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  • £82.95

    The Flowers of the Forest (Brass Band - Score and Parts) - Bennett, Richard Rodney - Hindmarsh, Paul

    In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.

    Estimated dispatch 7-14 working days
  • £44.95

    The Flowers of the Forest (Brass Band - Score only) - Bennett, Richard Rodney - Hindmarsh, Paul

    In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.

    Estimated dispatch 7-14 working days
  • £54.20

    Opera Pops (Brass Band - Score and Parts) - Woodfield, Ray

    Slightly reduced Brass Band instrumentation (no rep cornet, no 2nd horn, no 2nd trombone part)Includes:Brindisi (La Traviata)Carnival of VeniceAnvil Chorus (Il Trovatore)Toreador's Song (Carmen)O Mio Babbino Caro (Gianni Schicchi)Chorus of the Hebrew Slaves (Nabucco)Grand March (Aida)

    Estimated dispatch 7-14 working days

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  • £94.99

    Brass Miniatures - James Curnow

    Brass Miniatures features four contrasting sections, each linked by the fact they are based on the same interval. The opening is an exciting fanfare which leads into a lovely ballad, introduced by a solo cornet. The third section is a playful pseudo-blues and the work comes to a thrilling close with fanfare and march.

    Estimated dispatch 5-14 working days
  • £50.00

    Triumph Series Band Journal July 2021 Numbers 1327 - 1330

    Includes:1327 - March - Mountain Valley - Noel Jones1328 - My Saviour and my God - Dean Jones1329 - Song Arrangement - All for thee - Steven Kellner1330 - Cornet Solo - Mary walks amid the thorn - Ruben Schmidt

    Estimated dispatch 7-14 working days
  • £50.00

    Triumph Series Band Journal November 2019 Numbers 1315 - 1318

    1315 Prelude on Lydia Kenneth Downie1316 March Medley Easter Morning Andrew Mackereth1317 Selection No Greater Love Noel Jones1318 Cornet Solo With all my heart Howard Davies

    Estimated dispatch 7-14 working days
  • £50.00

    Triumph Series Band Journal July 2018 Numbers 1299 - 1302

    1299 - March - Citadel Praise (Martin Cordner)1300 - Born in a Manger (Noel Jones)1301 - Cornet Solo - Rest (Dorothy Gates)1302 - The Joy of the Lord (William Gordon)

    Estimated dispatch 7-14 working days
  • £74.95

    Hungerford Town (Brass Band - Score and Parts)

    2011 Butlins 3rd SectionHungerford Town was commissioned by Tim Crouter and the Hungerford Town Band.The piece is in four movements played through without a break:The Black Prince: Opens with a short motif on which most of the following music is based. The music settles down into a mysterious mood that builds to the first transformation of the opening theme. The music is solid and rugged.The Coach Road: Hungerford was always a popular resting place for the horse drawn coaches on the way to London. The music is light and cheerful and features the soprano cornet and solo horn as postilions.St. Lawrence's Church: The previous motif from the first baritone becomes the main theme for this section that gives plenty of scope for warm and expressive playing. Music from the start of the suite is heard before it moves into a celebratory march.The Bear: The Bear Is a local inn frequented by travellers. The opening theme is heard again and brings the work to a triumphant close.Suitable for 4th Section Bands and above

    Estimated dispatch 7-14 working days
  • £37.95

    Hungerford Town (Brass Band - Score only)

    2011 Butlins 3rd SectionHungerford Town was commissioned by Tim Crouter and the Hungerford Town Band.The piece is in four movements played through without a break:The Black Prince: Opens with a short motif on which most of the following music is based. The music settles down into a mysterious mood that builds to the first transformation of the opening theme. The music is solid and rugged.The Coach Road: Hungerford was always a popular resting place for the horse drawn coaches on the way to London. The music is light and cheerful and features the soprano cornet and solo horn as postilions.St. Lawrence's Church: The previous motif from the first baritone becomes the main theme for this section that gives plenty of scope for warm and expressive playing. Music from the start of the suite is heard before it moves into a celebratory march.The Bear: The Bear Is a local inn frequented by travellers. The opening theme is heard again and brings the work to a triumphant close.Suitable for 4th Section Bands and above

    Estimated dispatch 7-14 working days
  • £44.95

    Brass Band Sketches

    Includes: Romance (for Soprano Cornet); Polka (for Bb Cornets); Lullaby (for Flugel Horn); Barcarolle (for Tenor Horns); Rondo (for Baritones or Euphoniums); Humoreske (for Trombones); Melody (for Eb or BBb Basses); March (for the Full Band).

    Estimated dispatch 7-14 working days