Results
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£24.95
The Pilgrim's Prayer (Brass Band - Score and Parts) - Rouse, Sydney - Ball, Eric
Introduction - This could hardly be more simple. Inexperienced players may have some little difficulty in intonation, especially as they are starting 'cold', but a useful lesson can be learned in this connection when rehearsing these two bars. Section A - The music is hymn tune-like in character, but it should not become stilted. Close intonation is still a point to study, especially in view of the chromatic nature of some of the harmony. Section B - Aim to secure just balance in the accompanying parts, especially in the second phrase, where the 1st comets may be inclined to treat their moving part as an independent melody rather than part of the 'colour' background. Section C -This is a reprise of the first theme, with a different arrangement. The same comments apply, however. Section D - Here the music becomes more song-like in style, and provides an interesting contrast. The scoring, too, is more varied, and there are a number of points that call for attention. Note that the 1st and 2nd comets and 2nd trombone work as a team throughout; see that the pulsating, syncopated background adds to the movement of the music without giving a jerky effect; the new entries in the fourth and twelfth bars are to be made quite smoothly; and do not allow the texture of the music, especially in the last eight bars of the section, to overshadow the simplicity of the main tune. Section E - Here the first subject appears again. In the arrangement the colour contrasts are quite clear-cut. In order to secure true balance in the fifth and sixth bars, it may be necessary to adjust the amount of tone given by the bass trombone, as this part is not doubled as are the other parts. Section F -This section forms a simple but expressive coda.
Estimated dispatch 7-14 working days
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£12.50
The Pilgrim's Prayer (Brass Band - Score only) - Rouse, Sydney - Ball, Eric
Introduction - This could hardly be more simple. Inexperienced players may have some little difficulty in intonation, especially as they are starting 'cold', but a useful lesson can be learned in this connection when rehearsing these two bars. Section A - The music is hymn tune-like in character, but it should not become stilted. Close intonation is still a point to study, especially in view of the chromatic nature of some of the harmony. Section B - Aim to secure just balance in the accompanying parts, especially in the second phrase, where the 1st comets may be inclined to treat their moving part as an independent melody rather than part of the 'colour' background. Section C -This is a reprise of the first theme, with a different arrangement. The same comments apply, however. Section D - Here the music becomes more song-like in style, and provides an interesting contrast. The scoring, too, is more varied, and there are a number of points that call for attention. Note that the 1st and 2nd comets and 2nd trombone work as a team throughout; see that the pulsating, syncopated background adds to the movement of the music without giving a jerky effect; the new entries in the fourth and twelfth bars are to be made quite smoothly; and do not allow the texture of the music, especially in the last eight bars of the section, to overshadow the simplicity of the main tune. Section E - Here the first subject appears again. In the arrangement the colour contrasts are quite clear-cut. In order to secure true balance in the fifth and sixth bars, it may be necessary to adjust the amount of tone given by the bass trombone, as this part is not doubled as are the other parts. Section F -This section forms a simple but expressive coda.
Estimated dispatch 7-14 working days
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£72.00
Eventyr-Suite - Oystein Sjovaag Heimdal
Fairytale-Suite is an original work for beginning band. The name of the movements are taken from well-known themes from Norwegian fairytales.The music may not tell a story itselv, but it may be a good base for an exciting fairytale on a concert?This piece gives challenging parts to every player and it's a good choice to showcase the entire band.To the conductor:It's several doublings of the voices. This makes it possible to omit certain instruments or parts. The Drum Set part may be split and played by several players.
Estimated dispatch 7-14 working days
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£115.60Eventyr-Suite - Øystein Sjøvaag Heimdal
Fairytale-Suite is an original work for beginning band. The name of the movements are taken from well-known themes from Norwegian fairytales. The music may not tell a story itselv, but it may be a good base for an exciting fairytale on a concert? This piece gives challenging parts to every player and it's a good choice to showcase the entire band. To the conductor: It's several doublings of the voices. This makes it possible to omit certain instruments or parts. The Drum Set part may be split and played by several players.
