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  • £29.95

    Song for the Skies

    Song for the Skies was commissioned by Tuba virtuoso Les Neish and was given its world premier on the December 9th 2010 with the James Madison University Brass Band in Harrisonburg, Virginia, USA.Les asked me to compose a slow melody that highlights the wonderful sonorous sound of the Tuba. I am a big fan of Les and of the instrument and knowing the capabilities of Les as a soloist I wanted to experiment with the range and colour of the instrument in this solo.After a warm introduction from the ensemble the soloist enters almost timeless over the muted cornets. The melody when it is first heard has a somewhat haunting Celtic feel to it. It is intentionally marked as con rubato so that the soloist can really put their own musical stamp on the music. As the haunting melody repeats again this time in a change of key the accompaniment takes more of a role within the piece of music performing counter melodies within this second section.The middle of the piece introduces a new secondary melodic device that serves as an introduction to the original melody played in all its glory by the ensemble. This dies away to leave the second half of the melody in the euphoniums and baritones as the soloist plays a soaring counter melody in the highest register of the instrument.The piece starts to return home with a recapitulation of the introduction followed by the second part of the original melody by the soloist. After a momentary reflective solo from the soloist the introduction is used for a final time before the tuba guides us home to conclude.For the soloist, there are a number of occasions where the opportunity to play in the upper register of the instrument arises. However, I have also given the opportunity for the soloist to play various passages down the octave so it suits the performers playing style and range.Song for the Skies is very simple yet beautiful and I feel it suits the playing of the Eb Tuba perfectly. I hope you enjoy performing it.Paul Lovatt-Cooper

    Estimated dispatch 7-14 working days
  • £42.95

    Visions of Kolkhis (Brass Band - Score and Parts)

    Visions of Kolkhis was commissioned by Jason Katsikaris and the Leyland Band as a finale for their appearance at the 2009 Brass in Concert Championship Inspired by Jason Katsikaris's Greek lineage, the subject of the work could be considered a metaphor for his impact on the British brass band scene, and the Leyland Band's commitment to striving for excellence.Written in thee continuous sections, the work paints a vivid picture of the island of Kolkhis, a place instrumental in so many tales in Greek mythology. The music represents three individual stories; Jason and the Argonauts, the Golden Fleece, and the liberation of Prometheus by Hercules. However, musical material is drawn from the Leyland Band's signature march, Harold Moss's The Royal Tiger, named after the bus made by Leyland Vehicles in the 1950's.

    Estimated dispatch 7-14 working days
  • £113.00

    Song for Frances - Øystein Olsen Vadsten

    "Song for Frances" is a classic love ballad, written for concert band and brass band, with a soloist on euphonium.The piece always has the soloist in focus and gives him plenty of room to show off, both a warm sound and technical skills. In the first part of "Song for Frances", the basic melody is clearly presented, while the rest of the piece is more of a written "as if improvisation" with various melodic and technical "whims". The piece will be perfect for any euphoniumist looking for a challenge.

    Estimated dispatch 5-14 working days
  • £39.95

    Suite for Saturday - Don Bateman

    This work was originally written for a Junior Brass Band with the title Suite for Saturday and was road-tested at a Band Day organized by West Sussex Music Service. It became a piece for 2 clarinets with a version for clarinet and piano. Its title then was Suite for Chloe. As you can see, the original title has been restored as being more appropriate for a full junior brass band and, inevitably, with regard to an Educational project, there is a strong didactic thread running through the sections of the Suite.For Openersrequires a decisive attack, fanfare style. Metro Gnomesdemands articulative skill and metronomic precision.Smooth Operatorsencourages an efficient legato style.Best Foot Forwardstresses rhythmic drive (alla militare).

    Estimated dispatch 5-14 working days
  • £84.99

    For a Flower - Hermann Pallhuber

    For a Flower is a very melodic and virtuosic solo work for euphonium and brass band. It opens with a gentle solo introduction on euphonium, which develops into a grand hymnal theme. Following this comes a faster and more virtuosic section in a traditional Irish style, with a varied dialogue between the band and the soloist. The work closes triumphantly with the hymnal theme of the opening. For a Flower showcases both the musical and technical capabilities of this wonderful instrument. The euphonium soloist must naturally master both skills: lyrical playing and virtuoso playing. For a Flower was commissioned by the Dutch euphonium virtuoso Robbert Vosand is dedicated to his wife, Evi.

