Results
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£29.95
Rhapsody in Brass (Score Only)
Rhapsody in Brass is in three movements and was written for the British Open Championships in 1949, held at Belle Vue in Manchester. The contest winners were Fairey Aviation Works Band under the baton of Harry Mortimer. Eric Ball came second with Ransome & Marles and Stanley Boddington 3rd with Munn and Felton Band. Rhapsody in Brass had the unusual distinction of being written as a test piece by a Salvation Army composer. Eric Ball's Resurgam was the only other piece to achieve that dual personality in that era.Dean Goffin was born in 1916 in Wellington, New Zealand, son of Henry Goffin, a Salvation Army officer and composer. At 19 he was appointed Bandmaster of the Wellington South Band and when World War II started, he enlisted in the New Zealand Armed Forces where he became Bandmaster of the 20th Infantry Battalion and later the 4th Brigade Band. During the time he served with them in the Middle East and Europe, he composed and arranged numerous pieces among which Rhapsody in Brass and the march Bel Hamid, later adapted for Salvation Army use and renamed Anthem of the Free.After the war, Dean kept on composing and his work was featured by the Wellington South Band. Later he transferred to Timaru for another job and became Bandmaster there. He was studying music at the time and as he wanted to take part in a competition for devotional selections for Salvation Army use, he sent some of his compositions to the International Headquarters. When Rhapsody for Brass was chosen as the test-piece for the British Open Championships, people at the Salvation Army started asking questions about the lack of publications of his work. It was discovered that the pieces submitted for the competition didn't meet the exact criteria. Among these pieces was one of his most appealing works The Light of the World which was published a year later, in 1950, the same year as he completed his Bachelor of Music studies at Otagu University.After entering the Salvation Army Training College in Wellington with his wife, Marjorie, Dean was in 1956 appointed National Bandmaster in the British Territory. Later he became National Secretary for Bands and Songster Brigades and in this period he organised the yearly festival in the Royal Albert Hall and was responsible for the national music schools in the UK. Dean returned to his home country in 1966 and to mark the centenary of the Salvation Army in New Zealand he was knighted by the Queen in 1983. Sir Dean Goffin died on 23 January 1984.
Estimated dispatch 7-14 working days
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£32.50Vienna Nights (Score Only)
The City of Vienna stands at one of the historic crossroads of the world, linking east and west and embracing artistic influences from all sides. In the 250th anniversary year of Mozart's birth, this fantasy on Mozart's celebrated Piano Sonata in A (K331), has been composed true to the form and content of the original, but also to the underlying substance of the conception.One of Mozart's distinguishing features, and one that links him to later music by Beethoven, Schubert, Mahler and Schoenberg, is the breadth of his musical vision. His music links intellectual rigour with ecstatic utterance and darker preoccupations. It is, perhaps, this shadow-laden side of his musical nature which gives his work a profundity often absent in the work of his contemporaries. Admirers of his Requiem Mass or the Statue music in Don Giovanni will recognise that it is this extra sense of reality which makes Mozart so relevant to the modern age, and where he may link hands with the other great Viennese thinkers such as Berg, Webern and Adorno.The composer follows the three movement plan of the Sonata closely. The original begins with a Theme and Variations which is freely quoted. His Minuet is mirrored in the Recitative and Notturno, where each section of the band lays down a metaphoric rose to his memory. Famously, the sonata ends in populistic style with a Turkish Rondo. Ever since the Hapsburg-Ottoman Wars, which came to an end in the seventeenth century, Viennese composers have included Turkish elements in their music, not least in the use of certain percussion instruments. Vienna Nights is thusly a homage.It celebrates the world's greatest composer, but also the city which fostered his work. Here, in your imagination, you might easily conjure up a caf table near the Opera House, where Mozart, Mahler and Sigmund Freud, observed by us all from a discreet distance, may meet as old friends.
Estimated dispatch 7-14 working days
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£12.00Vienna Nights - Study Score - Wilby, Philip
The City of Vienna stands at one of the historic crossroads of the world, linking east and west and embracing artistic influences from all sides. In the 250th anniversary year of Mozart's birth, this fantasy on Mozart's celebrated Piano Sonata in A (K331), has been composed true to the form and content of the original, but also to the underlying substance of the conception.One of Mozart's distinguishing features, and one that links him to later music by Beethoven, Schubert, Mahler and Schoenberg, is the breadth of his musical vision. His music links intellectual rigour with ecstatic utterance and darker preoccupations. It is, perhaps, this shadow-laden side of his musical nature which gives his work a profundity often absent in the work of his contemporaries. Admirers of his Requiem Mass or the Statue music in Don Giovanni will recognise that it is this extra sense of reality which makes Mozart so relevant to the modern age, and where he may link hands with the other great Viennese thinkers such as Berg, Webern and Adorno.The composer follows the three movement plan of the Sonata closely. The original begins with a Theme and Variations which is freely quoted. His Minuet is mirrored in the Recitative and Notturno, where each section of the band lays down a metaphoric rose to his memory. Famously, the sonata ends in populistic style with a Turkish Rondo. Ever since the Hapsburg-Ottoman Wars, which came to an end in the seventeenth century, Viennese composers have included Turkish elements in their music, not least in the use of certain percussion instruments. Vienna Nights is thusly a homage.It celebrates the world's greatest composer, but also the city which fostered his work. Here, in your imagination, you might easily conjure up a caf table near the Opera House, where Mozart, Mahler and Sigmund Freud, observed by us all from a discreet distance, may meet as old friends.
