Results
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£89.95TRUMPETS OF THE ANGELS - 2016 Edition (Gregson) (Brass Band - Score and Parts) - Gregson, Edward
The Trumpets of the Angels is a large-scale work, scored for seven solo trumpets (or cornets), brass band and percussion (deploying 'dark' instruments such as three tam-tams, bass drum and two sets of timpani). The genesis of the work is a quotation from the Book of Revelation ... and I saw the seven angels which stood before God; and to them were given seven trumpets.Thus the idea behind the work is highly dramatic and I have tried to achieve this by the spatial deployment of seven solo trumpets around the band. Trumpet 7 remains separate from the band throughout and, indeed, has the most dramatic and extended cadenza, representing the words of the seventh angel ... and time shall be no more.The work opens with a four-note motif announced by off-stage horns and baritones and answered by fanfare figures on four solo trumpets. In turn, each then play cadenzas before joining together, independently playing their own music. This leads to a sung Kyrie Eleison with accompanying solos for Flugel Horn and Baritone, after which we hear the entry of solo trumpets 5 and 6 with music that is more urgent and rhythmic, describing the Horsemen of the Apocalypse.The music reaches another climax, more intense this time, with the horns and baritones (now on-stage) again sounding the transformed motif, before subsiding into what might be described as a lament of humanity - slow, yearning music, which builds from low to high, from soft to loud, with a melody that is both simple and poignant. At its climax, Trumpet 7 makes a dramatic entry, playing the opening four-note motif, but expanded to almost three octaves. This cadenza (to the partial accompaniment of 3 tam-tams, representing the Holy Trinity) introduces new material and foreshadows the ensuing Scherzo, introduced by antiphonal timpani before the band enters with music that is fast and foreboding. Despite the somewhat desolate and 'unstable' mood of this music, it slowly moves towards an optimistic conclusion, transforming the 'humanity' music into an affirmative and triumphant statement.The original version of The Trumpets of the Angels was commissioned by the Fodens Band for their centenary concert at The Bridgewater Hall, Manchester, in 2000, and contained an important part for organ. In 2015 I was asked by Nicholas Childs to create a New Performing Edition for the Black Dyke Band; without organ, and including newly composed material. This New Performing Edition was given its first performance at the European Brass Band Festival in Lille in April 2016. The work is dedicated In tribute to Olivier Messiaen.- Edward Gregson
Estimated dispatch 7-14 working days
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£44.95
TRUMPETS OF THE ANGELS - 2016 Edition (Gregson) (Brass Band - Score only) - Gregson, Edward
The Trumpets of the Angels is a large-scale work, scored for seven solo trumpets (or cornets), brass band and percussion (deploying 'dark' instruments such as three tam-tams, bass drum and two sets of timpani). The genesis of the work is a quotation from the Book of Revelation ... and I saw the seven angels which stood before God; and to them were given seven trumpets.Thus the idea behind the work is highly dramatic and I have tried to achieve this by the spatial deployment of seven solo trumpets around the band. Trumpet 7 remains separate from the band throughout and, indeed, has the most dramatic and extended cadenza, representing the words of the seventh angel ... and time shall be no more.The work opens with a four-note motif announced by off-stage horns and baritones and answered by fanfare figures on four solo trumpets. In turn, each then play cadenzas before joining together, independently playing their own music. This leads to a sung Kyrie Eleison with accompanying solos for Flugel Horn and Baritone, after which we hear the entry of solo trumpets 5 and 6 with music that is more urgent and rhythmic, describing the Horsemen of the Apocalypse.The music reaches another climax, more intense this time, with the horns and baritones (now on-stage) again sounding the transformed motif, before subsiding into what might be described as a lament of humanity - slow, yearning music, which builds from low to high, from soft to loud, with a melody that is both simple and poignant. At its climax, Trumpet 7 makes a dramatic entry, playing the opening four-note motif, but expanded to almost three octaves. This cadenza (to the partial accompaniment of 3 tam-tams, representing the Holy Trinity) introduces new material and foreshadows the ensuing Scherzo, introduced by antiphonal timpani before the band enters with music that is fast and foreboding. Despite the somewhat desolate and 'unstable' mood of this music, it slowly moves towards an optimistic conclusion, transforming the 'humanity' music into an affirmative and triumphant statement.The original version of The Trumpets of the Angels was commissioned by the Fodens Band for their centenary concert at The Bridgewater Hall, Manchester, in 2000, and contained an important part for organ. In 2015 I was asked by Nicholas Childs to create a New Performing Edition for the Black Dyke Band; without organ, and including newly composed material. This New Performing Edition was given its first performance at the European Brass Band Festival in Lille in April 2016. The work is dedicated In tribute to Olivier Messiaen.- Edward Gregson
Estimated dispatch 7-14 working days
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£40.00Alchemists' Fire - Lucy Pankhurst
An original composition from Lucy Pankhurst and Winner of the 2011 John Golland Award, receiving its premiere at the RNCM Festival of Brass that same year.It is a complex, energetic and invigorating major work for brass band, and one which rightly demands attention through its intricate scoring, impact-making effects and bubbling brilliance!Comments from the composer on the work's title and its multi-purpose influence and inspiration upon her composition:"The phrase "Alchemists' Fire" has several possible connotations:Firstly, Alchemists' Fire is a magical weapon featured in the Dungeons & Dragon role playing game. It is a potion, so can be used to splash, throw or pour onto a target, dealing fire damage if it hits successfully.The second possible meaning comes from an historical source, where it was also known as Greek Fire, from which the D&D element takes its influence. This was an incendiary weapon used by the Byzantine Empire, typically used in naval battles to great effect, as it could continue to burn on water. It provided a technological advantage and was responsible for many key Byzantine victories. The manufacture of this 'fire' was kept a deadly secret; so much so that the formula was eventually lost and contemporary scientists and historians can only speculate at what the chemical make-up might have been.The final implication is a much more visual and sensory concept; that of the fire actually used by the Alchemist in his work - raging, dangerous and white-hot. Some sections of the work reflect the idea of 'magic' and ongoing experiments, some successful, some failing dangerously, in a cacophony of pops, fizzes and explosions amidst furious heat and brief moments of calm as the fire slowly cools, sizzling with residual components and elemental energy."
