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£63.34Caprice (Euphonium Solo with Brass Band) Andrew Batterham
VIEW SCORE PDF Caprice was written for Matthew van Emmerik, to showcase his virtuosity in an engaging piece of concert music. The work is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo, a collection of 24 caprices for solo violin. This theme has been the inspiration for similar works by many composers since it was first published, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber. In this work, the famous theme is treated to a more contemporary approach. The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the band. It is couched in an organic scale reminiscent of the Phrygian mode. The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument. The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the last, until the work concludes with a whirlwind dance at breakneck speed. Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will. This arrangement was made possible through Matt's instigation and generosity. To view a video of Matthew van Emmerik performing the version with brass band please visit www.youtube.com/watch?v=D0hsvux_a5o To view a video of Fletcher Mitchell performing the version with piano please visit www.youtube.com/watch?v=NOZ6KRldDVo Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£7.91Euphonium Concerto with Brass Band (Karl Whelan) Soloist Copy
*Karl Whelan's Euphonium Concerto with Brass Band is written in three linked movements: I: Prelude II: Aria III: Scherzo The first movement, Prelude, is in a mirror image sonata form and with its menacing ostinato sets the tone for the entire concerto and also introduces material on which the concerto is based. During this movement, the soloist has the opportunity to display their technical ability as well as the extremes of the instruments range. A chord based on the notes of the ostinato signal the beginning of the second movement, Aria. Here, material from the first movement has been weaved together and moves through a multitude of keys, the soloist is able to show the expressive side of the instrument to create an almost yearning, operatic aria. A reiteration of the 1st subject takes us into an almost march like figure at the beginning of the third movement, Scherzo. This is then interrupted both times by dance-like scherzo which, as with the rest of the concerto navigates itself through different keys leading to the cadenza that even the temple blocks have the the chance of participating in! The concerto concludes with almost a battle between the band (playing fragments of the first and second subjects from the first movement), and soloist who is attempting to have the last word! To view a follow-the-score video of the work please visit: www.youtube.com/watch?v=aEnou67XHqA To purchase the full band set please visit www.brookwrightmusic.com/product-page/euphonium-concerto-with-brass-band-karl-whelan *Please note this download only includes the soloist copy. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£59.99Hallelujah - Christopher Bond
The songs of Leonard Cohen are difficult to categorize. His songs are sometimes more like poems to music. 'Hallelujah' is probably the most widely known Cohen composition and has been covered many times, most notably by Jeff Buckley. Hallelujah is often considered the most famous secular hymn, finding further popularity through its use in 2001 motion picture, Shrek, alongside its use in countless other film and television productions. This is a beautiful addition to the brass band repertoire and is suitable for bands of fourth section standard and higher.
Estimated dispatch 5-10 working days
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£59.99Moon River - Christopher Bond
Moon River is the title song of the famous 1961 motion picture Breakfast at Tiffany's. Over the years the song was covered by many major stars, turning it into an absolute evergreen around the world. The beauty of the melody is also suited for mellow sounding instruments like the Eb horn; a great reason to make this version for brass band and horn. This arrangement of Moon River received its premiere as part of Tongwynlais Temperance Band's winning 2017 Welsh Open programme, with soloist Emily Evans winning the soloist prize. The arrangement was since featured on Cory Band's CD release 'Destination Moon', recorded by Ailsa Russell.
Estimated dispatch 5-10 working days
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£24.95Lest We Forget - Christopher Bond
Lest We Forget is a phrase added as a final line at the end of the Ode of Remembrance, taken from Laurence Binyon's poem For the Fallen, first published in The Times newspaper in September 1914. Providing the title for this work for brass band, the piece aims to combine both the acoustic nature of the brass band medium alongside narrated passages and pre-recorded extracts to provide a moving tribute. The words originally spoken by Prime Minister Herbert Asquith in 1914 can be narrated in performance. However, a free audio download, manipulated to sound like a 1914 radio broadcast is available from Prima Vista. Lest We Forget received its premiere at The Sage, Gateshead, on November 17th 2014, performed by the Grimethorpe Colliery Band, conducted by Robert Childs. The work opened their winning Brass in Concert programme, and has since been performed by bands all over the world as a fitting tribute to the Great War.
