Results
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£30.66An Huni a Garav (Eb Tenor Horn) - Kevin Ackford
Score & Parts Written for Kevin's Partner Barbara "An Huni a Garav" translates from the cornish language as "The one that I Love." This Beautiful melody will well into any concert programme. Tenor Horn Legend Gordon Higginbottom described it as: "A lovely piece, a nice change to have a good melody not ruined by loads of twiddly bits, a real beauty."
Estimated dispatch 5-7 working days
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£30.66Solace (Eb Tenor Horn) - Kevin Ackford
Score & Parts Another fine example of Kevin's skill as a melody writer. The full chording, subtle rhythm and beautiful melody pleases audiences of all ages. A fantastic addition to your Horn solo repertoire
Estimated dispatch 5-7 working days
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£35.87Eternity (Brass Band) Michael Bojesen arr. David Robb
In Eternity, Danish composer and conductor Michael Bojesen sets a text by the Danish poet Ellen Heiberg as a choral fantasy piece. In this effective arrangement by Scottish composer/arranger David Robb, after a simple, pure opening melody, lilting unison lines evoke the roll of the ocean's waves and the smoothness of the stone which represents a piece of "all eternity." Following the opening hymn, layered melodies overlap and circle each other, representing the cycle of time. Each melody repeats and builds until it dies away, and the band returns to unison to end on a single note. PDF download includes score and parts. To view a video of Victoria Brass performing the work please visit www.youtube.com/watch?v=-b2jfywsSz4 Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 3rd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Suspended Cymbal Glockenspiel
In Stock: Estimated dispatch 1-3 working days
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£71.75Pyrenean Carol Suite (Brass Band) David Taylor
This attractive suite for brass band by David Taylor features five traditional carols from the Pyrenees region of Spain, as follows: i. Nadal Tindaire (Jingling Christmas) - Occitan traditional This Occitan Christmas song tells of musical instruments used to celebrate the Nativity - 'fifes and trumpets, timpani and pipes, or you, clear little bells, along with the angels' choir.' ii. Gabriel's Message (Birjina Gaztetto Bat Zegoen) - Basque traditional The most widely-known of the chosen carols, honouring Jesus's mother Mary, this is often sung in its English version, but the melody came from the Basque country. The Basque words were adapted from the Mediaeval song Angelus ad Virginem. Here, we feature the flugel horn. This movement was originally written on its own, with organ accompaniment, for the composer's wife, Diane Scott. iii. El Noi de la Mare (The Child of the Mother) - Catalan traditional A beautiful Catalan carol celebrating the birth of Jesus, telling of the tasty gifts that the singer would bring - 'Raisins and figs and nuts and olives; Raisins and figs and honey and mato [a Catalan dessert cheese traditionally served with honey.]' Here we feature the euphonium. The tune was made famous by guitarist Andres Segovia, who used it as a favourite encore, and by John Rutter, who made a widely-used setting for choir. iv. Paure Satan (Poor Satan) - Occitan traditional This rather unusual carol tells of the pain that Satan is put to by the arrival of the infant Jesus. Its mocking and sarcastic tone is reflected here, where the tuba soloist (as Satan) is given musical trouble throughout by the other parts. At first they conflict with the soloist, then the soloist makes overtures of friendship, which are treated with suspicion followed by contempt. The soloist finally gives in to their accompaniment (or do they?). There are plenty of opportunities for little theatrical touches here, if the tuba player is so inclined! The tuba part in this movement is notably more difficult than the rest of the music, and a number of optional changes have been marked to make the part easier to play, if so desired. The player is also welcome to add suitable extra embellishments to taste if they wish, within the character of the music. v. Fum, Fum, Fum! - Catalan traditional A favourite Catalan Christmas song for centuries, this rousing melody provides a fitting way to round off the suite, with its repeated rhythmic refrain of the nonsense title phrase. It tells of the Nativity, and then it tells of the celebratory feasting and good times that the singers look forward to to honour it. Although the suite is intended to be performed whole, it is also intended for usage with a selection of movements on occasions where a shorter piece is wanted. Suggested formats include a single movement alone (2, 3, and 5 are likely most appropriate), a pair of movements (any of the first four, plus 5), and a suite of three or four movements (1 and 5, plus one or two of 2, 3, or 4 in the middle). It is suggested that a good way to design a 'pick-your-own-suite' from the movements is to think of the earlier movements as introductory to the final movement. To view a rolling score video featuring Kidlington Concert Brass please visit www.youtube.com/watch?v=QIGdul-yxxg PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 3rd Section + Length: 9.45 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£35.87Swinging all the way (Brass Band) Dave Collins
