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£74.99
Durkle Bandrydge Suite Brass Band (Score & Parts) - Fraser, Bruce
Durkle Bandrydge is the name of the composers imaginary world, but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser, 8 characters are featured, each with its own peculiarities, making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part, all characters come together in a special way.Durkle Bandrydge exists at the end of your street. It is invisible to humans, but Durkle Bandrygators can watch us with great interest. The music will introduce you to some of the characters who live in this unusual place. The parts: Somnanbulyss, who is a giant troll guarding the entrance to Durkle Bandryde. At least, he is supposed to, but he tends to sleep most of the time. His music is therefore very slow moving and sleepy. Long Gwysteen is a tall, mysterious, and somehow sophisticated character, who walls around with a shell on his back. His music glides along rather gracefully. Squelfitch is a rather unpleasant and smelly character who lives in a bog, which is why his music sounds rather slimy and a bit like trying to walk through quicksand. Perfydlia is a meddling old woman, who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squeals of delight. Maryann Lovely is a beautiful young lady, graceful, gorgeous, absolutely devine, and her music is obviously just the same. Thistledoo Nicely is a lively character who spends and spends and spends with her credit card, buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het 'happy go lucky' approach to life. Marsyn Edginton is the Lord of the manor, the richest man in town, the 'big cheese', the man with all the power and, of course, the biggest house. He is very grand and his music like he could be a king. Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eats lots of shortbread, oatcakes, scotch eggs, porridge and drinks an enormous amount of Scotch Wisky, which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig and this is the music he remembers. Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade - it is a pity that you can not see them, what is a wonderful sight. If you listen carefully, you will hear the melodies which belong to the characters as they march past. Oh what a grand spectacle! 10:00
Estimated dispatch 7-14 working days
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£104.99
Kefas Brass Band (Score & Parts)
The composition Kefas was written for the brass band 'Apollo' from Grou (The Netherlands), by order of the Unisono Foundation, the organisation for wind music in The Netherlands.The assignment was given on account of earning the Champions Title during the Dutch Brass Band Championships in the year 2001 (4th division). The theme of the composition links the tradition of the village Grou, not to celebrate Sint Nicolaas but Sint Pieter.By this typical Dutch festivity (in December) the holy Nicolaas gives presents to the children. It is a popular custom where young and old participate. Grou is the only place where this is not done by Sint Nicolaas but by Sint Pieter. Apart from that, on the 22th of Februari, a lot of festivities that take place,resemble those of the Sinterklaas celebration. In the composition two Sint Pieter songs are processed, set through bible scenes, wherein in among others the visit of Christ to the house of Peter's Mother-in-law and the calling of Peter are depicted. The title refers to the pronouncement of Christ, where he named Peter the rock on which he shall build his church. The Hebrew word for rock is Kephas. Kefas was premiered in 2003. 11:00
Estimated dispatch 7-14 working days
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£19.99
Kefas Score Only
The composition Kefas was written for the brass band 'Apollo' from Grou (The Netherlands), by order of the Unisono Foundation, the organisation for wind music in The Netherlands.The assignment was given on account of earning the Champions Title during the Dutch Brass Band Championships in the year 2001 (4th division). The theme of the composition links the tradition of the village Grou, not to celebrate Sint Nicolaas but Sint Pieter.By this typical Dutch festivity (in December) the holy Nicolaas gives presents to the children. It is a popular custom where young and old participate. Grou is the only place where this is not done by Sint Nicolaas but by Sint Pieter. Apart from that, on the 22th of Februari, a lot of festivities that take place,resemble those of the Sinterklaas celebration. In the composition two Sint Pieter songs are processed, set through bible scenes, wherein in among others the visit of Christ to the house of Peter's Mother-in-law and the calling of Peter are depicted. The title refers to the pronouncement of Christ, where he named Peter the rock on which he shall build his church. The Hebrew word for rock is Kephas. Kefas was premiered in 2003. 11:00
Estimated dispatch 7-14 working days
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£95.00Penlee (Brass Band - Score and Parts) - Dobson, Simon
2013 Finals of the National Brass Band Championships of Great Britain - 3rd SectioTo some, the tragic story of the Penlee lifeboat, Solomon Browne, would need no introduction, and to some the pain felt is still very much a reality. The composer, born just a few weeks before that fateful night on the 19th December 1981, has created this work as a musical homage to the bravery of the souls who lost their lives and has dedicated it to their memory.Penlee was commissioned by the Cornwall Youth Brass Band using funds bequeathed by Michael Pickett. The first performance was given by the Cornish Youth Brass Band, conducted by Ian Porthouse, at St. Michael's Church, Newquay, on 30th December 2008.Penlee has been voted into the Classic FM Hall of Fame 2011 at No.106. Not only is it the first time a brass work has been featured in the Hall of Fame, but it was also the highest new entry.The work has subsequently been recorded by the Leyland Band, conducted by Jason Katsikaris, on the CD entitled Penlee.Suitable for Advanced Youth/3rd Section Bands and aboveDuration: 13:30
