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  • £29.50

    I Believe In Father Christmas - Greg Lake - Gavin Somerset

    Released in 1975, this well loved song was written intentionally by as a protest about the commercialisation of Christmas. The release saw it shoot to No.2 in the charts and remains Greg Lake's only hit solo release. The instrumental riff used between verses is the tune from "Troika" by Sergei Prokofiev that has aided its popularity. This piece is familiar to all audiences, perfect to get them in the mood for your Christmas concerts & get them singing along.

    In Stock: Estimated dispatch 1-3 working days

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  • £29.50

    King Of The Road - Rodger Miller - Lee Rogers

    If there was one song that would encapsulate the laid back, easy-going nature of the bass trombone player - this is it! Roger Miller's classic 1964 song has now been skilfully arranged by Lee Rogers which can feature either the bass trombone or Eb Bass. The band parts also enjoy the laid back nature of the soloist with the melody featuring throughout different sections. Recorded by Dean Martin, The Proclaimers, Jerry Lee Lewis & countless other, this item is pure entertainment and just begs for the soloist to endure the "hobo" look as the song's lyrics describes. A must for all bands.

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  • £44.50

    Magnificat - John Rutter - Gavin Somerset

    John Rutter's Magnificat (Magnificat anima mea), first performed in 1990, opens with bold fanfares and syncopation which captures the listeners attention from the very first note. The work was originally composed for chamber orchestra and SATB choir. The SATB parts are also included in the score with this publication allowing bands if they wish, to perform with work alongside a full choir. Transcribed directly from the composers original score, Rutter's music is full of strong melodic lines and gorgeous harmonies. Full of hair raising moments, it lends itself perfectly to Brass Bands and this opening movement is a must have for bands wanting to add something new and challenging to their classical repertoire.

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  • £24.50

    Morning (From 'Peer Gynt') - Edvard Grieg - Gavin Somerset

    With many bands this time of year doing "Proms" concerts, this new release comes at the perfect time. Skillfully arranged to make this playable by most bands, this is one of the most memorable tunes of all time. Used in countless TV adverts and films, this full arrangement of the classical work is sure to make the audience smile. The piece was originally composed as incidental music for a play by Henrik Ibsen in 1876.Over time, it has become a stand alone favorite on the classical music stage. Perfect for any concert.

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  • £24.50

    Perpetuum - Dave Collins

    A new and very exciting concert work for band. It is based upon driving additive patterns similar to those use in action and spy films. This is a brilliant new addition to the concert repertoire and is composed with energy right from the start. Thick block chords underneath the driving rhythms will allow your audience to feel the band's presence. This title was originally commissioned by the VBS Poynton band and works equally well on the bandstand or in the concert hall.

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  • £24.50

    Seren Fach - Nigel Lawless

    Meaning Little Star, this work is so beautiful and simplistic that is raises smiles from all who hear it. Whilst playing with James Shepherd Versatile Brass, Euphonium & trombone player, Nigel Lawless penned this new work as a gift to Rob & Claire Westacott on the birth of their daughter, Jessica. Now cleverly scored for full band, the work combines the two famous melodies of Twinkle, Twinkle Little Star and Brahms lullaby. Playable by most standards of bands, this slow melodic piece fits easily into any concert programme and provides a chance to showcase lyrical soloistic playing and delicate accompanying skills. The work was recorded on the JSVB final CD release, Legacy.

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  • £29.50

    What's This? - Danny Elfman - Naomi Styles

    Tim Burton's Nightmare Before Christmas needs little introduction, as it is regularly hailed of one of the greatest Christmas films of all time. The originality of stop motion animation at a time where many were turning to computer animations, helped the movie on its way to great critical acclaim and financial success. The score for the movie was provided by Danny Elfman (of Simpsons & Batman fame) who also provided the singing voice for the character, Jack. Now, for the first time ever, the energetic and memorable track, 'What's This', is now available for band. The film and soundtrack finds favour with audiences of all ages and is a must for bands looking for something different to inject some life into their Christmas concerts this year. For Christmas 2020, we have made backing tracks of this title for you to download. These can be used either for personal playback use, or to create a virtual performance of the piece with your full band. To download the backing track, please RIGHT CLICK HERE & Save As .

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  • £24.50

    Wedding Music (Selections For A Wedding) - Various - Gavin Somerset

    With more and more brass bands performing at weddings, having the correct music is essential for the couple's perfect day. With most of the traditional wedding music coming from large overtures & operas etc, this unique pack of music has been specially designed to minimise fuss (all 4 pieces are printed on just one sheet per part) and have just the "famous" bits included. Specially arranged by Gavin Somerset so that the pieces included can be performed from anything ranging from a full brass band to a brass quintet group and with repeats that can be cut or performed to tailor to each event. The pieces areaABRIDAL CHORUS (from Lohengrin) By Richard Wagner"Here comes the bride"aA is the standard march played for the bride's entrance at many formal weddings. The wedding between Elsa and Lohengrin however was almost an immidiate failure!PACHELBEL'S CANON By Johann PachelbelFormally known as the Canon & Gigue in D and originally composed for a string quartet, the Canon part of the composition has become a favorite at weddings, either as an alternative to the Bridal Chorus (above) or used during the signing of the register. The convention in the Baroque era would have been to play a piece of this type in the moderate to fast tempo, however at weddings it has become fashionable to play the work at a slow tempo.WEDDING MARCH (from "A Midsummer Night's Dream") By Felix MendelsshonPopularized by Princess Victoria's wedding to Prince Frederick William of Prussia and coupled with the Bridal Chorus for the entry of the bride, this Wedding March is often for the recessional at the end. Prelude to "Te Deum" By Charpentier Another item now popular in its use during weddings for its bright fanfares. Many composers have written music to the "Te Deum" text (Te Deum being an early Christian hymn of praise, used still regularly in the R.C Church). The prelude by Charpentier is by far one of the most famous

