Results
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£35.00The Witch of the Westmerlands (Score and Parts)
Arranged for the Leyland Band's 2010 Brass in Concert programme. This is a sumptuous, lyrical setting of Scottish folk singer-songwriter Archie Fischer's originally up-beat song, with solos for baritone and cornet. The words tell the story of an ancient knight wounded in battle and dying on the battlefield who is healed by a mysterious old lady appearing from across the moors and swiftly vanishing again.The original version was sung by, amongst others, Barbara Dickson who has said she is a big fan of Philip's sensitive arrangement.
Estimated dispatch 7-14 working days
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£64.00Three Spanish Impressions (Score and Parts)
Three Spanish Impressions originally were part of a large, single movement work called " SPAIN" Whilst happy with the content of the work, I realised that it was rather unwieldy and a bit too long, so, with the publishers blessing, created a shorter suite from the existing material.The brooding and repetitive opening movement takes its mood perhaps from the Miles Davis/Gil Evans album "Sketches of Spain", albeit in a less stringent harmonic language. The middle movement is a delicate and fragile waltz, with shades of a romance within, and the finale, a colourful and robust fandango, also contains a lyrical heart!The thematic material, whilst written very much as a pastiche of the music of Spain, is original, and the accent is firmly on melody and musicianship!Alan FernieJune 2007
Estimated dispatch 7-14 working days
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£24.00Three Spanish Impressions (Score Only)
Three Spanish Impressions originally were part of a large, single movement work called " SPAIN" Whilst happy with the content of the work, I realised that it was rather unwieldy and a bit too long, so, with the publishers blessing, created a shorter suite from the existing material.The brooding and repetitive opening movement takes its mood perhaps from the Miles Davis/Gil Evans album "Sketches of Spain", albeit in a less stringent harmonic language. The middle movement is a delicate and fragile waltz, with shades of a romance within, and the finale, a colourful and robust fandango, also contains a lyrical heart!The thematic material, whilst written very much as a pastiche of the music of Spain, is original, and the accent is firmly on melody and musicianship!Alan FernieJune 2007
Estimated dispatch 7-14 working days
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£89.95
Trombone Concerto (Edward Gregson)
Gregson's Trombone Concerto falls into three main sections, played without a break, but conforming to the traditional pattern of concerto structure. The writing for trombone is virtuosic, encompassing the whole range of the instrument, but also exploiting the rather beautiful lyrical sound of which the instrument is capable.
Estimated dispatch 7-14 working days
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£89.95Tuba Concerto (Score and Parts)
This work was commissioned by the Besses o' th' Barn Band with funds provided by the Arts Council of Great Britain. It was written for, and is dedicated to, John Fletcher, who gave the first performance in Middleton Civic Hall, near Manchester, on 24 April, 1976, with Besses o' th' Barn Band conducted by the composer. Another interesting feature about the premire was that it was recorded by BBC Television for an Omnibus programme with Andr Previn as presenter. The concerto exists in three versions: with brass band (1976), orchestra (1978) and wind band (1984).The concerto is in three movements, following the usual, quick-slow-quick pattern: Allegro deciso,Lento e mesto, Allegro giocoso. The first movement has a sonata form shell with two contrasting themes, the first one being rhythmic in character, the second lyrical. There is a reference made in passing to the Vaughan Williams Tuba Concerto, but this merges into the other material in the development section.The second movement begins with a chorale, but after the entry of the tuba it leads to a cantabile theme, softly unfolded by the soloist. The opening chorale passage returns, this time briefly on muted brass, and leads to a middle section which is more chromatic in style and soon builds to a powerful climax, where the opening cantabile theme triumphantly returns. The music subsides, returning to the opening chorale and ending peacefully.The finale is light and breezy in style, and is cast in rondo form. After a brief introduction the tuba announces the main rondo theme, which is dance-like and a little jaunty. There are two episodes: the first a broad sweeping tune, the second a slowish waltz and a little jazz-like. After a virtuoso cadenza reference is made to the very opening of the concerto before the work ends with a triumphal flourish.The Tuba Concerto has established itself as one of the main works in the solo tuba repertoire. It has been performed and broadcast in over 40 countries all over the world. There are currently six commercial recordings of the concerto in its various versions.resolution in C major, pointed by a simple but expansive melody towards which the piece has been heading, and ending in a blaze of joyful colour.