In Stock: Estimated dispatch 3-5 working days
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£154.60Three Gentle Giants - Svein H. Giske
Three Gentle Giantswas commissioned by Grenland International Brass Festival as a test piece for the 2nd division in 2008.Three Gentle Giants. The three giants each have their own monologue which leads into a conversation. They gather recognition and respect from each others views as the dialogue evolves. Eventually they find a more nutual and singular expression to their conversation.The giants are old with a long life behind them. This can be heard through a slow, melancholic waltz. A waltz is dance commonly linked to festiveoccasions, such as weddings, but for the giants it holds much more significance. It gives room to think about people they have met, placesthey have been, and all that life has given them.Quietly it ends, more or less like it began. We hear echoes of the past, before it all fades out.The giants wander off into a new beginning.Svein H. Giske- January 2023 -In Memoriam Thorvald, Finn and Thor Louis
Estimated dispatch 5-14 working days
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£144.10Tales and Myths of Gothia - Jerker Johansson
Jerker Johansson has lived in Gothenburg, on the Swedish West Coast, since 1984, and is deeply interested in the history of the country. Gothia is the most southern part of Sweden, and Gothenburg, which was founded in 1621, is since many years an important centre for trade and shipping. Old paintings of the harbour with its gigantic sailing ships gave impulse to the heroic character of the piece. The opening fanfare is followed by a lively allegro, which eventually leads to a calm section, containing reminiscences of the fanfare. The cornets introduce a cantabile theme, and a dance reminding of the Renaissance precede a recapitulation of the allegro theme. Tales and Myths of Gothia was originally composed for concert band in 2017. The brass band version was premiered on 26 April 2019 during Oslo Brass festival by Uffes Blas Brassband, conducted by Andreas Kratz.
Estimated dispatch 5-14 working days
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£84.60Intrada Orientale - Idar Torskangerpoll
This piece was commisioned by The Norwegian Band Federation - Northwestern Region for an summer festival in Eid. Intrada Orientale recieved it's first performance there in 2012. It is a concert-opener with an oriental flavour, with challenging parts for all players. The composition is built around a driving snare drum part.
Estimated dispatch 5-14 working days
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£94.99Chorale Variations - Jan de Haan
Chorale Variations comprises six variations on an original theme in Renaissance style. Written as a test piece for the renowned contest 'Gouden Spiker Festival' in Friesland (The Netherlands), it is a challenging concert or contest piece, presenting attractive and demanding parts for all sections.
Estimated dispatch 5-14 working days
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£65.00Tango - Gavin Higgins
Tango for Trumpet and Trombone solos with Brass Band accompaniment was written for Ian Porthouse and Brett Baker in 2008. The first performance was given by the Black Dyke Bandconducted by Nicholas Childs, at the Black Dyke Brass Arts Festival. Brass Band Grade 5: 1st Section Duration: 9 minutes
Estimated dispatch 5-14 working days
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£99.50Bonder i Byen (Fra Smabyskisser) - Sverre Bergh
Sverre Bergh (1915-1980) was a central character in the music scene in Bergen, both as a musical leader at "Den Nationale Scene" (theatre) and as a director for the "Festspillene" music festival. He was an arranger and pianist for the NorwegianBroadcasting Company (NRK), and wrote stage- and film scores as well as piano pieces. "Country-Folk in Town" is one movement from "Village Sketches". This small overture was written for the Bergen Philharmonic Orchestra.
Estimated dispatch 5-14 working days
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£55.00Christmas Overture - Nigel Hess
Nigel Hess' vivacious and colourful A Christmas Overture, originally commissioned as an orchestral work by John Rutter for his 2007 Christmas Festival, proved an instant success with audience and orchestra alike. Traditional carols, skilfully juxtaposed and interwoven, provide the thematic material. These include Ding Dong! Merrily On High; Il Est N Le Divin Enfant; Infant Holy, Infant Lowly; Personent Hodie; We Wish You A Merry Christmas and Angels From The Realms Of Glory, which brings the overture to a majestic close. Fragments of other carols appear along the way to enrich the texture of what is surely one of the mostattractive pieces written for the festive season. Brass Band Grade 4/5. Duration: 7 minutes, 30 seconds
Estimated dispatch 5-14 working days
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