Swinging all the way is a jazzy take on the most well known of Christmas tunes, Jingle Bells. We begin in a dark underground jazz club with the rich, luscious harmonies supporting the tune that we all know. But the melody is perhaps secondary to the timbres and dissonances of this darkly elegant ballad punctuated by the solo cornet, a contrast of styles between the joyous melody and sober accompaniment. As the work progresses it becomes more uplifting, with solo features from the trombone, before emerging into the bright lights of a big band set, with stride bass, crunchy punctuating rhythms and screaming trumpets. The arrangement ends where we began, after our exciting sleigh ride comes to an end. To view a rolling score video please visit www.youtube.com/watch?v=UbUMVuWFrNI PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 2nd Section + Length: 4.00 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani/Sus. Cymbal Drum Kit Vibraphone/Xylophone
In Stock: Estimated dispatch 1-3 working days
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Bincombe Beeches | Brian Daniels
A lovely bright lyrical march with a memorable melody and a welcome alternative to the standard march. Bincombe Beeches has a nice interlude section, a change of time signature from 4/4 to 6/8 before returning to 4/4 for its play out. Try something different - for a melody to delight the audience, get their toes tapping, and stays in their heads long after the performance.Instrumentation: Soprano, Solo, 2nd and 3rd CornetsFlugelhornSolo, 1st and 2nd Tenor Horns1st and 2nd Baritone1st, 2nd and Bass TrombonesEuphoniumEb and Bb BassesPercussion:If one player: Drum KitIf two players: 1. Bass Drum, Cymbal, Triangle 2. Snare Drum (from Drum kit part)
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Euphoria | Chris Ellis
Opening with a slow minor-key melody, the theme develops tonally before the tom-toms herald a faster, more rhythmic section, developing into a toe-tapping jig-like tune, finally slowing back into the almost meditative motif mirroring the original passage. An original style to add variety to your band concerts. The Minor key adagio opening bars of this number has an uplifting 'choral like' orchestration with an almost 'what's coming next' undertone, with Euphoniums leading the way. The pace and feel changes totally at the Allegro with the tom toms taking the tempo up with a toe tapping jig like rhythm and a move to the Major Key. A clever contrast in the next section has the rhythmic triplet pattern played against a quaver melody, before full band join in with the dance quality of this section. The end section of Euphoria returns to the adagio with an uplifting and real sense of reaching a goal.Skill Level: Intermediate
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Skye Boat Song | Tenor Horn Solo | Trad. arr. Max Stannard
A different take on a traditional melody for Brass band with solo Tenor horn, the Skye Boat Song begins with a slow, lyrical solo melody on the Tenor Horn, building gradually into full band, before moving into a faster jaunty waltz scherzo section, returning to a slightly slower reiteration of the theme to finish.
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£29.95
BEFORE THE CROSS (Cornet Solo with Brass Band Set) - Edward Gregson
Written at the request of David Daws for his solo album The Sound of David Daws, this meditation for cornet and brass band uses the composer's own song Before the cross (originally published in The Musical Salvationist, April 1965), the first lines of which are Before the cross I stand in fear and wonder, and see that all my sirs on Thee are laid. The song was written at an early stage of the composer's career, just before commencing study at The Royal Academy of Music, London. After a brief introduction the melody is heard twice, first played by the soloist, then on Euphonium and Flugel Horn with the soloist adding ornate counterpoint before taking up the melody once again, this time leading to a quiet and reflective conclusion.
Estimated dispatch 7-14 working days
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£24.95
DAVID OF THE WHITE ROCK (Cornet Solo with Brass Band Set) - Ray Bowes
This melody is reputed to have originated in Caernarvonshire, North Wales. Tradition holds that a bard called David, lying on his deathbed, called for his harp and performed this plaintive tune, expressing a desire that it should be played at his funeral. Ever since the tune has been called by his name and that of his house 'Garagwen' ('Druid Stone' or 'White Rock'). The solo is not just a slow melody with brass band accompaniment but is a composite whole, the band needing as much sensitivity as the soloist in the presentation.
Estimated dispatch 7-14 working days
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