Estimated dispatch 7-14 working days
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£106.99Vivid Brass - Philip Sparke
Vivid Brass was commissioned by Vivid Brass Tokyo, a brass band that is made up of professional players who meet up for concerts and recording projects. Philip Sparke has been a frequent guest conductor with the band. The result is Vivid Brass, a work in which all sections come to the fore as the energy of the band shines through!
Estimated dispatch 5-14 working days
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£90.30Piratene Kommer! - Roar Minde Fagerli
The Pirates are comming! is a four movement suite of music originally composed for a summer course arranged by The Norwegian Band Federation. The four movments describes the pirates tale. In the first movement they set the sails for new adventures. In the second movememt we meet the pirates early one morning when the sun rises. I the third movememt the pirates are looking for a treasure map at the Isle of the Dead. In the fourth and last movememt, they hunt the teasure! The Composer has been inspired by TV-series and films with pirate themes. The Music is written especially for beginners.
Estimated dispatch 5-14 working days
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£102.60Robin Hood Suite No. 2 - Roar Minde Fagerli
Robin Hood suite 2 is five movements collected from a play written for a summer course arranged by The Norwegian Band Federation. The Composer is inspired by the story of Robin Hood; He who steals from the rich and gives to the poor.The composer describes different charters and places from the story in his music. In the first movement you will meet the merciless Sheriff of Nottingham. The second movement describes the caring Friar Tuck. In the third movement Robin Hood and Lady Marion sneaks around in the Castle. In the fourth movement Prince John's guards hunts Robin. In the fifth movement Robin Hood and his friends celebrate their victory!
Estimated dispatch 5-14 working days
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£29.50Have Yourself A Merry Little Christmas - Hugh Martin & Ralph lane - Hannah Hawken
Some musical numbers require little introduction and the hit that is 'Have Yourself A Merry Little Christmas' has been entertaining audiences since its first appearance back in 1944. Original sung by Julie Garland in the MGM musical 'Meet Me In St. Louis', the song was later revised and re-recorded. It was this second incarnation that is the popular song that we know today. Christmas solos are a novelty and now, arranged by Hannah Hawkden, this lovely little number fits perfectly into any Christmas concert giving your band and audience something fresh this year.
In Stock: Estimated dispatch 1-3 working days
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£4.99First Things First - Let's Progress (Grade 1 Course) Bb/Eb Edition
Let's Progress (Grade 1 Course) extends the range to middle C and sets out to provide beginners with the basic essentials, preparing them to tackle some of the challenges they will meet in their first experience of playing in a band.Includes link to downloadable resources including backing and demonstration tracks, online course assessment sheets and personalised course certificates.In this book you will meet:new notes, extending you rage both higher and lowernew rhythms, 3/4 timesharps, flats and key signaturesslurringquavers
Estimated dispatch 7-14 working days
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£45.00
First Things First - Let's Progress (Grade 1 Course) Bb/Eb Edition (Pack of 10)
Let's Progress (Grade 1 Course) extends the range to middle C and sets out to provide beginners with the basic essentials, preparing them to tackle some of the challenges they will meet in their first experience of playing in a band.Includes link to downloadable resources including backing and demonstration tracks, online course assessment sheets and personalised course certificates.In this book you will meet:new notes, extending you rage both higher and lowernew rhythms, 3/4 timesharps, flats and key signaturesslurringquavers
Estimated dispatch 7-14 working days
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£60.00Suite from 49th Parallel - Ralph Vaughan Williams arr. Phillip Littlemore
Vaughan Williams was in his late sixties when an opportunity to write for the cinema materialised. He was approached by his former pupil Muir Mathieson, the director of music for the Ministry of Information, to write the score for the film 49th Parallel .The plot for 49th Parallel is set in the early part of World War II, when a German U-Boat sinks allied shipping in the Gulf of St. Lawrence and then tries to evade capture by the Canadian Military by sailing up to Hudson Bay. A handful of crew disembark to look for supplies and no sooner have they reached shore when the U-Boat is spotted by the Canadian Armed Forces and sunk. Leaving the shore party stranded in Canada they have no other option but to head for the neutral United States and, as their ill-fated journey unfolds, they meet a variety of characters whom they alienate due to their reprehensible actions. They These include a pacifist in the Canadian wilds played by Leslie Howard, a Hutterite leader, and a French-Canadian fur trapper, played by Laurence Olivier. The film premiered in the UK in October 1941 and in March 1942 for the US, when it was retitled The Invaders .The brass band suite to 49th Parallel, devised by Paul Hindmarsh and arranged by Phillip Littlemore, takes the Prologue from the cinematic score as its starting point. Stretches of pastoral musical themes depict the Canadian landscape before the atmosphere is broken with a menacing rendition, albeit briefly, of the Lutheran chorale Ein Feste Burg depicting the surfacing of the German U-Boat in the Gulf of St. Lawrence. This gives way to the mechanical, jaunty section Control Room Alert with its persistent drive and energy. A brief interlude of The Lake in the Mountains leads into the most recognised piece of music of from the film, the Prelude, which accompanied both the opening and closing credits, and adds a most fitting conclusion to this suite.The suite has been recorded by the Tredegar Town Band, under their musical director Ian Porthouse, on the Albion Records CD Vaughan Williams on Brass
Estimated dispatch 5-7 working days
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