Estimated dispatch 5-14 working days
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£35.00Dance On A Volcano - Brass Band Sheet Music Full Score & Parts - LMAM012 - Phil Collins, Tony Banks, Mike Rutherford & Steven Hackett - David Beal
COMPOSER: Phil Collins, Tony Banks, Mike Rutherford & Steven HackettARRANGER: David BealCLICK HERE TO PURCHASE - THIS ARRANGEMENT IS ONLY DOWNLOADABLE FROM -Dance On A Volcano (arr. David Beal) Sheet Music | Steven Hackett | Brass Band (sheetmusicdirect.com)A Trick of the Tail is the seventh studio album by English progressive rock band Genesis. It was released on 13 February 1976 on Charisma Records and was the first album to feature drummer Phil Collins as lead vocalist following the departure of Peter Gabriel. It was a critical and commercial success in the UK and U.S., reaching No. 3 and No. 31 respectively. The opening track, "Dance on a Volcano", was the first song written for the album. Rutherford felt that, in contrast to the material on The Lamb..., it was easy to write, and was intended to show how Genesis would move forward. Now available for Brass BandAny purchases of this Item cannot be made from this listing please click on the link above - Any purchase using this site will be refundedAbout Digital DownloadsDigital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don't have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
In Stock: Estimated dispatch 3-5 working days
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£25.00Disco Inferno - Brass Band Sheet Music Full Score & Parts - LMAM026 - David Beal
COMPOSER: Leroy Green, Tyrone G. KerseyARRANGER: David BealDescriptionDisco Inferno (The Trammps)Arranged for Brass Band"Disco Inferno" is a song by American disco band the Trammps from their 1976 studio album of same name. With two other cuts by the group, it reached No. 1 on the US Billboard Dance Club Songs chart in early 1977, but had limited mainstream success until 1978, after being included on the soundtrack to the 1977 film Saturday Night Fever, when a re-release hit number eleven on the Billboard Hot 100 chart.It was also notably covered in 1993 by American-born singer Tina Turner on What's Love Got to Do with It, and in 1998 by American singer-songwriter Cyndi Lauper on the A Night at the Roxbury soundtrack. Among others who covered this are Damien Lovelock, Hardsonic Bottoms 3, and Vicki Shepard.Any purchases of this Item cannot be made from this listing please click on the link above - Any purchase using this site will be refundedAbout Digital DownloadsDigital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don't have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
In Stock: Estimated dispatch 3-5 working days
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£30.00Livin' La Vida Loca - Brass Band Sheet Music Full Score & Parts - LMAM015 - Desmond Child & Robi Rosa - David Beal
COMPOSER: Desmond Child & Robi RosaARRANGER: David BealCLICK HERE TO PURCHASE - THIS ARRANGEMENT IS ONLY DOWNLOADABLE FROM -Together In Electric Dreams(arr. David Beal) Sheet Music Brass Band"Livin' la Vida Loca" (transl. "Livin' the Crazy Life") is a song recorded by Puerto Rican singer Ricky Martin for his fifth studio album and English-language debut, Ricky Martin (1999). The song was written by Draco Rosa and Desmond Child, while the production was handled by the latter. It was released to radio stations by Columbia Records as the lead single from the album on March 27, 1999. A Latin pop and dance song with elements of salsa, surf, and ska, it is about an irresistible, particularly sinister, wild woman who lives on the edge, seducing others into her crazy world. The song received acclaim from music critics, who complimented its lyrics and danceable rhythm. It was ranked as the best 1990s pop song by Elle, and was listed among the Best Latin Songs of All Time by Billboard.Scored here for British Brass Band.Any purchases from this site cannot be made please click on the link above - Any purchases will be refundedAbout Digital DownloadsDigital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don't have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
In Stock: Estimated dispatch 3-5 working days
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£65.00
Blackbird Special - Davis, Lewis, Towns, Harris, Marshall, Joseph, Johnson & Jones - Reid Gilje
"Blackbird Special" is a song by American band Dirty Dozen Brass Band.The song is an entertainment piece, a good concert opener or encore.When used as a concert opener one may let the different sections of the band enter the stage one by one playing in order of appearance.Percussion section may play their parts ad lib. The most important is the groove of the piece.Please pay attention to strict articulation from bar 17. Be aware of the marcatos at 33. The last note of the slurs at 41 must be not be too short.It's important to hold the note values, especially in bars 49, 51, 53 and 55.From 57 and throughout the piece, the percussion may invite the audience to join for handclaps.As an extra effect, the Bass Tubas may stand at 57, the Horns at 59, backrow Cornets and Trombones at 61 and Euphonium/Baritone/Solo Cornets at 63.
Estimated dispatch 7-14 working days
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£107.80Blackbird Special - Davis
Blackbird Special" is a song by American band Dirty Dozen Brass Band. The song is an entertainment piece, a good concert opener or encore. When used as a concert opener one may let the different sections of the band enter the stage one by one playing in order of appearance. Percussion section may play their parts ad lib. The most important is the groove of the piece. Please pay attention to strict articulation from bar 17. Be aware of the marcatos at 33. The last note of the slurs at 41 must be not be too short. It's important to hold the note values, especially in bars 49, 51, 53 and 55. From 57 and throughout the piece, the percussion may invite the audience to join forhandclaps. As an extra effect, the Bass Tubas may stand at 57, the Horns at 59, backrow Cornets and Trombones at 61 and Euphonium/Baritone/Solo Cornets at 63. ||||||
Estimated dispatch 5-14 working days
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Duet For Two Cats - G. Rossini - Len Jenkins
"Duet For Two Cats" is often performed as an encore to vocal recitals and operatic galas. It may be sung by two sopranos, male-female pairs, or even as a tomcat duet and can be accompanied by a piano or a full orchestra. The lyrics are simple; the single word 'Miaow', repeated with various styles of inflexion and attitude throughout the piece. Our arrangement is for a cornet and trombone. The piece is generally ascribed to Rossini, though there is some doubt as to its actual origins and whether it is an authentic work by that composer. It is believed that an English composer, Robert Lucas Pearsall under the pseudonym G. Berthold may have assembled the various elements from Rossini and perhaps other composers into the piece as we now know it. In order to achieve the correct balance between band and soloists, there is a need to mute most of the band instruments. Recognising that not all bands will have the larger mutes which are expensive and sometimes unwieldy, we suggest a form of muting made famous by a jazz trumpeter and which works well on most instruments. It consists of a circle of heat resistant padded table covering or felt, slightly larger than the bell diameter, with an elasticated edge like a 'mop-hat'. With 3 holes in it to let the sound out, the mute is then simply stretched over the bell to achieve the desired effect and folded up when not required.
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