Results
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£79.95Lost Village of Imber, The - Christopher Bond
The village of Imber on Salisbury Plain had been inhabited for over one thousand years when it was evacuated in 1943 to make way for military training in the Second World War. At the time, with preparations for the Allied invasion of Europe underway, most villagers put up no resistance, despite being upset, with the belief that they'd return once the war had concluded. To this day, Imber and its surrounding land remain a military training ground. The villagers never returned, and just the shell of what was once a community remains. Structured in three movements, it is on this very real story that the work is based, setting out the series of events of 1943 in chronological order. The first movement, On Imber Downe, portrays a sense of jollity and cohesiveness - a community of individuals living and working together before news of the evacuation had broken. Sounds of the village are heard throughout, not least in a series of percussive effects - the anvil of the blacksmith; the cowbell of the cattle and the bells of the church. The second movement, The Church of St. Giles, begins mysteriously and this sonorous, atmospheric opening depicts Imber in its desolate state and the apprehension of residents as they learn they have to leave their homes. Amidst this is the Church, a symbol of hope for villagers who one day wish to return, portrayed with a sweeping melodic passage before the music returns to the apprehension of villagers facing eviction around their sadness at losing their rural way of life. In complete contrast, the third movement, Imemerie Aeternum, portrays the arrival of the military, complete with the sounds of the ammunition, firing and tanks - sounds which were all too familiar to those living in the surround areas. To close, the Church of St. Giles theme returns in a triumphant style, representing the idea that the church has always been, even to this day, a beacon of hope for the villagers and local community - both the centrepiece and pinnacle of a very real story. The work was commissioned by Bratton Silver Band in celebration of the band's 160th Anniversary, with funding from the Arts Council National Lottery Project Grants Fund and the Brass Bands England Norman Jones Trust Fund.
Estimated dispatch 5-10 working days
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£40.00
Fanfare For Celebration
The original wind band version of Fanfare for a Celebration was written for the wind band of Dartington Summer School, under the direction of Paul Dummer. I created this brass version for Regent Brass Band in 2014 under the direction of Paul Archibald. I've also written versions for other brass ensembles which have been used at English Brass Academy courses. It is intended to be a short, exuberant celebration piece of moderate difficulty.
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£35.00
B of the Bang - Peter Meechan
B of the Bang has a double reference point for its title, both of which are very closely related.A quotation from the legendary British Sprinter, Linford Christie, was the initial starting point for the piece. Christie used to say that he started his races not merely at the abanga of the starting pistol, but at aThe B of the Banga.B of the Bang (Again named after the Christie quote) is also the name of a prominent sculpture in the composersa home city, Manchester. Designed by Thomas Heatherwick, it is the tallest self-supporting sculpture in the United Kingdom and was constructed close to the City of Manchester Stadium in order to commemorate the success of the 2002 Commonwealth Games.B of the Bang was commissioned by Luc Vertommen and Brass Band Buizingen, Belgium, for the Kerkrade World Brass Band Championships.First performance:Brass Band BuizingenLuc Vertommen - ConductorKerkrade, Holland.
Estimated dispatch 12-14 working days
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£120.00
Fire in the Sky - Peter Meechan
Fire in the Sky takes its inspiration from the stunning town of Montreux in Switzerland. I was commissioned to write the work 5 days before I visited this Montreux and was at work forming ideas for the piece as I arrived on the shore of Lake Geneva and its amazing views of the Alps.Whilst the scenery is without doubt some of the most incredible views I have ever witnessed, it was the history of the town that set Fire in the Sky in motion. Whilst there, it occurred to me that many of my musical heroes had lived or performed there, and three of them in particular had a strong connection with the town. Miles Davis, Igor Stravinsky and Freddie Mercury graced Montreux - the large convention centre, where the famous summer jazz festival is held, named its two halls after Davis and Stravinsky, and there is a quite breathtaking statue of Mercury in the town too.Each musician also commemorates an anniversary in 2011, the year of the premiere of Fire in the Sky; it is 40 years since the death of Stravinsky and both Miles Davis and Freddie Mercury died in 1991, making it 20 years since their deaths. So it seemed fitting to write a piece that in some way acknowledges them, and is a kind of personal athanksa for all they have given, and continue to give, me.The title comes from the famous Deep Purple song, Smoke on the Water - whose second line is aFire in the Skya and is a reference to the night the townas casino was set alight by a Frank Zappa fan. The piece tries to recreate the atmosphere of that night, paint a picture of fire in the sky (and smoke on the water) and also uses small anuggetsa of the music of my three greatest musical heroes, Miles Davis, Freddie Mercury and Igor Stravinsky.Fire in the Sky was commissioned by the Tomra Brass Band, Norway, and is dedicated to Stijn BerbeA and Nick Ost - both of whom are connected with the band (teaching and conducting), and both have been close friends - personally and musicaly - for many years. I am indebted to them for the opportunity to write this piece.