Estimated dispatch 5-10 working days
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£50.00
The Dreaded Groove And Hook (Score & Parts) - Simon Dobson
The Dreaded Groove and Hook is an up-tempo acid-jazz number that draws inspiration from bands like Jamiroquai and The Youngblood Brass Band. The groove in question is the main tune that is shared round the band, whilst the hook, in 'pop' terms, is the catchy bit of the song. The whole band joins in to play a huge 'riff' that acts as a chorus to the jazz-like verses.The piece was commissioned by Jason Katsikaris and The Leyland Band, who gave the first performance as part of their programme for the Brass In Concert Championships, held at The Sage, Gateshead on the 16th November 2008. It has now been recorded by the same band and conductor on the CD entitled Penlee. Brass Band Grade 5: 1st SectionDuration: 4 minutes
In Stock: Estimated dispatch 1-3 working days
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£110.00
Legend - Geert Jan Kroon
Other than the title, there is no real story that connects this piece to eyeballs or werewolves. There is no real legend that precedes this work. The legend will evolve in the listener's mind while listening to this piece. For me, it started with the title. It was dreamed up by my son. He also suggested a musical gesture, which I then used to build all the musical materials in this piece. I have sought to capture a dark atmosphere with a sense of excitement. Although, there are some not so dark moments in the piece which serve as a musical contrast. I would like to invite every listener to imagine a world where there exists a legend of a bleeding eyeball and a blind werewolf. And if you do dream up a great story, please let me know and share it with each other!
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£110.00
The Final Frontier - Geert Jan Kroon
In The Final Frontier, the composer explores different associations with the universe. Inspired by Stephen Hawking's (1942-2018) book Brief Answers to the Big Questions, the piece describes the wonders and dangers of the universe, the big questions about the smallest elements, and the possibility of space travel. The work consists of four movements. The first movement, 'Energy and Space', is the exposition of both main materials. With energy and space, a universe can be created. The second movement, 'The Great Unknown', is a fast section in which the materials are further explored and depicts the dangers of the universe, like supernovae and black holes. The third movement, 'The Big Questions', is a slow movement with different soloists and music of a reflective nature. Imagine how in the tiniest elements, whole dimensions could be rolled up. Also, a Dutch pioneer in cosmology is hidden in the notes. The fourth movement, 'The Final Frontier', is a big build-up to a majestic finale, portraying the excitement of space travel. The Final Frontier was the set test piece of the 3rd section at the Dutch National Brass Band Championships.
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£29.95Aberystwyth - Jonathan Bates
DURATION: 3'30". DIFFICULTY: 4th+. . A dramatic and dark setting of the well loved Joseph Parry hymn tune 'Aberystwyth'. This arrangement begins with a distant. and chilling horn solo, depicting a misty vision of the rolling coastal hills surrounding the town. The mood gradually warms . as more of the band enter before building to a fearsome and fiery climax in a quasi-battle like musical landscape. .
In Stock: Estimated dispatch 1-3 working days
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£29.95Tireless Flame, The - Jonathan Bates
DIFFICULTY: 1st+. DURATION: 6'00". Commissioned by the Reg Vardy Brass Band for their 2019 appearance at the Brass in Concert Championships, held at The Sage in. Gateshead, 'The Tireless Flame' is an energetic and driven concert finisher inspired by the idea of a fire burning at different velocities. but never truly going out. The outer 2 sections are the work are in a minimalist style using effects typical of the style such as phasing. and development throughout, whilst the central section is almost hymn like in nature, showcasing the band's ability to control the . extremes of dynamics. .
In Stock: Estimated dispatch 1-3 working days
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