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£35.62Margaret - Brass Band (Timothy Matthews arr.AKenneth Downie)
VIEW SCORE PDF The arranger, Kenneth Downie writes: 'This music was commissioned by Mike Griffiths, Music Director of Riviera Concert Brass, based in Torquay in Devon, England. It is developed around the hymn tune Margaret, and written in memory of the lady of that name who was a renowned supporter of, and generous donor to the band. The graceful melody was written by Timothy Matthews (1826-1910), and it is usually associated with the words of the hymn, the first verse of which says: Thou didst leave thy throne and thy kingly crown When thou camest to earth for me; But in Bethlehem's home was there found no room For thy holy nativity, O come to my heart, Lord Jesus; There is room in my heart for thee. I feel that there is a strong emotional core to this lovely tune and any performance should seek to bring out this quality, in a musical manner.' PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 4th Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Glockenspiel Percussion
In Stock: Estimated dispatch 1-3 working days
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£28.95Q.A.V. (Qui Audet Vincit) (Brass Band - Score and Parts) - Wiffin, Rob
Q.A.V. (Qui Audet Vincit) is a spirited conventional march. It was commissioned for the Special Air Service Regiment in 2017. It is in traditional military march form with the principal subject in a minor key. Qui Audet Vincit is Latin for Who Dares Wins, the motto of the SAS.Duration: 3.15
Estimated dispatch 7-14 working days
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£42.95Crimbledance (Brass Band - Score and Parts) - Wiffin, Rob
Silent Night, Ding, Dong Merrily on High, The Virgin Mary Had a Baby Boy and I Saw Three Ships Come Sailing In receive the Riverdance treatment together with some snippets of other carols thrown in for good measure in this challenging but fun arrangement. It was first written for the Central Band of the RAF to play on their Christmas concert tour in 1998 and has been consistently performed ever since.Duration: 4.00
Estimated dispatch 7-14 working days
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£149.95Concerto for Euphonium (Euphonium Solo with Brass Band - Score and Parts) - Harper, Philip
This Concerto for Euphonium casts the euphonium soloist as one of the young soldiers in a World War I battalion for an intensely intimate and visceral experience of events. However the music also portrays a more general human journey, and will appeal on a number of levels.There are three movements which have the following subtitles:Summer 1916 - Days of YouthWinter 1916 - The Weight of Maturity4th February 1917 - ReleaseAlthough challenging, the solo part is designed to be achievable by all ambitious euphonium soloists.Duration: 19.00
Estimated dispatch 7-14 working days
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£54.95Cornish Pastiche (Brass Band - Score and Parts) - Wiffin, Rob
A three movement suite depicting aspects of Cornish life and culture.The first movement, Sea Shanties, uses two contrasting call-and-response melodies. The second of these is playful in nature and appears in a number of guises, some more discordant than others, reflecting the crew's use of the shanty to let the captain know what they thought of him! Having passed by, the ship disappears into the sea mist. Laments were traditionally reserved for occasions of the death of a member of the clan. In forming the melody for Celtic Lament I had in mind the type of sorrowful song that would suite the elegiac nature of such an occasion.The last movement of the suite attempts to catch the spirit of the Furry Dance, the ancient dance that heralds the coming of spring. It resembles a farandole but is probably better described as an unashamed romp.My intention was to make Cornish Pastiche readily accessible to both players and listeners. The language is unashamedly tonal but is treated with some harmonic twists to add occasional piquancy. The technical demands on the players are meant to be moderate but conductors and players are asked to observe the different layers, especially in the Basse Dance, and not overload the texture with over-zealous weight on the melodic line.- Rob WiffinDuration: 11.15
Estimated dispatch 7-14 working days
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£44.95Trombone Concerto (Trombone Solo with Brass Band - Score only) - Wiffin, Rob
My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player. The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo. The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him. The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist. While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin
Estimated dispatch 7-14 working days
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£87.95
Trombone Concerto (Trombone Solo with Brass Band - Score and Parts) - Wiffin, Rob
My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin
Estimated dispatch 7-14 working days
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£53.50Free Mind (Brass Band - Score and Parts) - Jeanbourquin, Marc
For Free Mind, a light and dynamic piece, Marc Jeanbourquin drew inspiration from a gospel song, namely "Oh, Freedom", a post-Civil War African-American freedom song. In these times of crisis, the composer wanted to retain a positive and energetic spirit to symbolise the hope for better days. The four notes of the theme "Oh, Freedom" occur throughout the work and are brightened up by lively percussions, giving Free Mind a sparkling character that will lift the opening of a concert with enthusiasm. Duration: 3.00
Estimated dispatch 7-14 working days
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£116.00Time for Celebration (Brass Band - Score and Parts) - Schjelderup, Fredrick
Time for Celebration was commissioned by the Norwegian School Band, Soreide and Sandsli Skolekorps (SSS) for their 50th Anniversary.The piece is written in four movements: I. Fanfare, II. Toccata, III. In Memories of Great Times, IV. Festivity - A Celebration.The thematic work is based on the initials of the band, three similar letters (represented in the music): Three similar tones.Duration: 10.30
Estimated dispatch 7-14 working days
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£74.99The Spider's Web (Brass Band - Score and Parts) - Sheppard, Mike
The Spider's Web is a metaphor for danger, uncertainty and risk. Throughout the piece moments of danger contrast with moments of tranquility - at certain points these two ideas merge and in others they battle against one another. In this piece which requires a lot of technical skills for the players, the composer moves unexpectedly from moments of peacefulness to situations of threat and danger. An impressive, versatile and truly spectacular piece! Duration: 5.00
Estimated dispatch 7-14 working days
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