Results
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£79.95Orion (Brass Band - Score and Parts)
Orion was named after the giant huntsman in Greek mythology and is a prominent constellation located on the celestial equator and visible throughout the world. It is one of the most conspicuous and recognisable constellations in the night sky. This piece and its inspiration were composed as a tone poem creating a musical picture of this amazing phenomenon.The opening introduces the constellation. Starting mysteriously with the percussion and basses this section develops a series of rhythmic and harmonic interludes from the upper brass. As this introduction develops, the melodic line lead by the Solo Cornet and Euphonium builds as the accompanying instruments increase in their rhythmic complexity. This section climaxes with a short fanfare motif which will be a prominent theme throughout this piece.The fast rhythmic section that follows serves as a technical test for the players. The thematic device introduced by the Solo Cornets is passed around various soloists and sections within the ensemble. This part of the tone poem gives the opportunity for the ensemble to highlight their technical prowess. The fanfare motif returns to conclude this section and takes the piece into the slow middle movement.Motifs heard earlier are mixed with new ideas in this slow section which give an opportunity for a variety of soloists to demonstrate their musical prowess. After the various solo passages and cadenzas, the mood shifts dramatically to a more ominous section that builds in texture and dynamic. Concluding with our returning fanfare motif the piece then builds in momentum towards our finale section.This finale is a technical showcase which will further test the playing ability and stamina of soloists, small groups and the full ensemble. Using prominent musical themes heard throughout this piece the music builds to a glorious conclusion fitting with wonderful constellation.
Estimated dispatch 7-14 working days
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£74.99
Animal Kingdom Brass Band (Score & Parts)
In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with "special effects", Animal Kingdom contains many educational elements, such as playing in swing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with the opportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore very expressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects. The world of the animals always plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style also emphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friends and intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section. Curtis Camel - Curtis the Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. Betty Butterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A "swing" monkey stirs up the feelings. Even members of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing "in swing" (triplets feeling). This can be practised using scales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. "New" sounds are, of course, welcome. Curtis the Camel introduces the gypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swing rhythm that was introduced in the first part, alternated by a "straight" part with attention to chromatics and articulation. A story teller will definitely be an asset when performing this composition. 07:30
Estimated dispatch 7-14 working days
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£47.89Boreas: The North Wind (Brass Band) Derek Jenkins
Boreas was an ancient Greek deity personifying the north wind. He was a winged god of ruthless disposition, which was rivaled only by the harsh wintry winds at his command. Boreas fell in love with Orithyia, the King's daughter. Contrary to his genuine nature, he attempted to woo her with sweet words of devotion. His efforts were in vain, and Orithyia failed to yield to his advances. With this rejection, Boreas's temper flared and he, once again, was overcome by his icy and merciless nature. Like Boreas, this work begins with slow, lyrical lines that quickly fade into an unrelenting fury of anger. Moments reminiscent of Boreas's words of affection appear, but they are quickly washed away as the piece escalates. This arrangement was written for Joseph Parisi and the Fountain City Brass Band as a small token of thanks. The original version for wind ensemble was commissioned by and written for Timothy Shade and the Bethel College Wind Ensemble. To view a video of Diamond Brass Band performing the work please visit: www.youtube.com/watch?v=Co4oreV7Hm4 Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: 1 Soprano Cornet (Eb) 9 Cornets (Bb) 1 Flugelhorn 3 Tenor Horns (Eb) 2 Baritones (Bb) 2 Trombones (Bb) 1 Bass Trombone 2 Euphoniums (Bb) 2 Basses (Eb) 2 Basses (Bb) 4 Percussion
In Stock: Estimated dispatch 1-3 working days
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£63.86We Seven (Brass Band) Derek Jenkins
We Seven, the title of this work, comes from a book by the same name written by the United States's first astronauts. The composer writes: 'In 1959, the United States entered the space race by starting a programme whose main aims included sending a solo astronaut into space and recovering him safely. Project Mercury, as this programme was so called, recruited the first seven American astronauts and successfully sent six of them into space. These men were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton, and collectively they became known as the 'Mercury Seven.' Through their efforts and those of countless others, the United States Space Program accomplished much with these six flights, including successfully sending an astronaut into space, putting a man in orbit, and keeping him up there for more than 24 hours. In 1962, shortly after Glenn and Carpenter's orbital flights, the 'Mercury Seven' co-wrote the book We Seven and throughout it, the astronauts discuss the events leading from their selection into the programme up through Carpenter's flight in May of 1962. The primary material for the work comes from two sources: the use of musical cryptograms to encode the astronauts names and initials into pitches and the aria 'Un bel di vedremo' from