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  • £64.99

    Columbus - Thierry Deleruyelle

    Columbus is a brilliant and dynamic overture for brass band, with a soft and melodious central passage. In addition to the many American towns that hold the name, Columbus is a European space laboratory that is part of the International Space Station. Launched in 2008 by the American space shuttle Atlantis, it makes it possible to carry out continuous scientific experiments in fundamental physics, life sciences, fluid physics, etc. Several hundred experiments take place within Columbus every year. Commissioned by the Brass Band Bourgueillois, this piece celebrates the 10th anniversary of the launch of the band at the instigation of its conductor, Michael Auclert. The ensemble brings together musicians from the various wind bands of the Bourgueillois region and beyond. Thus, just like the space laboratory that inspired this work, the Brass Band Bourgueillois also serves as a laboratory, albeit a musical one, within a territory that is discovering this ensemble and its original repertoire.

    Estimated dispatch 5-14 working days

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  • £68.99

    Brass Machine - Mark Taylor

    Mark Taylor wrote the trumpet feature Scream Machine for a vinyl album by the Army Blues Jazz Ensemble in 1985. It was later published in a slightly simpler version called Brass Machine.This brass band arrangement by Philip Sparke has been arranged directly from the published jazz ensemble score and features soprano cornet and four solo cornets.

    Estimated dispatch 5-14 working days

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  • £108.60

    Mitt hjerte alltid vanker - Fantasi - Hans Adolph Brorson

    This arrangement was commissioned by B3 (The Bergen Woodwind Ensemble). B3 is a large woodwind ensemble located in Bergen with a mix of professional and amateur players. My Heart Remains in Wonder is a well-known Christmas hymn in Scandinavia. I wanted my version to be different to the traditional hymn tune style in which it is normally performed. One day I was outside walking and this idea came to me: an ostinato-like, mechanical skeleton of arpeggio semiquavers on which I could 'hang' the melody. However, I also wanted to do the melody line a bit different. The inspiration for this comes from folk music and the way fiddlers hardly ever lift their bow off the strings when they play. Because of this, it is important that the melody is played in a very sostenuto style in this arrangement. The harmonies lie somewhere between jazz and folk music with a little nod towards Grieg (himself heavily influenced by folk music) in the slow middle section.

    Estimated dispatch 5-14 working days
  • £70.95

    Mars Hill Fantasia - Eric Ewazen

    Says Ewazen, The work is scored for two combined ensembles ? an 8-part low brass ensemble of trombones, euphoniums, and tubas, and an 8-part percussion ensemble of both mallet and non-pitched percussion instruments. The music contains rich, sonorous, and joyful gestures, with stentorian fanfares, resonant chords, and lyrical melodies. It was given a truly exciting and festive premiere in October 2006 by the combined low brass and percussion ensembles of the music department of Mars Hill.

    Estimated dispatch 5-14 working days
  • £66.00

    S.O.S. (Brass Band - Score and Parts) - Kjaernes, Bjorn Morten

    When the publisher asked me to make an arrangement of an ABBA tune, S.O.S. was the first song I thought of. Its introduction and melody are well suited to play for band. Admittedly, the key had to be shifted to make it sound good for this instrumentation. To me, this is nostalgia, while for others, the Mamma Mia movie/show will be what they associate with this wonderful song. Apart from a few medleys, few of ABBA's songs are available for band. So, it was very fun to work on this classic.The arrangement is made quite simply to fit many sizes of bands. Technically, it is also relatively simple both in range and rhythm. As you can see, there are many ways to adjust this arrangement to your own ensemble. Bring out melody lines and the bassline, and a lot is done. If needed, simplify to make it sound nice.Get creative and have fun!- Bjorn Morten KjaernesDuration: 3.30

    Estimated dispatch 7-14 working days

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  • £34.95

    AL SHARQ (An Arabic-Jazz Fusion) (Brass Band) - Hall, Daniel

    Al Sharq (pronounced al-sha-rak) was commissioned by Tredegar Town Band as part of their programme for the 2014 Brass in Concert Championships at the Sage, Gateshead.The piece is an exciting and exotic concert work for brass band, which is heavily influenced by the genres 'Third Stream' and 'Arabic'. The composition is highly rhythmical and percussion heavy, which makes use of 'Tam-tam vibrato' - a technique which was invented by the composer especially for this composition.There are plenty of opportunities for the musicians to try something different, such as the aleatoric harmonic framework at the opening of the composition, shouting, 'hi-fiving', special choreography and even playing a didgeridoo!Al Sharq is a technically demanding piece which exploits the talents of all sections of the ensemble, especially the principal solo cornet, who starts the piece with an atmospheric cadenza. All of this makes Al Sharq a powerful and entertaining experience for both performer and listener.Grade: Advanced Duration:4:17

