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  • £29.50

    Anything You Can Play (I Can Play Better) - Irving Berlin - Martyn Patterson

    This Irving Berlin hit from 'Annie Get Your Gun' is the perfect way for two argumentative instrumentalists to battle it out on stage and provide your audience with the ultimate in entertainment. Bands and soloists of course can add their own choreography to add effect to this duet. The quibbling pair get to battle it out on who can play louder, quieter, slower, faster, higher, lower etc. all in good spirited fun. This title is the perfect choice for bands looking to add something special to their programme and works a treat in the concert hall or on the bandstand. One not to be missed. For 2 Bb instruments or 1 Bb & Eb instrumentalists

    In Stock: Estimated dispatch 1-3 working days

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  • £29.50

    Hopelessly Devoted To You - John Farrar - Gavin Somerset

    With Grease celebrating its 40th anniversary this year, this new Soprano Solo comes at the perfect time. The song was written by John Farrar, as the contractually agreed vocal solo for Olivia Newton-John to perform in the film. With simple accompaniments and a song well-known by audiences of all ages, this title is the perfect choice for Soprano players looking to combine their lyrical playing with power in the top register (highest note top C). A must have in the repertoire for soprano cornet soloists. **An alternate lower soloist part is also provided with this publication. FREE SOLOIST PART: CLICK HEREFREE ALTERNATE SOLOST PART: CLICK HERE To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .

    In Stock: Estimated dispatch 1-3 working days

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  • £29.50

    The Little Beggarman - Irish Traditional - Adrian Horn

    This show stopping arrangement of the famous traditional Irish Folk Tune is the perfect showcase for bands looking to add something impressive to their concert or entertainment contest programmes. For those familiar with Peter Graham's 'Gaelforce', Adrian Horn's take on The Little Beggarman is of a similar vein complete with a lovely slow middle movement. The two outer movements are full of excitement and a great workout for your band's ensemble playing. One audiences will love.

    In Stock: Estimated dispatch 1-3 working days

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  • £29.50

    All About That Bass (Tuba!) - Kevin Kadish & Megan Trainor - Gavin Somerset

    If you're looking to spice up your concert programme with something a little different, then look no further! It isn't too often that the lower brass get to take the limelight, however, this toe-tapping arrangement of the Meghan Trainor hit does just that! The work has become a huge hit and with a 50's & 60's 'Doo-Wap' feel, it works incredibly well for brass band. With the lower brass being kept busy, the big-band feel to the chorus and plenty of areas in which choreography would work well, this piece can't help but bring a smile to your face. The ultimate entertainment item and one that is enjoyed by all ages! A must have piece for your concerts this year. To download the Solo Cornet part, please CLICK HERE . To download the Solo Horn part, please CLICK HERE . To download the Solo Euphonium part, please CLICK HERE . To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .

    In Stock: Estimated dispatch 1-3 working days

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  • £29.50

    Hogwart's March - Patrick Doyle - George Marshall

    From the fourth installation of the Harry Potter series comes 'Harry Potter & The Goblet of Fire'. This was the first of the Harry Potter films not to be scored by John Williams. Instead, Scottish Composer, Patrick Doyle was handed the gauntlet and he produced a gem of a score that lived up to the magic on screen. Although darker than the previous three films, the light-hearted 'Hogwart's March' featured predominantly at the Triwizard tournament. Now available for band, this work is perfect for band's looking to add a little magic to their programme. Instantly recognisable by the younger players and audience, and a different take on the traditional Brass Band march. To download the Solo Cornet part, please CLICK HERE . To download the Solo Horn part, please CLICK HERE . To download the Solo Euphonium part, please CLICK HERE . To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .

    In Stock: Estimated dispatch 1-3 working days

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  • £37.50

    Resurgence - Sam Fisher

    Resurgence is a new thrilling work which was composed as the finale for the Carlton Main Frickley Colliery Band's "Great Fire of London" programme which they performed at 'Brass In Concert' 2016. Written in three sections, the work graphically depicts London in its post-fire state, with damaged bells and the ghostly atmospheric sounds. The opening movement entitled, 'Devastation' leads to the rebuild of London town, with "Oranges and Lemons" being heard in short fanfares, eventually arriving at 'New London' which features the iconic "London's Burning" and familiar Westminster Chimes. This is a great showcase for any band looking to impress on both the concert and contest stage.

    In Stock: Estimated dispatch 1-3 working days

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  • £37.50

    Italien Euphoniem - Gavin Somerset

    Occasionally, a solo comes along that allows the performer to show off their skill, whilst allowing the band a licence to enjoy themselves too. From the pen of Gavin Somerset comes a solo that takes all the 'bravissimo' of the great Italian composers and delivers a piece that both the audience and performers can enjoy. This original work is written with tongue placed firmly in cheek in this playful, light-hearted take on Italian music with a built in fun factor. The work is a must for both Euphonium soloists and bands looking to add a playful item to their programme To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .

    In Stock: Estimated dispatch 1-3 working days

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  • £24.50

    Song Without Words - Max Stannard

    This sublimely simple piece is the perfect choice of solo for bands looking to add a special moment to their concerts. With parts not too demanding, this solo would suit up and coming cornet players that would like the chance to fulfil their moment in the spotlight. The gentle ballad flow of the work would work well at any concert occasion and is open to youth bands as well as more seasoned senior bands.

    In Stock: Estimated dispatch 1-3 working days

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  • £29.50

    Sarabande - Handel - Sam Fisher

    The theme of the fourth movement of Handel's 'Keyboard Suite in D Minor' (the Sarabande) has been popularised across many mediums in recent years and is regularly featured on Classic FM's playlist. Whilst steady in tempo, this arrangement is a great piece for bands looking to not only feature a popular piece of classical music, but also put all sections of the band to work with regards to learning to balance chords and ensure good ensemble musicianship. A favourite amongst listeners.

    In Stock: Estimated dispatch 1-3 working days

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  • £37.95

    Connotations (Brass Band - Score only) - Gregson, Edward

    Connotations was commissioned for the 1977 National Brass Band Championship finals, held in the Royal Albert Hall, London (the winner, incidentally, of that particular competition was the famous Black Dyke Mills Band).At the age of 32 Gregson was the youngest composer to have received the honour of such a commission. It came at the end of a productive five years writing for the brass band publisher R Smith. Some of those works - The Plantagenets, Essay and Patterns for example, with their direct and tuneful style, have remained popular with brass bands the world over.For Gregson, these were the means by which he sharpened the tools of his trade, preparing the ground, as it were, for his finest work to date - Connotations. He thought of calling the piece Variations on a Fourth, but with due deference to Gilbert Vinter perhaps (Variations on a Ninth), he chose a more appropriate one. As Gregson has written, 'Connotations suggests more than one way of looking at something, an idea, and this is exactly what the piece is about'.Writing a competition piece brought its own problems. 'It has to be technically difficult and yet musically satisfying. I didn't like being kept to an eleven-minute maximum. The inclusion of short cadenzas for less usual solo instruments seems to signify a certain test-piece mentality'.Gregson solved the problems admirably by adopting a symphonic approach to variation form: Introduction - fanfares, a call to attention, in effect Variation 1; Theme - a six-note motif, given a lyrical and restrained first statement; Variation 2 - a delicate toccata; Variation 3 - typically robust in melody and rhythm; Variation 4 - lyrical solos; Variation 5 - a scherzo; Variation 6 - cadenzas; Variations 7-9 - an introduction, fugato and resounding restatement of the theme.Duration: 10.30

    Estimated dispatch 7-14 working days

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