Giacomo Puccini's opera, Madame Butterfly. The inclusion of the latter comes directly from one of Glenn's chapters in the book. Together with a couple of the other astronauts, he would often listen to the opera to unwind from a long day of training. I would like to think that as he was orbiting the Earth that this opera, particularly this aria, would be running through his mind.' This work commemorates the Project Mercury on the 50th anniversary of its conclusion and was written for Joseph Parisi and the University of Missouri-Kansas City Wind Ensemble. This version for brass band has been prepared by the composer for the Fountain City Brass Band. To view a video of Fountain City Brass Band performing the work please visit: www.youtube.com/watch?v=yD3sBWhGkOo Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: 1 Soprano Cornet (Eb) 9 Cornets (Bb) [Both 3rd Cornets double Crystal Glasses] 1 Flugelhorn 3 Tenor Horns (Eb) [2nd Horn doubles Crystal Glasses] 2 Baritones (Bb) 2 Trombones (Bb) 1 Bass Trombone 2 Euphoniums (Bb) 2 Basses (Eb) 2 Basses (Bb) 4 Percussion
In Stock: Estimated dispatch 1-3 working days
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£62.00Set To (Brass Band - Score and Parts) - Turnage, Mark-Anthony - Houlding, Christopher
Set To is dedicated to London Brass and arranged for brass band by Christopher Houlding. It was commissioned by the Aldeburgh Foundation and received its first performance on August 24th 1993 at the Maltings, Snape. Originally divided into two movements, a pensive and richly harmonic Blues and an aptly named Bacchanale, sometimes slow but mostly fast and furious. "I remember playing the original brass ensemble version of "Set To" numerous times in the early nineties with London Brass and always wondered if the composer would consider writing something for Brass Band. As Director of The Guildhall Brass Band, a possible performance opportunity arose in 2010 and I successfully approached Mark and gained his permission to scale it up for brass band with added percussion parts. I conducted the premier of this new Brass Band version at the Guildhall School of Music & Drama in February 2011 with the composer present and he liked it. Although very contemporary compared to most brass music, I feel that Mark's easily accessible style makes this rhythmically quirky and harmonically 'bluesy' work a really interesting concert piece, suitable for any occasion" - Chris Houlding. Duration: 7.30. Suitable for Championship Section Bands
Estimated dispatch 7-14 working days
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£3.95On the Face! (Percussion)
On the Face is a complete repertoire (warm-ups and 23 pieces) for beginner brass ensemble. Perfect material for school assemblies and music centres, it includes folk songs, famous classical themes, and exciting new jazz and pop numbers. Each piece is score for a basic trio of two trumpets/cornets and one trombone/euphonium (TC or BC). However, optional independent parts can also be added for horn in E flat or F; high trombone or euphonium (tenor part); tuba; and drum kit. The pieces work equally well either with one player to a part, or in larger group settings. With its appealing variety of musical styles and textures, On the Face is sure to make the young brass player's first experience of group playing both rewarding and fun.
Estimated dispatch 7-14 working days
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Fanfare Trionfale | Brass Band | Alwyn Green
Fanfare Trionfale was originally commissioned by the International Convention Centre in Birmingham UK for the investiture of the Lord Mayor of Birmingham.As its name suggests, it is a majestic, triumphal piece of music to herald a major event.It is a great concert opener which demands accurate and expansive playing. It was first performed in September 1993 by the Prince of Wales Brass, a renowned Brass ensemble made up of members of the City of Birmingham Symphony Orchestra.InstrumentationFull Brass BandPercussion parts (2): 1: Timpani 2: CymbalISMN: 979-0-708127-00-0
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Elsa's Procession to the Cathedral | Wagner arr. Alwyn Green (10)
A superb arrangement for Brass Ensemble (10) of a timeless classic. Skill is required in this piece to maintain tone quality and a steady even pace throughout the expansive Wagnerian melodies.This piece is one seamless musical gesture, and performers must shape flowing melodies and counter-melodies while retaining proper ensemble balance.Patience and restraint are needed when allowing the music to build logically and cohesively to its magnificent climax. A demanding concert piece.Elsa's Procession to the Cathedral, with its medieval colour and pageantry, prefaces her betrothal to Lohengrin, mystic Knight of the Holy Grail, who comes to deliver the people of (Antwerp) from the Hungarian invaders.The soundtrack is played by the Prince of Wales Brass, formed from members of the City of Birmingham Symphony OrchestraInstrumentation1st Trumpet in Eb2nd Trumpet in BbFlugelhorn / 3rd Trumpet in BbFlugelhorn 2 in BbHorn in F1st Trombone2nd Trombone3rd TromboneBass TromboneTubaOptional OrganPercussion Parts (2):1. Timpani2. CymbalISMN: 979-0-708127-14-7
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£40.00
Ivory Ghosts - Gavin Higgins
Gavin Higgins wrote Ivory Ghosts in 2006 for brass ensemble as one of a collection of short pieces composed in support of the charity Brass Band Aid. It is a haunting miniature created in response to the horrors of the illegal trade in African elephant ivory. This definitive version for brass band and percussion was prepared for the Tredegar Town Band.
In Stock: Estimated dispatch 1-3 working days
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£40.00Ivory Ghosts - Gavin Higgins
Gavin Higgins wrote Ivory Ghosts in 2006 for brass ensemble as one of a collection of short pieces composed in support of the charity Brass Band Aid. It is a haunting miniature created in response to the horrors of the illegal trade in African elephant ivory. This definitive version for brass band and percussion was prepared for the Tredegar Town Band.
Estimated dispatch 5-14 working days
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