    Estimated dispatch 7-14 working days
  • £34.95

    A Swedish March and Fanfare (Brass Band - Score and Parts) - Gregson, Edward

    A Swedish March:This little march was written in 1975 and was commissioned for the Jnkping Summer School, Sweden, where Edward Gregson was guest composer and conductor. It incorporates the old Swedish folksong Britta at its heart, but otherwise is quite conventional in every aspect.Duration: 3.00Fanfare:This fanfare was originally written for brass ensemble, organ and percussion, under the title Fanfare for Europe, and was commissioned for a concert at the Royal Albert Hall, London, to celebrate Great Britain's entry into Europe. The composer then created this version for brass band which was published in 1976.Duration: 1.30

    Estimated dispatch 7-14 working days

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  • £63.34

    We Seven (Brass Band) Derek Jenkins

    We Seven, the title of this work, comes from a book by the same name written by the United States's first astronauts. The composer writes: 'In 1959, the United States entered the space race by starting a programme whose main aims included sending a solo astronaut into space and recovering him safely. Project Mercury, as this programme was so called, recruited the first seven American astronauts and successfully sent six of them into space. These men were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton, and collectively they became known as the 'Mercury Seven.' Through their efforts and those of countless others, the United States Space Program accomplished much with these six flights, including successfully sending an astronaut into space, putting a man in orbit, and keeping him up there for more than 24 hours. In 1962, shortly after Glenn and Carpenter's orbital flights, the 'Mercury Seven' co-wrote the book We Seven and throughout it, the astronauts discuss the events leading from their selection into the programme up through Carpenter's flight in May of 1962. The primary material for the work comes from two sources: the use of musical cryptograms to encode the astronauts names and initials into pitches and the aria 'Un bel di vedremo' from Giacomo Puccini's opera, Madame Butterfly. The inclusion of the latter comes directly from one of Glenn's chapters in the book. Together with a couple of the other astronauts, he would often listen to the opera to unwind from a long day of training. I would like to think that as he was orbiting the Earth that this opera, particularly this aria, would be running through his mind.' This work commemorates the Project Mercury on the 50th anniversary of its conclusion and was written for Joseph Parisi and the University of Missouri-Kansas City Wind Ensemble. This version for brass band has been prepared by the composer for the Fountain City Brass Band. To view a video of Fountain City Brass Band performing the work please visit: www.youtube.com/watch?v=yD3sBWhGkOo Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: 1 Soprano Cornet (Eb) 9 Cornets (Bb) [Both 3rd Cornets double Crystal Glasses] 1 Flugelhorn 3 Tenor Horns (Eb) [2nd Horn doubles Crystal Glasses] 2 Baritones (Bb) 2 Trombones (Bb) 1 Bass Trombone 2 Euphoniums (Bb) 2 Basses (Eb) 2 Basses (Bb) 4 Percussion

    In Stock: Estimated dispatch 1-3 working days
  • £35.00

    Song of Hope - Peter Meechan

    Song of Hope is dedicated to my good friend Ryan Anthony (principal trumpet with the Dallas Symphony Orchestra) and his charity, Cancer Blows - a foundation set up to raise awareness and money to further the research that has helped give their family a hope for a future following Ryanas diagnosis of Multiple MyelomaUpon hearing the middle movement (simply titled aSonga) of my cornet concerto, Milestone, Ryan asked me if I could change the end from its current reflective ending to something more uplifting, and to title it Song of Hope, giving it much more meaning than I could have ever imagined.As well as a wind band scoring without soloist, Song of Hope exists with 1, 2 or 3 soloists, accompanied by either wind band, brass band, brass ensemble or symphony orchestra.For my friend Ryan.Each set comes with the soloist part for 1 soloist. Please download the alternative 2 or 3 soloist parts from the link above.

    Estimated dispatch 12-14 working days

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  • £25.00

    Shindig

    Commissioned by Adrian Smith for the the Blackley Band's 2018 performance at the French Open Championships, Shindig is an approachable concert item for lower-section bands. This quirky work takes the form of an Irish reel, providing the opportunity for each instrumental family within the ensemble to 'take to the floor.' Duration : 00:03:00 Grade : 2.5 / 3

    Estimated dispatch 5-7 working days