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£24.95WELLINGTON MARCH (Brass Band Marchcard) - Zehle, Wilhelm - Winter, Aubrey
Marchcard size. Compatible with Military Band edition
Estimated dispatch 7-14 working days
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£26.50
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£46.20
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£19.50
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£19.50
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£55.00Triumph Series Brass Band Journal, Numbers 1347 - 1350, March 2023
1347: Intrada on 'St Magnus' (Ruben Schmidt)This is an energetic intrada based on the tune St. Magnus with the composer keeping the words The head that once was crowned with thorns (S.A.S.B. 22) in mind.1348: March - In every corner sing (Alan Williams)This is a bright march requiring plenty of vigour and imagination. Featuring and taking its title from Let all the world in every corner sing: My God and King! (S.A.S.B. 41), this bright melody is contrasted with the tune Lydia associating the words There is a name I love to hear, I love to sing its worth (S.A.S.B. 94).1349: I need thee (Craig Woodland)An expressive arrangement of the traditional hymn I need thee every hour (S.A.S.B. 707)1350: March - The great commission (Paul Sharman)This march was written for the Norwegian Christian brass band, Egersund Missionary Band, and is derived from the tune Onward, Christian soldiers (T.B. 188) as well as a brief fragment of the Norwegian National Anthem and the melody Die Sach is dein (The work is thine).
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1363 - 1366, July 2024
1363: Festival March - Collect the harvest (Anders Beijer)This march is a call to tell others about the salvation we have received and bring people to Jesus. Jesus has bought us with his blood, and we now belong to him and stand under his protection, surrounded by his love and care. After brief references to the melody Bringing in the sheaves (S.A.S.B. 58) (also appearing later in the work in full) and an original melody, we hear the familiar tune Saviour, like a shepherd. This music should be performed with great joy and enthusiasm.1364: O come, Immanuel (Steve Kellner)The text of this beautiful Advent hymn (C.C. 62) dates to the 8th century and its chant-like tune to the 15th century. While the text alludes to Israel's captivity in Babylon and the coming Messiah, it in fact refers to the believer's anticipation of Jesus' second coming. The original chant melody was call and response, so the opening motif serves as the call, returning throughout the arrangement.1365: Our Consecration (Marcus Venables)This arrangement uses the tune St Margaret (T.B. 427) to the beloved hymn by George Matheson, O love that wilt not let me go (S.A.S.B. 616), which highlights the powerful and enduring nature of God's love. The use of the melodic fragment on the word 'go' serves as a subtle question mark, inviting the listener to reflect on the human qualities that may cause doubt in the steadfastness of God's love for us. However, as the piece ends, there is a sense of peace and assurance that we can truly rely on the never-ending love of God in our lives. This powerful and emotive arrangement will leave the listener feeling uplifted and encouraged by the knowledge that they are held securely in the arms of God's love.1366: March - The bell ringer (David Rowsell)The title of this march refers to someone who stands by the iconic Salvation Army Christmas kettle and receives donations from passers-by. They ring a bell to attract attention and subtly invite people to give a donation in support of The Salvation Army's work. This march was written as a tribute to the many volunteers worldwide who support this campaign each year. The music features the choruses from two Christmas carols, Sweet chiming Christmas bells (C.C. 83) and Sweet chiming bells (C.C. 82).
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1359 - 1362, March 2024
1359: Festival March - Coastal Celebration (Sam Creamer)Coastal Celebration was commissioned in 2019 by Nambour Salvation Army Band for the Corps' 125th anniversary celebrations. Nambour was the birthplace of The Salvation Army's work on the Beautiful Sunshine Coast in Queensland, Australia. Firring with this theme are subtle tributes to iconic Sunshine Coast landmarks, referenced with small phrases of popular secular melodies intertwined with the main tunes What a faithful God (S.A.S.B. 378) and All through the years (S.A.S.B. 826).1360: He's always been faithful (Craig Woodland)This meditative selection is an arrangement of the song by American singer and record producer Sara, Groves, He's always been faithful. The words express the joy and thankfulness in having a relationship with Jesus and knowing his presence in life. The melody and motifs of the traditional hymn, Great is thy faithfulness (S.A.S.B. 26), are heard throughout.1361: Christ's living water (Dean Jones)Christ's sacrificial love has been beautifully portrayed through the imagery of water in many songs, none more so that the skilfully crafted words we find in the chorus of I know a fount (S.A.S.B. 197), written by Oliver Cooke. To enhance the sentiments expressed, the pure sounds derived from Handel's Water Music fit perfectly in terms of music and imagery.1362: March - Fear Not! (Avelan Ntsiete)The Salvation Army continues to proclaim its music ministry in all corners of the world and, with this item under review, we introduce a new composer, originally from Congo Brazzaville, Central Africa. Avelan Ntsiete is currently a Bandsman at the Lilas Corps in Paris but has previously served in the Congo Brazzaville Territorial Band. This march, in traditional format, was written for an evangelistic campaign in Kindamba, where civil war has brought upheaval to the area and uncertainty for the local Salvationists. The composer was part of a small brass group which travelled for over 24 hours by truck and on foot to reach Kindamba and bring encouragement to the Salvationists within that community.
Estimated dispatch 7-14 working days
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