Estimated dispatch 7-14 working days
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£17.99Penlee (Brass Band - Score only) - Dobson, Simon
2013 Finals of the National Brass Band Championships of Great Britain - 3rd SectionTo some, the tragic story of the Penlee lifeboat, Solomon Browne, would need no introduction, and to some the pain felt is still very much a reality. The composer, born just a few weeks before that fateful night on the 19th December 1981, has created this work as a musical homage to the bravery of the souls who lost their lives and has dedicated it to their memory.Penlee was commissioned by the Cornwall Youth Brass Band using funds bequeathed by Michael Pickett. The first performance was given by the Cornish Youth Brass Band, conducted by Ian Porthouse, at St. Michael's Church, Newquay, on 30th December 2008.Penlee has been voted into the Classic FM Hall of Fame 2011 at No.106. Not only is it the first time a brass work has been featured in the Hall of Fame, but it was also the highest new entry.The work has subsequently been recorded by the Leyland Band, conducted by Jason Katsikaris, on the CD entitled Penlee.Suitable for Advanced Youth/3rd Section Bands and aboveDuration: 13:30
Estimated dispatch 7-14 working days
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£109.99
The Power of the Megatsunami Brass Band (Score & Parts)
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expression of power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50 km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressive atmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature. 10:30
Estimated dispatch 7-14 working days
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£12.00Vienna Nights - Study Score - Wilby, Philip
The City of Vienna stands at one of the historic crossroads of the world, linking east and west and embracing artistic influences from all sides. In the 250th anniversary year of Mozart's birth, this fantasy on Mozart's celebrated Piano Sonata in A (K331), has been composed true to the form and content of the original, but also to the underlying substance of the conception.One of Mozart's distinguishing features, and one that links him to later music by Beethoven, Schubert, Mahler and Schoenberg, is the breadth of his musical vision. His music links intellectual rigour with ecstatic utterance and darker preoccupations. It is, perhaps, this shadow-laden side of his musical nature which gives his work a profundity often absent in the work of his contemporaries. Admirers of his Requiem Mass or the Statue music in Don Giovanni will recognise that it is this extra sense of reality which makes Mozart so relevant to the modern age, and where he may link hands with the other great Viennese thinkers such as Berg, Webern and Adorno.The composer follows the three movement plan of the Sonata closely. The original begins with a Theme and Variations which is freely quoted. His Minuet is mirrored in the Recitative and Notturno, where each section of the band lays down a metaphoric rose to his memory. Famously, the sonata ends in populistic style with a Turkish Rondo. Ever since the Hapsburg-Ottoman Wars, which came to an end in the seventeenth century, Viennese composers have included Turkish elements in their music, not least in the use of certain percussion instruments. Vienna Nights is thusly a homage.It celebrates the world's greatest composer, but also the city which fostered his work. Here, in your imagination, you might easily conjure up a caf table near the Opera House, where Mozart, Mahler and Sigmund Freud, observed by us all from a discreet distance, may meet as old friends.
Estimated dispatch 7-14 working days
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£59.95The Plantagenets (Brass Band - Score and Parts) - Gregson, Edward
A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30
Estimated dispatch 7-14 working days
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£29.95
The Plantagenets (Brass Band - Score only) - Gregson, Edward
A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30
Estimated dispatch 7-14 working days
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£30.00A Million Love Songs - Gary Barlow
Made famous by the boy band 'Take That', this fantastic new angle on the song from Lucy Pankhurst, creatively features the flugel and tenor horn section with full support from the accompanying band.Take That's Gary Barlow wrote 'A Million Love Songs' when he was 15. He also recorded a rough demo of the track, and was one of the songs he gave to music manager Nigel Martin-Smith on a cassette tape as part of his audition to join a boy-band.In his autobiography A Better Me, Gary revealed that Martin-Smith was so impressed by the tape, that he didn't realise it was Gary singing. As legend has it, the conversation went like this:Martin-Smith: "This tape, who has written the songs?"Barlow: "Me"Martin-Smith: "Who wrote the words, then?"Barlow: "Me. And the music and the backing track."Martin-Smith: "Wow, you'd better come back and see me tomorrow."The ballad became one of the group's most popular songs, and is often voted among the greatest love songs of all time. It peaked at No. 7 in the UK charts, and remains a firm favourite, not just for its sentiment, but for the beautiful melody Barlow created.Lucy's arrangement for brass band brings a whole new dynamic to the music and offers the flugelhorn and tenor horns a golden opportunity to shine.
In Stock: Estimated dispatch 3-5 working days
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