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£104.99Musica Helvetica - Jan de Haan
Every year a competition for wind orchestras and brass bands takes place in Wallberg, Switzerland. Apart from a hymn and a solo piece, all orchestras also have a compulsory piece to play. The commission to create a compulsory piece for the 2012 competition fell to Jan de Haan. The composition is entitled Musica Helvetica. It takes the form of a three-part concert work, in which the last two parts flow directly from one to the other. The first part, Musica Prima, is a brisk virtuoso opening with jazz flavours woven in. The following section, Musica Sacra, offers a contrast with an extraordinarily colourful instrumentation for the gorgeous main theme. Thefinal part, Musica Alpina, is inspired by the great variety of scenery in Switzerland. With its witty humour it makes a worthy conclusion to this beautiful tryptich.
Estimated dispatch 5-14 working days
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£104.99Parnassus - Jan Van der Roost
Since most of the bands competing in the 4th Section of the Dutch National Championships have many young players, this piece is stylistically youthful-- especially in the opening and closing sections. An arpeggio pattern appears numerous times in all registers and is the basic musical element of the main melody, alternating with a second theme that has a slightly different melodic character. The middle section is conceived like a chorale, introduced and developed stepwise: firstly with short patterns and gradually in increasingly long snippets, until it's played in its glorious entirety at measure 216. No real solo passages are included but rather small chambercombinations, thus offering the opportunity to various players to display their technical and performance skills. The finale recaptures musical material from the first section of the piece and provides a majestic conclusion.
Estimated dispatch 5-14 working days
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£45.00John Williams: Epic Themes - John Williams
A medley of John Williams favourites including Star Wars (Main Theme), March (1941), Imperial March from Star Was Episode V: The Empire Strikes Back, Olympic Spirit, and Superaman (MainTheme). Arranged for Brass Band and Rercussion by Steve Sykes.
Estimated dispatch 5-14 working days
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£104.99High Flyers - Andrew R. Mackereth
From the composer: High Flyers are regarded as people with promise and potential.They are winners. This is music for winners.The title, as well as being a play-on-words, implies the nature of the work. It is a bright, optimistic, and upbeat piece attempting to depict an exhilarating ride on flying carpet. The opening rising chords immediately suggest the gentle elevation of the carpets' ascent towards unknown heights, leading to a hint of a first theme in the horns at Fig. B. The first four notes provide the thematic material for the whole work: C F G A.A perpetual sense of movement is achieved through accented quaver chords punctuating the melodicmaterial of the first main theme. Fig. E sees the music of the opening bars fully realised, with flourishes from the euphonium and baritones representing swirling clouds, shooting stars, or passing birds in flight.The same subject is developed into a lyrical second theme with a new lush harmonic treatment, evocative of gliding over an expanse of sparse countryside.This section ends with a note of serenity but is shattered by the urgent insistence of the percussion rhythms.The third section introduces a new idea with a slightly distorted fanfare in the cornets and trombones. This figure suggests for the first time that there may be trouble ahead. In fact, there is no need to fear and the journey can continue without aggravation. This fanfare returns near the end to signal a final note of triumph.A new rhythmic variant of the cell motif emerges as the third theme now transformed by the addition of a triplet figure. The music steadily gains momentum before moving inexorably towards the climactic return of the music and tonality of the opening bars of the piece.
