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£75.00
Bethel Street (Bra) - Andi Cook
A lovely street march which the composer wrote for his old band - Yorkshire Co-op band. Bethel street is the street in Brighouse where the annual march contest takes place and is also where William Booth (founder of the salvation army) was minister for two years.
Estimated dispatch 7-14 working days
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£54.99Footprints - Jerry B. Bensman
Bring the house down with Jerry Bensman's sparkling Footprints. Everyone is, or at least feels, important in this simple but very effective march which works equally well on stage as on parade. Often a march does not have to be difficult to possess a thorougly pleasing 'full' sound. In understanding this, Jerry Bensman added a valuable repertoire-piece to the music available for youth-bands. In performing Footprints your beginning bandsmen take a major step forward in advancing their budding musical careers. Tip: Put the spotlights on your cymbals-player and make him (or her) the star of the evening.
Estimated dispatch 5-14 working days
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£28.95Q.A.V. (Qui Audet Vincit) (Brass Band - Score and Parts) - Wiffin, Rob
Q.A.V. (Qui Audet Vincit) is a spirited conventional march. It was commissioned for the Special Air Service Regiment in 2017. It is in traditional military march form with the principal subject in a minor key. Qui Audet Vincit is Latin for Who Dares Wins, the motto of the SAS.Duration: 3.15
Estimated dispatch 7-14 working days
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£90.66Euphonium Concerto with Brass Band (Karl Whelan)
VIEW SCORE PDF Karl Whelan's Euphonium Concerto with Brass Band is written in three linked movements: I: Prelude II: Aria III: Scherzo The first movement, Prelude, is in a mirror image sonata form and with its menacing ostinato sets the tone for the entire concerto and also introduces material on which the concerto is based. During this movement, the soloist has the opportunity to display their technical ability as well as the extremes of the instruments range. A chord based on the notes of the ostinato signal the beginning of the second movement, Aria. Here, material from the first movement has been weaved together and moves through a multitude of keys, the soloist is able to show the expressive side of the instrument to create an almost yearning, operatic aria. A reiteration of the 1st subject takes us into an almost march like figure at the beginning of the third movement, Scherzo. This is then interrupted both times by dance-like scherzo which, as with the rest of the concerto navigates itself through different keys leading to the cadenza that even the temple blocks have the the chance of participating in! The concerto concludes with almost a battle between the band (playing fragments of the first and second subjects from the first movement), and soloist who is attempting to have the last word! To view a follow-the-score video of the work please visit: www.youtube.com/watch?v=aEnou67XHqA Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£7.55
Euphonium Concerto with Brass Band (Karl Whelan) Soloist Copy
*Karl Whelan's Euphonium Concerto with Brass Band is written in three linked movements: I: Prelude II: Aria III: Scherzo The first movement, Prelude, is in a mirror image sonata form and with its menacing ostinato sets the tone for the entire concerto and also introduces material on which the concerto is based. During this movement, the soloist has the opportunity to display their technical ability as well as the extremes of the instruments range. A chord based on the notes of the ostinato signal the beginning of the second movement, Aria. Here, material from the first movement has been weaved together and moves through a multitude of keys, the soloist is able to show the expressive side of the instrument to create an almost yearning, operatic aria. A reiteration of the 1st subject takes us into an almost march like figure at the beginning of the third movement, Scherzo. This is then interrupted both times by dance-like scherzo which, as with the rest of the concerto navigates itself through different keys leading to the cadenza that even the temple blocks have the the chance of participating in! The concerto concludes with almost a battle between the band (playing fragments of the first and second subjects from the first movement), and soloist who is attempting to have the last word! To view a follow-the-score video of the work please visit: www.youtube.com/watch?v=aEnou67XHqA To purchase the full band set please visit www.brookwrightmusic.com/product-page/euphonium-concerto-with-brass-band-karl-whelan *Please note this download only includes the soloist copy. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£154.99Spiriti - Thomas Doss
A Bach chorale stands at the centre of this work (Fur deinen Thron tret ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tuttipassages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ.
