Results
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£105.00King Arthur - Benjamin Britten
King Arthur was the first of 28 scores Benjamin Britten (1913-1976) composed for radio between 1937 and 1947. It was an ambitious dramatisation of King Arthur's life and times - part pageant, part play, partcantata - written by D.G. Bridson. This colourful suite incorporates the Introduction, a dramatic Wild Dance, some of the music underscoring the scenes for Galahad and The Holy Grail, and two vividbattle scenes, ending with The Final Battle and Apotheosis. King Arthur (scenes from a radio drama) for brass band should not be confused with a much longer orchestral suite which Paul Hindmarsh devised from the same sourcein1995. King Arthur (scenes from a radio drama) will be played by the 20 First Section finalists on 16th September 2018 at this year's National Brass Band Championships of Great Britain.
Estimated dispatch 5-14 working days
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£73.60A Spring Lullaby - Andrew Pearce
During the past few years, Andrew Pearce enjoyed a fruitful collaboration with Phillip Cobb, principal trumpet of the London Symphony Orchestra, composing such works as The Maestro and Interlude for his album in 2012. Later Cobb invited Pearce to compose a slow melody, accompanied by the Central Band of the Royal Air Force for Cobb's upcoming album, displaying his softer, expressive side on flugelhorn. This song-like, warm lilting lullaby reflects on the joy of life.
Estimated dispatch 5-14 working days
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£154.99EKSTASE - Thomas Doss
EKSTASE is a piece about a mentally ill patient who is kept completely shut off from the outside world. His condition is worsening, and due to his medication the border between the real world and his hallucinations becomes increasingly vague. One day the patient discovers an old piano and begins to play Mozart which brings both himself and other patients back to life. A very innovative and virtuoso new work from Thomas Doss.
Estimated dispatch 5-14 working days
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£90.30Fracanapa - Astor Piazzolla
Fracanapa was written and recorded by Piazzolla in the 60s and based on one of the characters from the Italian street carnival. Traditionally these characters were marionettes, dressed in a tailcoat with a red waistcoat and a wide hat. He was quite fat and had an enormous nose but was good-hearted, witty and sociable. He enjoyed good food and loved Amarone wine. His main aim in life was to make people smile.
Estimated dispatch 5-14 working days
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£74.99
Haexdonck - Guido De Ranter
This work was commissioned by the municipality of Kapelle-op-den-Bos on the occasion of the 150th anniversary of canon Jaak Muyldermans. Haexdonck is the old spelling of the present day region of "Oxdonk" where Jaak Muyldermans lived. In this three-part work the composer describes the different human aspects of canon Muyldermans' rich life. The first part, slow and dreamy, describes the writer/poet. The second dissonant part with much percussion describes his time as an army chaplain during the Great War. The third hymn-like part depicts his time as a priest. This work by Guido De Ranter, a newcomer to composition,is suitable for competitions or concerts.
Estimated dispatch 5-14 working days
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£85.00Freaks! - Gavin Higgins
Freaks! was written for Lisa Sarasini in 2006 and first performed by her with Zone One Brass at the Royal College of Music, London.This tuneful and flamboyant showpiece was inspired by the Tod Browning film of the samename. The 1932 black and white cult classic was banned for many years due to its controversial morality issues and lead characters real life side show freaks . It is one of the most bizarre things to have ever come out ofHollywood. Gavin Higgins' virtuoso trombone solo is programmatic in style, full of humour with a sinister undercurrent, and is broken into seven short scenes:IntroductionRoll up... See theFreaksThe Amazing Cleopatra Queen of the AirGooble Gobble one of us The Wedding PartyThe Fall of CleopatraThe Freaks Take RevengeCleopatra The Duck Lady
Estimated dispatch 5-14 working days
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£74.99Kingdom of Dragons - Philip Harper
The 'Kingdom of Dragons' is Gwent in South Wales, known in ancient times as the Kingdom of Gwent, and more recently home to the Newport Gwent Dragons Rugby Union team. This piece was commissioned by the Gwent Music Service with additionalfunding from Ty Cerdd - Music Centre Wales to celebrate the 50th anniversary in 2010 of the formation of the Gwent Youth Brass Band. Although the music is continuous, it is divided into four distinct sections, each one representing one of theunitary authorities which make up the County of Gwent. I. Monmouthshire, which has a large number of ancient castlesII. Blaenau Gwent, an historic area of iron and coal miningIII. Torfaen, where Pontypool Park is a notablelandmarkIV. Newport, the largest city in the region. The music begins with a two-bar