Results
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£74.99
Famous Folksongs (Brass Band - Score and Parts) - Kildevann, Dagmar
In 'Famous Folksongs' we are taken on a musical trip around the world, from France to the USA and from South America to the Middle East. Dagmar Kildevann arranged eight word famous folk songs in very different ways. From traditional (Lolo mi boto) to modern (Le coq est mort) and from swing (Sur le pont) to rock (Michael row the boat). Bon voyage, have a pleasant journey! Oh, and by the way, don't forget your passport!Duration: 10:00
Estimated dispatch 7-14 working days
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£53.50
On My Way (Brass Band - Score and Parts)
The English musician Phil Collins has written six new songs for the animated Walt Disney film Brother Bear. His catchy pop rock is well known and popular with a worldwide audience. In Brother Bear, the young Kenai kills a grizzly bear to avenge his brother's death. Then he is magically transformed into a bear himself and he makes friends with the bear cub Koda. Together, they undertake a long, exciting journey in search of the mountain where Kenai can become human again. Meanwhile Kenai's remaining brother hunts them in order to avenge his family. Thus, the main themes of Brother Bear are brotherhood and friendship. On My Way gives voice to the courage and the determination that characterise Brother Bear. Peter Kleine Schaars has produced an excellent arrangement for band, which reflects the original film music very well. 03:45
Estimated dispatch 7-14 working days
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£18.99
On My Way (Brass Band - Score only)
The English musician Phil Collins has written six new songs for the animated Walt Disney film Brother Bear. His catchy pop rock is well known and popular with a worldwide audience. In Brother Bear, the young Kenai kills a grizzly bear to avenge his brother's death. Then he is magically transformed into a bear himself and he makes friends with the bear cub Koda. Together, they undertake a long, exciting journey in search of the mountain where Kenai can become human again. Meanwhile Kenai's remaining brother hunts them in order to avenge his family. Thus, the main themes of Brother Bear are brotherhood and friendship. On My Way gives voice to the courage and the determination that characterise Brother Bear. Peter Kleine Schaars has produced an excellent arrangement for band, which reflects the original film music very well. 03:45
Estimated dispatch 7-14 working days
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£30.20Beaufort Fanfare (Brass Band) Friedrich Gattermann
Beaufort Fanfare, by German composer Friedrich Gattermann, is a dynamic and vibrant musical work inspired by the Beaufort scale, a system for estimating wind speeds. Originally composed for brass ensemble and percussion, it was created to showcase Orchestral Tools' Beaufort Brass sample library, recorded at the iconic AIR Studios in London. Here it has been set for brass band. A central element of Beaufort Fanfare is its exploration of musical density. The piece begins with a single motif and gradually builds in complexity and richness, reflecting the increasing strength of the wind. As it progresses, the music intensifies, with the development of density playing a crucial role in conveying the evolving character of the elements. Through intricate brass harmonies and rhythmic drive, Beaufort Fanfare captures both the awe-inspiring beauty and raw power of nature. More than just an auditory experience, this composition takes the listener on a journey through the elements, celebrating the force of wind in all its forms. To view a rolling score video of the work please visit www.youtube.com/watch?v=vdiIIERMSDY Duration: 2.15 minutes approx. Difficulty Level: 1st Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet 1-3 Bb Solo Cornet 2-4 Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£34.95Time Eternal - Christopher Bond
Time Eternal (2011) was written as a showcase for band in the form of a seven-minute journey which demonstrates the ability of the band and its soloists. As the title suggests, the idea of time is important in the work, with bell-like gestures forming the opening and closing sections. Rhythmic material is heard, often juxtaposing more lyrical passages, sometimes with dramatic percussion or semiquaver running accompaniments in the cornets.A slow and expressive middle section hears soloistic contributions from the flugel horn and euphoniums, as well as fuller tutti passages, before a return to the energetic tempo of the opening where material is heard again, often presented in different ways with a real sense of drive through to the close.
Estimated dispatch 5-10 working days
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£76.99Oregon - Jacob de Haan
This fantasy tells the story of Oregon, one of Americas north-western states. Traveling by train on the Northern Pacific Railroad, the listener is taken through the fascinating Oregon landscape. Indians, cowboys, golddiggers and hooded wagons will file past on this adventurous journey. The piece has some similarities with a soundtrack of a movie. Various melodies, which could be the main themes of a movie, pass the review.The piece begins in a slow movement, introducing the first theme in minor. Then we hear in the following fast movement the trombones imitate the train, whistling the steam-flute. We hear the characteristic minor theme again, but now in differentvariants(also in major). The rythmic structure of 'western' stile and rock succeed each other. This is leading to the slow movement, where the signals of horns and trumpets introduce a wonderful vocal melody. After this characteristic melody, the fast movement appears shortly again, the trombones whistling the steam-flute again (now in major). We hear also some musical elements, that plays a part in the following Presto. Barchanges, jazzy chords, interesting rhytmic patterns (with bongo) and an original theme are the characteristics of this Presto. After this, the horns announce the last section of the piece. Interesting is the fact that we hear in this Allegro section a variant of the vocal melody in the slow movement. Also the Presto theme returns shortly, followed by the Allargando, which is a grand characteristic end of a soundtrack. The movie of our travelling fantasy has come to an end.
