertoire for euphonuim and brass band. It is in the traditional air varie form with an introduction, theme and 3 variations. The original melody (known as Nicaea) was composed by John Bacchus Dykes' especially for Reginald Heber's renowned hymn of praise and became universally popular when it was included in Hymns Ancient and Modern in 1861. A beautiful solo that will test the soloists ability to show true emotion.Duration: 7:15
Estimated dispatch 7-14 working days
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£68.99Flying the Breeze (Brass Band - Score and Parts) - Sparke, Philip
Flying the Breeze opens with three repeated B's (representing the initials of the Breeze Brass Band from Japan who commissioned this work). A short introduction leads to a robust theme from the baritones and euphoniums which is taken up by cornets and trombones. A restless bridge passage leads to a syncopated tune from the solo cornet and then to a third theme from a solo trombone. A graceful second subject leads back to a recall of the introductory material before a full-scale recapitulation. An intense allargando leads to a full-band version of the second subject under a running cornet passage, which leads to a short coda.Duration: 6:00
Estimated dispatch 7-14 working days
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£57.50Ballad for Benny (Brass Band - Score and Parts) - Sparke, Philip
The birth of Philip Sparke's second son, Benjamin, was the inspiration for composing Ballad for Benny. A short calm introduction leads to the main ballad theme, a gentle waltz melody. Following the work's climax in which the complete band plays the main theme the sound fades and the piece ends in calm and serenity.Duration: 5:00
Estimated dispatch 7-14 working days
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£100.00King Arthur (Scenes from a Radio Drama) (Brass Band - Score and Parts) - Britten, Benjamin - Hindmarsh, Paul
King Arthur (Scenes from a radio drama) was the first of 28 scores Benjamin Britten (1913-1976) composed for radio between 1937 and 1947. It was an ambitious dramatisation of King Arthur's life and times - part pageant, part play, part cantata - written by D.G. Bridson.This colourful suite incorporates the Introduction, a dramatic Wild Dance, some of the music underscoring the scenes for Galahad and The Holy Grail, and two vivid battle scenes, ending with The Final Battle and Apotheosis.King Arthur (Scenes from a radio drama) for brass band should not be confused with a much longer orchestral suite which Paul Hindmarsh devised from the same source in 1995.Suitable for Premier Youth/2nd Section Bands and aboveDuration: 14.00
Estimated dispatch 7-14 working days
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£19.99
King Arthur (Scenes from a Radio Drama) (Brass Band - Score only) - Britten, Benjamin - Hindmarsh, Paul
King Arthur (Scenes from a radio drama) was the first of 28 scores Benjamin Britten (1913-1976) composed for radio between 1937 and 1947. It was an ambitious dramatisation of King Arthur's life and times - part pageant, part play, part cantata - written by D.G. Bridson.This colourful suite incorporates the Introduction, a dramatic Wild Dance, some of the music underscoring the scenes for Galahad and The Holy Grail, and two vivid battle scenes, ending with The Final Battle and Apotheosis.King Arthur (Scenes from a radio drama) for brass band should not be confused with a much longer orchestral suite which Paul Hindmarsh devised from the same source in 1995.Suitable for Premier Youth/2nd Section Bands and aboveDuration: 14.00
Estimated dispatch 7-14 working days
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£44.95Prelude for an Occasion (Brass Band - Score and Parts) - Gregson, Edward
Prelude for an Occasion was one of Gregson's first works for brass band and was written in 1968 for the Black Dyke Mills Band for a recording on the Decca label. Since then it has become a popular concert opener.After a short fanfare introduction it moves into a quasi-march with a somewhat rhythmic and dissonant middle section before returning to a triumphant restatement of the opening fanfare.Duration: 4.00
Estimated dispatch 7-14 working days
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£53.50Heritage (Brass Band - Score and Parts) - Sparke, Philip
Philip Sparke wrote Heritage as a grand concert march in the tradition of Elgar and Walton. After a brief introduction, the march's long main theme is presented: first in subdued tones, then taken up by the full band, adding a tenor counter melody. The following bridge passage leads to a change of key and the traditional trio section. A repeat of previous motifs leads to a return of the main theme, followed by a short closing coda.Duration: 4.45
Estimated dispatch 7-14 working days
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£159.99Other Lives (Brass Band - Score and Parts) - Waespi, Oliver
Other Lives is works perfectly for a competition but can also be programmed as concert work. The dark chords at the beginning of the piece are derived from Der Doppelganger, one of Franz Schubert's late songs. After a short development the music begins to accelerate and find its own shape, gradually moving away from the introduction. The entire first part, Rage, has an intensely agitated character. The ensuing Reflection turns back to the initial chord progression, before a series of interspersing solos explore time and space at a slower pace. After another musical surge, the music is brought close to silence and then gives way to the third part, Redemption. Here, a widely spaced sound field contains a remote allusion to another work by Schubert, Ruckblick. After this farewell, an abstract musical transformation triggers an emotional change, as the initial motifs are now presented in their inversed form in order to create a much brighter harmonic landscape. Moreover, in the last part of the piece, Renewal, the grim, tense atmosphere of the first part is transformed into a great energy.Duration: 18.00
Estimated dispatch 7-14 working days
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