fanfare, which sets out all the thematic material of the piece. The mood of pageantry that follows describes some of the ancient castles inMonmouthshire, with rolling tenor drums and fanfaring cornets. After a majestic climax the music subsides and quite literally descends into the coal mines of Blaenau Gwent. The percussion provides effects that suggest industrial machineryclanking into life, and the music accelerates to become a perilous white-knuckle ride on the underground railroad. There is a brief respite as a miner's work-song is introduced and, after a protracted build-up, this is restated at fortissimo beforethe music comes crashing to an inglorious close, much like the UK's mining industry itself. The middle sonorities of the band portray the tranquillity of Pontypool Park, a place of great natural beauty. Brief cadenzas for cornet and euphoniumlead to a full band reprise of the pastoral mood. At the end of this section we find ourselves at the top of the park's 'Folly Tower' from which the distant castle turrets of Monmouthshire are visible. Pontypool RFC was one of eleven clubs inthe first Welsh league in 1881 and a brief but bruising musical portrayal of the formidable Pontypool front-row, the 'Viet Gwent' leads into the work's final section. This portrays Newport, a symbol for progress and optimism for the future, idealsshared by the Gwent Youth Band itself. The music is a vigorous fugue which advances through various keys and episodes before the final triumphant augmented entry which brings the work to a magnificent conclusion. NOTES ONPERFORMANCEPercussion requirements: (3 players) Timpani, 2 Tenor Drums, 2 Tom toms, Snare Drum (sticks and brushes required), Bass Drum, Clash Cymbals, Suspended Cymbal, Hi-hat, Sizzle Cymbal, Tambourine, Metal block with metalbeater (eg hammer), Rattle (eg football rattle), Glockenspiel, Xylophone
Estimated dispatch 5-14 working days
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£74.99Olympus - Philip Harper
Selected as the test-piece for the 3rd Section Regional contests of the National Brass Band Championships 2012The music begins with a depiction of the exciting Opening Ceremony where noisy fanfares and sudden swells add to the cosmopolitan flag-waving clamour. Without a break the music leads to The Chariot Race, a fast compound-time gallop withthundering hooves in the basses and percussion, and a heroic melody introduced by the tenor horns. Chariot racing was the main equestrian event in the Ancient Greek Games, which were founded in memory of King Oenomaus. In the Greek legend he suffereddefeat in a chariot race to his son-in-law and Zeus' grandson, Pelops, but much of the music is bitter-sweet to symbolise the fact that Pelops had to cheat to win drawing parallels with some of the issues still facing modern-day athletics. A slow, mystical passage follows, describing The Temple of Zeus at Olympia. The statue of Zeus, who was honoured throughout the Ancient Games' history, was housed inside the temple and was one of the Seven Wonders of the Ancient World. Themusic depicts this period of the dawn of one of mankind's most ancient civilisations and there is a series of solo passages above a drone. The next section is called The Olympic Flame and a broad and lyrical anthem-like melody develops slowly in the euphoniums, which gradually ascends until the horns can take it over before passing upwards again to the cornets (Higher). The musicbursts into bright life at the lighting of the flame and the regular rhythmic pattern which has been established goes through an accelerando (Faster). The final section is called The Olympic Truce and aims to capture the cooperative spirit of the ancient practice of ending wars for the duration of the games. The anthem-like melody makes an affirmatory return (Stronger) and the work ends asit began with a blaze of colour and a real sense of optimism and global celebration. "Citius, Altius, Fortius" (Faster, Higher, Stonger)NOTES ON PERFORMANCEPercussion requirements: 1 to 3 players (3 Timpani, Snare Drum, Tenor Drum, Cymbals, Glockenspiel, Triangle)
Estimated dispatch 5-14 working days
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£59.99St. Florian Choral - Thomas Doss
The convent of St. Florian was the place of work of the upper Austrian composer Anton Bruckner. This convent with its marvellous church, where many of his great symphonies were composed, is situated in the middle of a rural idyll. St. Florian Choral is Thomas Doss' modest and deep bow to this great master, whose music has been very formative for the composer's musical life.
Estimated dispatch 5-14 working days
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£59.99
The Challenger - Bertrand Moren
As the title suggests, this piece would be a good venture for those who like to tackle challenges - whether they are life's grand challenges or somewhat simpler tasks such as performing this sonorous, impressive and demanding march. The technical and rhythmical effects contribute to this bravura work which will keep both the audience and the musicians spellbound.
Estimated dispatch 5-14 working days
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