Estimated dispatch 5-14 working days
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£54.99Images for Brass - Stephen Bulla
Stephen Bullas highly descriptive work was written to commemorate the 50th anniversary of the Battle of Iwo Jima, which took place between the 19th February and 26th March 1945.Casualties on both the American and Japanese sides were horrendously high before the famous image of the raising of the flag on top of Mount Suribachi signalled the end of one of the most significant and terrifying Pacific conflicts of the SecondWorld War.The work received its first performance by the brass choir of the U.S. Marine Band at the National Cathedral in Washington D.C. and is divided into four programmatic sections.The first portrays the sense of anticipation before conflict (Prologue), before the arduous journey to the scene of the battle (Approach by Sea) is followed by introspection and prayer featuring the hymn tune Melita (Chorale Prayer), andfinally, the hostile confrontation itself (Engagement).There are frequent references to the Marines Hymn and the US National Anthem, particularly in the closing bars, depicting the ultimate raising of the American flag.
Estimated dispatch 5-14 working days
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£95.00Tenor Horn Concerto 'Three Gods' (Tenor Horn Solo with Brass Band - Score and Parts) - Gregson, Edward
Edward Gregson's Tenor Horn Concerto (Three Gods) was commissioned by the Belgian tenor horn soloist Tim de Maeseneer for a recording of commissioned works he made in 2024 with his own band, Brass Band Willebroek.The subtitle of 'Three Gods' refers to three mythological Greek Gods: Zeus, Hermes and Apollo. The idea for this came from Gregson's Viola Concerto, which he composed in 2023 and which was similarly subtitled 'Three Goddesses'. Indeed, the first movement of the horn concerto shares some common material with the viola concerto, although the other movements are newly composed.The concerto exploits the noble character of the horn, but the writing is also virtuosic in character as well as lyrical and melodic, demanding an extended playing range of nearly four octaves with a variety of colouration in its sonorities. The unifying motif of the whole concerto is the interval of a rising 5th, heard at the outset. The opening also has some other surprises (both seen and heard).The musical ideas, cast in three separate movements, take their starting point from the characters of the Three Gods in the title:Zeus, ruled as King of the Gods on Mount Olympus, and was the God of Thunder and Lightning and of War. His music is often threatening and violent, but also has a more tender side as portrayed in the lyrical second subject. However, the dominant mood is one of foreboding.Hermes was the great messenger to the Gods who could travel between realms on his winged sandals. Thus, his music is fast, fleet of foot, and mercurial - a dashing scherzo, but with lyrical and expressive moments.Apollo, the God of Music and Dance (and the Sun), symbolises virtue and beauty. This final movement, 'Hymn to Apollo', is mainly slow and hymn-like and cast in a continuous stream of melody passed between soloist and band. Brief fanfares herald a triumphant march, before the music returns to its quiet opening, gradually rising to a triumphant climax with glittering melodic percussion leading the way. The music ends in a blaze of glory!Duration: 17.00
Estimated dispatch 7-14 working days
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£69.60Impresario (Brass Band - Score and Parts) - Schwarz, Otto M.
Impresario is a solemn concert march by Otto M. Schwarz, equally suitable as a work to open a concert or indeed as a finale. The main theme of the first section is processed in different harmonic and rhythmic variations and finally leads to a trio with numerous technical refinements and a catchy melody. This somewhat out-of-the-ordinary concert march in Otto M. Schwarz' well-known style ends with a frenzied finale.Duration: 3.45
Estimated dispatch 7-14 working days
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£48.00Red Vest Man (Brass Band - Score and Parts) - Waterman, Steve
Red Vest Man was composed as a dedication to cornet player Buddy Bolden, one of the first jazz musicians. He was reputed to always perform wearing a red vest. The piece is a New Orleans funeral march, something Bolden would have been called to do many times in his career. It starts with a slow mournful march, featuring solos from trumpet and trombone and finishes with a joyful 2nd line New Orleans rhythm. Duration: 8.00. Suitable for 2nd Section Bands and above.
Estimated dispatch 7-14 working days
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