Estimated dispatch 5-14 working days
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£74.99Olympus - Philip Harper
Selected as the test-piece for the 3rd Section Regional contests of the National Brass Band Championships 2012The music begins with a depiction of the exciting Opening Ceremony where noisy fanfares and sudden swells add to the cosmopolitan flag-waving clamour. Without a break the music leads to The Chariot Race, a fast compound-time gallop withthundering hooves in the basses and percussion, and a heroic melody introduced by the tenor horns. Chariot racing was the main equestrian event in the Ancient Greek Games, which were founded in memory of King Oenomaus. In the Greek legend he suffereddefeat in a chariot race to his son-in-law and Zeus' grandson, Pelops, but much of the music is bitter-sweet to symbolise the fact that Pelops had to cheat to win drawing parallels with some of the issues still facing modern-day athletics. A slow, mystical passage follows, describing The Temple of Zeus at Olympia. The statue of Zeus, who was honoured throughout the Ancient Games' history, was housed inside the temple and was one of the Seven Wonders of the Ancient World. Themusic depicts this period of the dawn of one of mankind's most ancient civilisations and there is a series of solo passages above a drone. The next section is called The Olympic Flame and a broad and lyrical anthem-like melody develops slowly in the euphoniums, which gradually ascends until the horns can take it over before passing upwards again to the cornets (Higher). The musicbursts into bright life at the lighting of the flame and the regular rhythmic pattern which has been established goes through an accelerando (Faster). The final section is called The Olympic Truce and aims to capture the cooperative spirit of the ancient practice of ending wars for the duration of the games. The anthem-like melody makes an affirmatory return (Stronger) and the work ends asit began with a blaze of colour and a real sense of optimism and global celebration. "Citius, Altius, Fortius" (Faster, Higher, Stonger)NOTES ON PERFORMANCEPercussion requirements: 1 to 3 players (3 Timpani, Snare Drum, Tenor Drum, Cymbals, Glockenspiel, Triangle)
Estimated dispatch 5-14 working days
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£88.00
This is Halloween - Danny Elfman
This Is Halloween is a song by composer Danny Elfman from the 1993 film, "The Nightmare Before Christmas". In the movie it's performed by the residents of the fictional "Halloween Town", which is the films main setting, and introduces thetowns Halloween-centered lifestyle. Differently from the vast majority of Disney movies, in several countries The Nightmare Before Christmas was released only with subtitles, since the movie was originally considered to be "too dark and scary forkids", and was thus released as a film for adults.
Estimated dispatch 5-14 working days
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£38.50
Antz - Gregson-Williams & Powell - Phillips, L
Every Ant has his day. The musical score to the Dreamworks Antz movie is a quirky fusion of styles which perfectly complements the eccentric nature of the story. The Colony describes life, work and chaos in Ant City, whereas Z's Theme is a mellow, yet whimsical jazz theme representing the neurotic main character, brilliantly voiced by Woody Allen. A superb addition to your library.3rd section +
In Stock: Estimated dispatch 1-3 working days
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£33.00
Battle of the Planets - Curtin, H - Harper, P
70s anime-style cartoon Battle of the Planets, celebrates its 35th anniversary this year and all 85 episodes have been released in DVD box sets. Hoyt Curtin, composer of the main title theme, was one of America's most prolific composers of television cartoon themes, his most famous being The Flintstones and Scooby-Doo.3rd section +
In Stock: Estimated dispatch 1-3 working days
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£40.00
Jurassic Park - Williams, J - Catherall, A
The two main themes from the film. The same music has been used in the sequel The Lost World.Parts of the score are quite difficult, but there is a cut to overcome many of the technical difficulties in the middle section. Six minutes of pure magic. This edition has remained a popular seller over the years.3rd section +
In Stock: Estimated dispatch 1-3 working days
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£40.00
Mars Attacks - Elfman, D - Phillips, L
Tim Burton weaved his usual brand of zaniness throughout this film and his regular composer, Danny Elfman, created a humorous parody of early B movie sci-fi scores by his use of choir and two theremins - an early synthesizer (optional choir and synth. parts supplied). This arrangement features the music that accompanies the film's horrific opening, a heard of burning cattle stampeding past a shocked family; the scoring here is dissonant and over-the-top with horror value. This is followed by Elfman's quirky Main Title Theme which sees the Martian invasion force enroute to Earth - wicked and fiendish fun ensues.2nd section +
In Stock: Estimated dispatch 1-3 working days
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