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  • £34.99

    Submerged... (Cornet Concerto No.2) - Jonathan Bates

    'Submerged..' is a virtuoso concerto for Cornet composed as a response to the 'lost' Derbyshire villages of Ashopton & Derwent,. both of which were drowned in the early 1940's to make way for a new reservoir to aid the ever-increasing water demand from nearby. Sheffield and it's steel industry during World War 2. The work is through-composed but is defined by 3 clear main sections, 'The . Packhorse Bridge, Derwent', 'Ashopton Chapel' and 'Operation Chastise'. Much of the melodic and harmonic material throughout the. concerto is inspired by 3 contrasting sources; an original motif of towering block chords which opens the concerto, the famous opening. fragment of Eric Ball's 'High Peak' (1969) which was composed as a tribute to the district of Derbyshire where Ashopton & Derwent lie, . and finally Claude Debussy's haunting 'La Cath drale Engloutie' or 'The Sunken Cathedral', which was composed in 1910 around the legend of. the submerged cathedral of Ys. . I. Packhorse Bridge, Derwent (1925). One of the most striking features of the former village of Derwent was it's Packhorse Bridge, which spanned the River Derwent. adjacent to the Derwent Hall - a grand, picturesque Jacobean country house. In 1925, the renowned impressionist artist Stanley. Royle painted a striking image of the two in midwinter, with the partially frozen river sat quietly underneath the snow-topped. bridge in the foreground, while the old hall sits peacefully and dark in the background. The opening setion of this concerto paints. this picture in a quite schizophrenic manner; with frosty, shrill march-like material picturing the villagers crossing the narrow icy. bridge, combined with wild and frenzied waltz music of the grand hall and it's masquerade balls laying, for now, quietly mysterious. across the river. . II. Ashopton Chapel (1939). Ashopton was much the smaller and less-populated of the 2 'lost' villages, but still bore home to a Roman Catholic Chapel which was. the focal point of the village. The chapel - along with the rest of Ashopton - was drowned in 1943, but the final service to take place there. was held in 1939, with the final hymn being 'Day's Dying in the West'. This hymn forms a haunting coda to the 2nd section, with firstly the . piano leading the melody before an audio track containing an old recording of the hymn is accompanied by the sound of flowing water and . the rumble of storms as the village hypothetically disappears from existence with the hymn tune still echoing around the valley, before . subsiding into the growing roar of the engine of a Lancaster Bomber as it soars overhead towards Derwent to practise it's 'Dam-Buster' raid. . III. Operation Chastise (1943). The Derwent Reservoir lies adjacent to Ladybower Reservoir (of which Ashopton & Derwent were flooded to make way for) in the . Derbyshire High Peak, and during the 2nd World War was used as one of the central low-atitude practise areas of the 617 Squadron - more . commonly known affectionately as the 'Dambusters'. Before the destruction of Derwent, it's 'Packhorse Bridge' was dismantled stone by stone . and re-assembled upstream at Howden Dam to the north end of Derwent Reservoir. This is where the music begins, with a reconstruction of . the opening material before taking flight into a whirlwind tour of virtuosity from the soloist. .

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  • £68.99

    The Green Hills of Tyrol (Euphonium Solo with Brass Band - Score and Parts) - Sparke, Philip

    The Green Hills of Tyrol was commissioned by Jrena and Beat Knusel for their son, Swiss euphonium player Joel Knusel, to celebrate his 20th birthday in 2019. The request was for a piece suitable for use in a solo competition, possibly using a Scottish or Irish melody, and composer Philip Sparke suggested an old-fashioned air varie might be a suitable idea. The piece follows the well-established formula of a theme followed by four variations. The history of the original melody is fascinating and, although it is now well-known as a bagpipe tune, its background is Austrian or Italian, rather than Scottish. The tune appears as a chorus of Swiss soldiers in Rossini's 1829 opera William Tell but was possibly an existing Tyrolean folk tune. In 1854, during the Crimean War, Pipe Major John MacLeod of the 93rd Highlanders heard a band of the Sardinian contingent playing selections from the opera in camp before the Siege of Sebastopol. He was struck by the melody and arranged it for his pipers, calling it The Green Hills of Tyrol, referring to Tell's visit to that corner of Austria in the opera. It has since become universally popular among pipe bands who usually refer to it as A Scottish Soldier, following the addition of new lyrics in a 1961 hit by Andy Stewart.Duration: 5.45

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