Estimated dispatch 7-14 working days
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£9.95First Quartet (Brass Quartet - Score and Parts)
My first Brass Quartet was written in 1968, immediately after I finished my studies at the Royal Academy of Music, and was in response to a request from my then publisher, R Smith & Co, to write some chamber music for brass band instruments. It is scored for two cornets, horn and euphonium. In the same year I also wrote another quartet (No. 2) which is scored for the more unusual combination of two horns, baritone, and tuba. The First Quartet is really a miniature in terms of length, lasting less than six minutes. However, it packs a lot of punch in its two connected movements, a Prelude and a Capriccio. The Prelude is lyrical in style and opens with a rising figure (covering a major seventh) on euphonium answered by muted cornets. These ideas form the material for the movement which is arch shape in structure. The opening returns, immediately followed by a transition passage which leads directly into the turbulent Capriccio. This is rather Bartokian in style (I was very influenced by Bartok in my student days and had closely studied his six string quartets), in the manner of a Hungarian dance in 5/8 time. The constantly changing metric patterns give the music a rather disruptive quality, but also an opportunity for the players to show their virtuoso abilities. - Edward Gregson
Estimated dispatch 7-14 working days
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£35.62Sunset (Cornet Solo with Brass Band) David Robb
Sunset was written in June 2023 as a graduation present for the composer's son Callum and is dedicated to him. It portrays an older father (the composer) reminiscing about the love, respect and pride he has for his grown-up son and all that he has achieved and worked for. Sunset is lyrical and song-like in style. A soaring solo line is accompanied by a mainly homophonic background which should support, but never overpower the soloist. The tutti sections feature the melody accompanied by flowing scalic figures which portray the passing of time. The piece ends with an ad lib cadenza section where the soloist can really put their own mark on the music. To view a video of Dominic Longhurst and Victoria Brass performing the solo please visit www.youtube.com/watch?v=nzYwOvlqaYU PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 4th Section + Length: 4.10 minutes Instrumentation: Cornet Soloist Bb Soprano Cornet Eb Tutti Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Suspended Cymbal Glockenspiel
In Stock: Estimated dispatch 1-3 working days
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£39.58March - The Stewards (Brass Band) Dave Collins
This rousing march by Dave Collins is a dedication to the remarkable group of volunteers - the unsung heroes - who, each year, organise and run the iconic Whit Friday brass band contests. They ensure that the heritage and tradition of this uniquely special event is not lost, preserving its ongoing and continued success. BrookWright is offering a 25% discount for bands who perform this march at the Whit Friday Contest. To claim the discount, please send a scan or photo of your band's adjudication card after the event to [email protected] Whit Friday, 'The Greatest Free Show on Earth', is synonymous with the brass band tradition. Its importance in the annual calendar to the players, supporters and spectators is vital to the Tameside and Saddleworth community. However, this mighty contest simply could not take place without the willing volunteers who dedicate their services year after year to keep this unique banding tradition going.Traditionally, on Whit Friday Morning, Hail! Smiling Morn (Roud #1346), also known as Praise Ye the Lord, is heard across the Saddleworth villages. This is where I have taken my inspiration, and the entire march is built upon quotes and references of this joyous work.The Stewards has many traditional elements drawing on the vast repertory of well-known marches, as well as some untraditional techniques and harmonies. The work aims to be a good test for the bands in its performance, but also fun and entertaining for the players and audiences alike - featuring a cheeky cornet solo, thunderous bass feature, and lyrical euphonium melodies, before concluding with a triumphant quote from the original source material.To you all who perform or hear this work, the stewards of the brass band tradition, HAIL! To view a follow-the-score video featuring Tredegar Town Band performing the work please visit www.youtube.com/watch?v=-CNgqvc534s PDF download includes score and parts, and comes in both A4 size and A5 landscape parts for marching purposes. A single page A5 conductor reduced score is also included. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 3rd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Cymbals Side Drum Bass Drum
In Stock: Estimated dispatch 1-3 working days
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£39.58Horn Concerto No.1 1st Movement (Tenor Horn Solo with Band) Haydn arr. Wilson
Franz Joseph Haydn's Horn Concerto No.1 in D major was composed in 1762, when he was new to the Esterhazy court. It is a virtuosic concerto that showcases the beauty and range of the horn. The concerto was originally scored for solo horn and orchestra, and is one of Haydn's most popular works. Here it has been arranged by Duncan Wilson for tenor horn with brass band. His arrangement of the concerto is a faithful and effective adaptation of the original work. The movement opens with a lively tutti introduction, followed by the entrance of the solo horn. The horn plays a series of melodies and passages that are both lyrical and virtuosic. The band provides accompaniment and contrast, and the two interact in a lively dialogue. The movement builds to a climax and then concludes with a triumphant coda. To view a follow-the-score video please visit https://www.youtube.com/watch?v=Uo2K5tge6Fs PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: Tenor Horn Soloist Eb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani
In Stock: Estimated dispatch 1-3 working days
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£47.50Boreas: The North Wind (Brass Band) Derek Jenkins
Boreas was an ancient Greek deity personifying the north wind. He was a winged god of ruthless disposition, which was rivaled only by the harsh wintry winds at his command. Boreas fell in love with Orithyia, the King's daughter. Contrary to his genuine nature, he attempted to woo her with sweet words of devotion. His efforts were in vain, and Orithyia failed to yield to his advances. With this rejection, Boreas's temper flared and he, once again, was overcome by his icy and merciless nature. Like Boreas, this work begins with slow, lyrical lines that quickly fade into an unrelenting fury of anger. Moments reminiscent of Boreas's words of affection appear, but they are quickly washed away as the piece escalates. This arrangement was written for Joseph Parisi and the Fountain City Brass Band as a small token of thanks. The original version for wind ensemble was commissioned by and written for Timothy Shade and the Bethel College Wind Ensemble. To view a video of Diamond Brass Band performing the work please visit: www.youtube.com/watch?v=Co4oreV7Hm4 Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: 1 Soprano Cornet (Eb) 9 Cornets (Bb) 1 Flugelhorn 3 Tenor Horns (Eb) 2 Baritones (Bb) 2 Trombones (Bb) 1 Bass Trombone 2 Euphoniums (Bb) 2 Basses (Eb) 2 Basses (Bb) 4 Percussion
In Stock: Estimated dispatch 1-3 working days