Results
-
£44.95Judd: Boundless Kingdom
March 2017 ReleaseBoundless Kingdom (Steven Ponsford)Originally written for the Melbourne Staff Band 125th Anniversary features the tune 'His Kingdom' as the central theme. This is developed and is joined with 'O Boundless Salvation' and 'The wonders of his grace' in this exciting concert item.
Estimated dispatch 7-14 working days
-
£69.95Judd: Chain Reaction
March 2017 ReleaseChain Reaction (Philip Wilby)This larger scale work was written for Dr Stephen Cobb and the International Staff Band. It features and develops the song 'To God be the Glory' which brings an exciting challenge to players and is a fine concert work.
Estimated dispatch 7-14 working days
-
£44.95Judd: For the World
March 2017 ReleaseFor the World (Sam Creamer)Originally written for the Melbourne Staff Band 125th Anniversary, this developed work features many genres of music but keeps as its central theme the song 'The World for God'. This is bright and abounds in energy throughout. Other tunes featured are 'Christ for the world we sing', 'He's got the whole world' (in a 'Dixieland' style) and 'Christ for the whole world' (in a 'Swing' style).
Estimated dispatch 7-14 working days
-
£29.95Judd: Christmas Joy
A 'classic' Christmas march, played by bands the world over. If your band doesn't play it, you should be asking why not! A cleverly worked 'romp' through the Christmas tunes 'Hark the glad sound', 'Jingle Bells' and 'Wassail song'. Very accessible and great fun to play in a group of any size.
Estimated dispatch 7-14 working days
-
£29.95Judd: Dalaro
This was Edward Gregson's first composition to be included in The Salvation Army Band Journal. The Dalaro in the title refers to a town in Sweden where a Salvation Army students conference took place in 1964 for which this march was written.
Estimated dispatch 7-14 working days
-
£44.95Judd: Praise Tribute
Wilfred Heaton's march 'Praise' has long been a favourite of Kenneth Downie. In 'Praise Tribute' he deliberately adopts a Heaton style and follows the key scheme of the original while developing the music from the old Manx revival hymn 'The Good Old Way'. Written for The International Staff Band who recorded it on CD 24730 St Magnus.
Estimated dispatch 7-14 working days
-
£30.00That Moaning Trombone - Carl D Bethel, Sandy Coffin
Comic March One-StepCommissioned by John Wallace, this arrangement of That Moaning Trombone has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe.Note the the reckless abandon with which glissando, at that time a novel effect, is used!Look and Listen (courtesy of the Tullis Russell Mills Band):Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.
In Stock: Estimated dispatch 3-5 working days
-
£30.00The St Louis Blues - Sandy Coffin, W C Handy
Two-Step MarchCommissioned by John Wallace, this arrangement of The St Louis Blues has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe.Note the flutter-tonguing and use of muting, the counter-melody in soprano cornet, and the wilder and yet wilder nature of each repetition of the Chorus.Look and Listen:Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.
In Stock: Estimated dispatch 3-5 working days
-
£34.95HMS Indefatigable - Matt Shaw
HMS Indefatigable is a contest march, composed for the Virtuosi GUS Band, under the direction of Adam Cooke, and used as part of their programme for Brass in Concert in November 2016. The march is named after the battlecruiser HMS...
Estimated dispatch 5-7 working days
-
£87.99Centennial Salute - Philip Sparke
Just based on its title, this piece has to be celebratory and up-beat, which it is! It opens with a stately fanfare, first played on the low brass before the entire band joins in. This gives way to a contrasting lyrical theme which develops until it joins up with the fanfare to complete the opening section. A lively and heavily syncopated vivo follows, cast as a traditional march, complete with a 'bass strain' and trio. After the original march theme returns, a climax leads back to a reprise of the majestic opening, which brings the piece to an appropriately triumphant close.
Estimated dispatch 5-14 working days
View Music