Results
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£29.95
IN CHRIST ALONE (Euphonium Solo with Brass Band Set) - Richard Phillips
The popularity of this modern song is evidenced by the frequent use it enjoys during Sunday worship in many different denominational churches. The strength and solidity of the song is reflected in this triumphal arrangement, written at the request of Derick Kane and as a sequel to the earlier euphonium solo, 'There Will Be God'.
Estimated dispatch 7-14 working days
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£89.95
INFINITY (Brass Band Set) - Robert Redhead
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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£10.00
INFINITY (Brass Band Study Score) - Robert Redhead
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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£29.95
MAPLE LEAF, The (Brass Band Set) - Bramwell Coles
This march is characteristic in style of many written by Bramwell Coles. It derives its title from the song, 'The Maple Leaf Forever' while there are also strong references to 'O Canada' and 'Rule Britannia'.
Estimated dispatch 7-14 working days
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£24.95
SWAN, The (Trombone or Euphonium Solo with Brass Band Set) - Saint-Saens - Ray Steadman-Allen
Featured by many Euphonium soloists over the years, the main aim of the soloist here is to re-create the sonorous sound of the cello, for which instrument it was set in its original form in 'Carnival of the Animals'.
Estimated dispatch 7-14 working days
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£34.95
LIFE'S PAGEANT (Cornet Solo with Brass Band Set) - Terry Camsey
A charming cornet solo written by Terry Camsey, former principal cornet with the International Staff Band, and featured by him on many occasions. Based on his own tune, Camsey has added a few tricks that will provide the soloist with a good test of lip flexibility.
Estimated dispatch 7-14 working days
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£59.95
CELESTIAL PROSPECT (Brass Band Set) - Wilfred Heaton
Selected as 2nd Section test piece for 2003 'Regionals'Wilfred Heaton originally composed Celestial Prospect in the 1940's but, so the story goes, it was rejected by the SA Editorial 'chiefs' as being too modern. The original manuscript was lost for many years, turning up in the 1980's in New York. Heaton re-worked it for the New York Staff Band, and it is now accepted as a classic of the SA 'Festival' genre.
Estimated dispatch 7-14 working days
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£59.95
LORD IS KING, The (Brass Band Set) - Ray Steadman-Allen
Ray Steadman-Allen was for many years the driving force in Salvation Army music. His publication list of both brass and vocal works can be measured literally by the hundred. 'The Lord is King' is arguably his crowning achievement of over twenty major works for brass band. Although described as a suite, the work is more symphonic in conception and scale as well as being formidable to perform. The work is based on the Welsh hymn tune 'Llangollen' to which the hymn 'The Lord is King, I own His power' are associated. The three movements derive inspiration from the lines 'My joy, my toil, my craftman's skill, all have their place, and serve His will' found in verse five of the hymn.
Estimated dispatch 7-14 working days
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£29.95
JUST AS I AM (Brass Band Set) - Wilfred Heaton
A typically dramatic 'classic' by Heaton. Published in 1947 but written many years before, this timeless composition is more than 'just a hymn setting' - more a miniature Tone Poem of real Heaton intensity. Immensely popular for both SA and 'contesting' bands and featured on no less than 6 recordings in this catalogue.
Estimated dispatch 7-14 working days
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£24.95
SHARE MY YOKE (Cornet Solo with Brass Band Set) - Joy Webb - Bosanko
Simply a wonderful melody, beautifully arranged for cornet and band by Ivor Bosanko. Already universally popular, and featured on many recordings.
Estimated dispatch 7-14 working days