    Estimated dispatch 5-14 working days
  • £91.99

    In Memoriam: For the Fallen - Philip Sparke

    In Memoriam: For the Fallen was commissioned by Bolsover District Council for the Bolsover Brass Summer School 2014. It is a setting for narrator and band of Laurence Binyon's (1869-1943) poem, For the Fallen, which was first published in The Times in September 1914. The poem is known world-wide as the famous fourth stanza (They shall grow not old...) has become a regular part of Remembrance Day and ANZAC Day services. In Memoriam: For the Fallen is a musical accompaniment to the poem, shadowing the mood of each stanza.

    Estimated dispatch 5-14 working days
  • £64.99

    Fantasia for Tuba - James Curnow

    This work for Tuba and Brass Band was commissioned by and written for internationally renowned tuba soloist Steve Sykes. The Tuba plays four notes (F, Bb, G, C) during the opening. All the themes and much of the harmonic structure are based on these fours notes and their permutations. The soloist receives ample opportunity to showcase his or her technical prowess and expressive capabilities. Fantasia for Tuba also provides plenty of interaction between the soloist and brass band.

    Estimated dispatch 5-14 working days

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  • £66.00

    S.O.S. (Brass Band - Score and Parts) - Kjaernes, Bjorn Morten

    When the publisher asked me to make an arrangement of an ABBA tune, S.O.S. was the first song I thought of. Its introduction and melody are well suited to play for band. Admittedly, the key had to be shifted to make it sound good for this instrumentation. To me, this is nostalgia, while for others, the Mamma Mia movie/show will be what they associate with this wonderful song. Apart from a few medleys, few of ABBA's songs are available for band. So, it was very fun to work on this classic.The arrangement is made quite simply to fit many sizes of bands. Technically, it is also relatively simple both in range and rhythm. As you can see, there are many ways to adjust this arrangement to your own ensemble. Bring out melody lines and the bassline, and a lot is done. If needed, simplify to make it sound nice.Get creative and have fun!- Bjorn Morten KjaernesDuration: 3.30

    Estimated dispatch 7-14 working days

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  • £68.99

    The Green Hills of Tyrol (Euphonium Solo with Brass Band - Score and Parts) - Sparke, Philip

    The Green Hills of Tyrol was commissioned by Jrena and Beat Knusel for their son, Swiss euphonium player Joel Knusel, to celebrate his 20th birthday in 2019. The request was for a piece suitable for use in a solo competition, possibly using a Scottish or Irish melody, and composer Philip Sparke suggested an old-fashioned air varie might be a suitable idea. The piece follows the well-established formula of a theme followed by four variations. The history of the original melody is fascinating and, although it is now well-known as a bagpipe tune, its background is Austrian or Italian, rather than Scottish. The tune appears as a chorus of Swiss soldiers in Rossini's 1829 opera William Tell but was possibly an existing Tyrolean folk tune. In 1854, during the Crimean War, Pipe Major John MacLeod of the 93rd Highlanders heard a band of the Sardinian contingent playing selections from the opera in camp before the Siege of Sebastopol. He was struck by the melody and arranged it for his pipers, calling it The Green Hills of Tyrol, referring to Tell's visit to that corner of Austria in the opera. It has since become universally popular among pipe bands who usually refer to it as A Scottish Soldier, following the addition of new lyrics in a 1961 hit by Andy Stewart.Duration: 5.45

    Estimated dispatch 7-14 working days

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  • £69.95

    Strange New Worlds (Brass Band - Score and Parts) - Graham, Peter

    Strange New Worlds was commissioned by Nicholas Childs for the National Children's Brass Band of Great Britain with funds provided by Arts Council England.The COVID-19 pandemic made it necessary for the 2020 course to transition from residential to virtual and the work was designed to accommodate this change. The participants individually filmed themselves to a click track and the videos were collated to create a "virtual" performance. The premiere was streamed live on YouTube on August 7, 2020.The work is in 5 movements with a narrative dictated by the individual movement titles. Although to me this narrative is clearly defined, multiple scenarios present themselves. Some may interpret the story as being one from the ancients while others might identify with the science-fiction of H.G. Wells. Others still will relate to the recent surge of interest in 1980s culture and the Netflix series Stranger Things (to which the title of my work pays homage). Nor would it be unreasonable to consider the piece an analogy reflecting events in 2020. Listeners will decide the story (or message) for themselves.The five movements are: I. Things to Come; II. Descent to Darkness (featuring Cornets, Trombones and Percussion); III. Resistance (featuring Horns, Baritones, Euphoniums, Basses and Percussion); IV/V. Aftermath/A New HopeDuration: 8.00

    Estimated dispatch 7-14 working days

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