Results
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£82.95
CONCERTO FOR TRUMPET (or CORNET) (Cornet/Brass Band) - Sparke, Philip
Recorded on Polyphonic QPRL066D Twilight Dreams, Polyphonic QPRL070D Solo.
Estimated dispatch 7-14 working days
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£37.95
CUTE (Brass Band) - Hefti, Neal - Sparke, Philip
Recorded on Polyphonic QPRL084D Light as Air
Estimated dispatch 7-14 working days
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£21.50
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£74.95
Diversions (Variations on a Swiss Folk Song) (Brass Band - Score and Parts) - Sparke, Philip
Suitable for 2nd Section Bands and aboveIncludes: 1. Vivo scherzando, 2. Subito meno mosso, 3. Lento expressivo, 4. Vivace.Recorded on Polyphonic QPRL204D Family Portrait, Point of Ayr Colliery Band
Estimated dispatch 7-14 working days
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£37.95
Diversions (Variations on a Swiss Folk Song) (Brass Band - Score only) - Sparke, Philip
Suitable for 2nd Section BandsIncludes: 1. Vivo scherzando, 2. Subito meno mosso, 3. Lento expressivo, 4. Vivace.Recorded on Polyphonic QPRL204D Family Portrait, Point of Ayr Colliery Band
Estimated dispatch 7-14 working days
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£44.95
DOVE DESCENDING (Brass Band - Score only) - Wilby, Philip
Championship Section. Birdsong CD for performance (Optional) is available separately
Estimated dispatch 7-14 working days
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£40.00
DREAMS AND DANCES (Flugel Horn Solo with Brass Band) - Harper, Philip
Dreams and Dances is a substantial seven minute solo for one of the most characteristic of the brass band's instruments. It begins slowly and dreamily, with a flugel line encompassing both lyrical and florid styles, before moving via a short cadenza to a set of dances in a quick 6/8 time. The solo part would be a challenge for any player, but the accompaniment parts should he manageable by all.
Estimated dispatch 7-14 working days
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£49.95
EUPHONISM (2 Euphoniums/Brass Band) - Sparke, Philip
Te Hononga' - The meeting of friends from across the water. Recorded on Polyphonic QPRL064D Midnight Euphonium
Estimated dispatch 7-14 working days
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£82.95
EUPHONIUM CONCERTO No.1 (Sparke) (Brass Band - Score and Parts) - Sparke, Philip
This concerto has its origins in a concerto for horn and brass band, commissioned by the River City Brass Band (Pittsburgh) in 1992.It was composed at the request of British euphonium virtuoso, Steven Mead, and first performed by him with the Breeze Brass Band in Osaka, Japan, in 1995.In conventional three-movement form, performed without a break, the concerto covers the panoply of the euphonium's range and character. The first movement is marked Moderato e energico and is rhythmically energetic in style with many meter changes and much syncopation. Only in the central section does the soloist relax in cantabile mood.The second movement opens with tuned percussion taking centre stage, laying for the foundations for a long cantilena from the soloist in resigned mood, but with a touch of optimism. After a central climax for the band, this melody returns, with soloists from the band answering in counterpoint. The finale is a 6/8 romp in caccia style (betraying its origins as a piece for horn). Again, the central section is more legato in mood, though the band keeps the eighth-note figures present throughout. The movement ends in a bravura display from the soloist.
Estimated dispatch 7-14 working days
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£44.95
EUPHONIUM CONCERTO No.1 (Sparke) (Brass Band - Score only) - Sparke, Philip
This concerto has its origins in a concerto for horn and brass band, commissioned by the River City Brass Band (Pittsburgh) in 1992.It was composed at the request of British euphonium virtuoso, Steven Mead, and first performed by him with the Breeze Brass Band in Osaka, Japan, in 1995.In conventional three-movement form, performed without a break, the concerto covers the panoply of the euphonium's range and character. The first movement is marked Moderato e energico and is rhythmically energetic in style with many meter changes and much syncopation. Only in the central section does the soloist relax in cantabile mood.The second movement opens with tuned percussion taking centre stage, laying for the foundations for a long cantilena from the soloist in resigned mood, but with a touch of optimism. After a central climax for the band, this melody returns, with soloists from the band answering in counterpoint. The finale is a 6/8 romp in caccia style (betraying its origins as a piece for horn). Again, the central section is more legato in mood, though the band keeps the eighth-note figures present throughout. The movement ends in a bravura display from the soloist.
Estimated dispatch 7-14 working days