Estimated dispatch 5-14 working days
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£89.95Visions of Gerontius (Brass Band - Score and Parts) - Downie, Kenneth
Commissioned for the Open Brass Band Championships 2007Visions of Gerontius is a set of variations on a hymn tune which is invariably associated with Cardinal John Henry Newman 's words taken from his visionary poem "The Dream of Gerontius", which deals with the journey of the soul from this world to the next. The stanzas of the hymn are taken from the poem which Elgar set to music in his great masterpiece of the same name, for soloists, chorus and orchestra, first performed in Birmingham in 1900. The dramatic setting of those words provides some of the most memorable moments in the music.
Estimated dispatch 7-14 working days
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£74.99Oregon (Brass Band - Score and Parts) - De Haan, Jacob
This fantasy tells the story of Oregon, one of America's north-western states. Traveling by train on the Northern Pacific Railroad, the listener is taken through the fascinating Oregon landscape. Indians, cowboys, golddiggers and hooded wagons will file past on this adventurous journey. The piece has some similarities with a soundtrack of a movie. Various melodies, which could be the main themes of a movie, pass the review.The piece begins in a slow movement, introducing the first theme in minor. Then we hear in the following fast movement the trombones imitate the train, whistling the steam-flute. We hear the characteristic minor theme again, but now in different variants (also in major). The rhythmic structure of "western" stile and rock succeed each other. This is leading to the slow movement, where the signals of horns and trumpets introduce a wonderful vocal melody. After this characteristic melody, the fast movement appears shortly again, the trombones whistling the steam-flute again (now in major). We hear also some musical elements, that plays a part in the following Presto. Barchanges, jazzy chords, interesting rhythmic patterns (with bongo) and an original theme are the characteristics of this Presto. After this, the horns announce the last section of the piece. Interesting is the fact that we hear in this Allegro section a variant of the vocal melody in the slow movement. Also the Presto theme returns shortly, followed by the Allargando, which is a grand characteristic end of a soundtrack. The movie of our travelling fantasy has come to an end.Duration: 9:10
Estimated dispatch 7-14 working days
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£62.00Montage (Score only) - Peter Graham
Each of the movements of the symphony take as their starting point forms originating in music of the 16th and 17th centuries. The first, an intrada, introduces the main thematic material (based on the interval of a minor third) in its embryonic state. As the piece progresses, this material is developed and manipulated in a variety of ways. The interval of the third remains central to the overall scheme of the work, even unifying the three movements on a tonal plane (I: F (minor); II: A flat (major); III: C flat (minor). The internal structure of the intrada is an arch form: ABCBA, roughly modelled on the first movement of Concerto for Orchestra by Witold Lutoslawski, to whose memory the movement is dedicated. A chaconne follows - the basic material now transformed into expansive solo lines underpinned by a recurring sequence of five chords (again, a third apart). The movement's structure combines both ternary form and golden section principles and the chaconne's continuous cycle of chords may be visualised as circles. The final movement, a rondo, bears the dramatic weight of the entire work, as the underlying tonal tensions surface. A musical journey ensues, making diversions through lyrical territories as well as through more spiky, jazz-flavoured ones. The aural (and visual) montage is perhaps most apparent towards the climax of the piece, where three keys and polyrhythms sound simultaneously in the upper brass, xylophone, horns, and timpani. The climax itself combines the lyrical music heard earlier with the rondo theme, now presented by cornets and trombones in canon. The teleological thrust of the movement (if not the entire work) can be symbolized by the flight of an arrow, as it steers a predetermined course towards its target. Duration: 16:00
Estimated dispatch 7-9 working days
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£74.00Montage (Parts only) - Peter Graham
Each of the movements of the symphony take as their starting point forms originating in music of the 16th and 17th centuries. The first, an intrada, introduces the main thematic material (based on the interval of a minor third) in its embryonic state. As the piece progresses, this material is developed and manipulated in a variety of ways. The interval of the third remains central to the overall scheme of the work, even unifying the three movements on a tonal plane (I: F (minor); II: A flat (major); III: C flat (minor). The internal structure of the intrada is an arch form: ABCBA, roughly modelled on the first movement of Concerto for Orchestra by Witold Lutoslawski, to whose memory the movement is dedicated. A chaconne follows - the basic material now transformed into expansive solo lines underpinned by a recurring sequence of five chords (again, a third apart). The movement's structure combines both ternary form and golden section principles and the chaconne's continuous cycle of chords may be visualised as circles. The final movement, a rondo, bears the dramatic weight of the entire work, as the underlying tonal tensions surface. A musical journey ensues, making diversions through lyrical territories as well as through more spiky, jazz-flavoured ones. The aural (and visual) montage is perhaps most apparent towards the climax of the piece, where three keys and polyrhythms sound simultaneously in the upper brass, xylophone, horns, and timpani. The climax itself combines the lyrical music heard earlier with the rondo theme, now presented by cornets and trombones in canon. The teleological thrust of the movement (if not the entire work) can be symbolized by the flight of an arrow, as it steers a predetermined course towards its target. Duration: 16:00
Estimated dispatch 7-9 working days
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