Results
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£74.95The Accursed Huntsman (Brass Band - Score and Parts) - Franck, Cesar - Siebert, Edrich
This work was composed by Cesar Franck in 1881, and was inspired by Burger's Ballade. The dramatic and religious character of the Poem is set from the beginning by the horns and later, by the bells.The approaching Ride is preceded by a broader passage and then, in a quick 9/8 rhythm the horns are heard again, answered by the cornets and the trombones.After some agitated passages there is a brilliant Andante movement after which the rhythm becomes more and more animated.At last the Ride appears, the gallop becoming wilder and wilder until it finally dies away in a chilling roll on the cymbal.
Estimated dispatch 7-14 working days
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£24.95Prelude and Capriccio (Cornet Solo with Brass Band) - Gregson, Edward
A condensed score is included with this workGregson wrote his Prelude and Capriccio in 1972. It exists in two versions: one for cornet and band and the other for cornet or trumpet and piano.The work began life in the early sixties, the Capriccio being composed when the composer was 17. A Prelude was added to complete the work, which lasts for approximately 8 minutes. The Prelude is reflective in character and uses long melodic lines over undulating chromatic harmony. The music reaches a climax before a brief reprise of the opening. The Capriccio is somewhat jazzy in its opening syncopated rhythms, but has a more lyrical middle section before a finale exploiting the virtuoso character of the instrument.
Estimated dispatch 7-14 working days
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£79.95The Plantagenets (Brass Band - Score and Parts) - Gregson, Edward
A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30
Estimated dispatch 7-14 working days
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£39.95
The Plantagenets (Brass Band - Score only) - Gregson, Edward
A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30
Estimated dispatch 7-14 working days
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£30.00Alloy - Chris Wilcox
Alloy was originally commissioned in 2009 by Redbridge Music Service as a performance goal for beginner brass instrumentalists who had received free tuition in schools across the borough. The aim of the piece was to provide an inspirational opportunity for beginner players to perform alongside intermediate and advanced level instrumentalists. Alloy is an 8-minute work for metallic instruments, which is reflected in its title. It is a fusion piece with elements from traditional Indian Raga, Drum & Bass grooves, Jazz, Rock and African rhythms alongside the more 'classical' melodic brass styles. What culminates is a vibrant and exciting contemporary work.
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£30.00Inchcolm - Terry Johns
The island of Inchcolm was visited by St Columba in 567 and is mentioned in Shakespeare's Macbeth. It lies on the stretch of water beyond my balcony, known locally as "Mortimer's deep", and on short winter days, the ruins of Columba's abbey are shrouded in the mists of the estuary and bring a flavour of mystery and legend to my morning coffee. Music comes easily here amidst the crying of the seabirds, and the horn has given its distinctive voice to history, myth and folklore for centuries. Its sound was born in the wide-open spaces and can paint a broad seascape with ease.
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£30.00Man from a Clan - Jock McKenzie
I wrote this piece as I watched the Scottish football side in the recent World Cup of 2021. At the time, all sorts of patriotic music was being played. As I listened it occurred to me that with just a handful of subtle musical nuances, music that was undeniably Scottish could be created from all manner of disparate sources.
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£30.00No Other Option - Jock McKenzie
I seem to have taught a number of students in recent years who have either embarked on medical careers or are studying to do so. Whether it be our beleaguered NHS in general or the working conditions of Junior Doctors in particular, sentiments naturally run high. I was asked & inspired to write a piece for some of these 'medical musicians' to perform in situations of protest or industrial action; situations in which they felt there was "No OtherOption" than to make their feelings known through their chosen path of protest. There is a deliberate irony in the fact that this piece is written in the style of an upbeat and good-humoured folk reel.
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£25.95Heed the Word - Lucy Pankhurst
Lucy Pankhurst created this impressive work in support of a charitable project, known in 2005 as Brass Band Aid. The organisation called for original compositions to be included in a follow-up CD release - Into Africa to help raise funds for projects in Adet, Africa, and to build awareness of the Make Poverty History campaign.Lucy's creativity and imagination are very prevalent in this work - a complete mix of powerful energy and poignant emotions flow from the score. A strong use of pulsating drums are balanced with sheer tranquility and rich chords. It exudes hope and positivity and perhaps, through its title, offers a gentle warning to listen carefully to the concerns that are aired around us - not least in recognition of the challenges facing the very communities the CD was aiming to help.The work was recorded by the Prairie Brass Band, US and featured on the Brass Band Aid CD - Into Africa.
In Stock: Estimated dispatch 3-5 working days
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£30.00Man In His Labour Rejoiceth (Band Parts Only) - John Ireland
This beautiful piece written by John Ireland, with words by Robert Bridges, has now been reborn.Originally commissioned by the National Coal Board in 1947 it is believed to have been performed on May 1st 1948 at the the Haringey Stadium, involving 9 bands and 8 colliery bands. Since the original brass band parts (which bring the piece to life in its full glory) were lost over time, the John Ireland Trust committed to a project to ensure the music was not lost forever.Andrew Duncan was commissioned with the honour of recreating the brass band set to bring the full performance of band and choir back to the public's enjoyment. His attention to detail and widespread knowledge of Ireland's writing style have now enabled 'Man in his Labour Rejoiceth' to be fully recreated and appreciated in its original written form, offering bands a remarkable opportunity to perform an historically significant concert work.Choir parts are sold separately and are available from The Music Company (UK) Ltd (please call 0845 68 08452 for more details) or Stainer & Bell Ltd (Catalogue Ref: 20303)
In Stock: Estimated dispatch 3-5 working days
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