Estimated dispatch 12-14 working days
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£72.70Here Comes the band! - Hans Offerdal
Hans Offerdal wrote this march for Furuset skoles musikkorps and Haugen skolekorps for the 17th of May 2007 and here it is now finally in a version for Brass! It has a simple texture that you will have sounding good with not too muchpractice. During rehearsal one should stress the melodic aspect of each part, and that all parts are just as important. Because of its title and duration of appx. two minutes, this march is perfect for presenting the band at various arrangements youtake part in.
Estimated dispatch 5-14 working days
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£72.99Fanfare For A Friend - Bert Appermont
Fanfare for a Friend was originally composed as an introductory piece for the brass ensemble Musica Mosana and their conductor Mark Prils. The work begins with a brilliant brass fanfare that presents the main theme for the first time. This stately theme can be heard in counterpoints throughout the first 28 bars. This is followed by a contrasting and rapid part whereby a melodic theme can be heard against a more rhythmic accompaniment. A virtuoso and sweeping passage then leads to the grandioso in which both themes are played simultaneously in a grand finale.
Estimated dispatch 5-14 working days
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£79.95The Lost Village of Imber (Brass Band - Score and Parts) - Bond, Christopher
The Lost Village of Imber was commissioned by Bratton Silver Band in 2019 in celebration of 160 years of the band; 1859-2019. Structured in three movements, the complete work was premiered by Cory Band at Wiltshire Music Centre in February 2020.The village of Imber on Salisbury Plain had been inhabited for over one thousand years when it was evacuated in 1943 to make way for military training in the Second World War. At the time, with preparations for the Allied invasion of Europe underway, most villagers put up no resistance, despite being upset, with the belief that they'd return once the war had concluded. To this day, Imber and its surrounding land remain a military training ground. The villagers never returned, and just the shell of what was once a community remains.Structured in three movements, it is on this very real story that the work is based, setting out the series of events of 1943 in chronological order.The first movement, On Imber Downe, portrays a sense of jollity and cohesiveness, a community of individuals living and working together before news of the evacuation had broken. Sounds of the village are heard throughout, not least in a series of percussive effects, the anvil of the blacksmith; the cowbell of the cattle and the bells of the church.The second movement, The Church of St. Giles, begins mysteriously and this sonorous, atmospheric opening depicts Imber in its desolate state and the apprehension of residents as they learn they have to leave their homes. Amidst this is the Church, a symbol of hope for villagers who one day wish to return, portrayed with a sweeping melodic passage before the music returns to the apprehension of villagers facing eviction around their sadness at losing their rural way of life.In complete contrast, the third movement, Imemerie Aeternum, portrays the arrival of the military, complete with the sounds of the ammunition, firing and tanks, sounds which were all too familiar to those living in the surround areas. To close, the Church of St. Giles theme returns in a triumphant style, representing the idea that the church has always been, even to this day, a beacon of hope for the villagers and local community, both the centrepiece and pinnacle of a very real story.Duration: 13.30
Estimated dispatch 7-14 working days
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£59.95
The Ellacombe Chronicles (Brass Band - Score and Parts) - Curnow, James
This piece was commissioned by Brass Band of Columbus for the occasion of the band's 25th anniversary in 2009. It is dedicated to current and former members of the band and its founding Director, Dr Paul Droste. The hymns of Isaac Watts (1674 - 1748) have been a source of inspiration for musical thought and development by composers for over 200 years. His glorious hymn 'I sing the mighty power of God' has been coupled with the hymn tune 'Ellacombe' in many hymnals over these two centuries. This work was created and inspired by Isaac Watts's text and chronicles the three verses of the hymn through a set of diverse variations on the hymn tune 'Ellacombe'. The opening fanfare is intended to capture the joy and exuberance of the first phrase of the first verse, 'I sing the mighty power of God that made the mountains rise'. The developmental material following the fanfare gives a hint of the three large variations that are extracted from the tune.
Estimated dispatch 7-14 working days
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£29.95
The Ellacombe Chronicles (Brass Band - Score only) - Curnow, James
This piece was commissioned by Brass Band of Columbus for the occasion of the band's 25th anniversary in 2009. It is dedicated to current and former members of the band and its founding Director, Dr Paul Droste. The hymns of Isaac Watts (1674 - 1748) have been a source of inspiration for musical thought and development by composers for over 200 years. His glorious hymn 'I sing the mighty power of God' has been coupled with the hymn tune 'Ellacombe' in many hymnals over these two centuries. This work was created and inspired by Isaac Watts's text and chronicles the three verses of the hymn through a set of diverse variations on the hymn tune 'Ellacombe'. The opening fanfare is intended to capture the joy and exuberance of the first phrase of the first verse, 'I sing the mighty power of God that made the mountains rise'. The developmental material following the fanfare gives a hint of the three large variations that are extracted from the tune.
Estimated dispatch 7-14 working days
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£69.95The Journal of Phileas Fogg (Brass Band - Score and Parts) - Graham, Peter
2016 National Championships Regional Testpiece - 3rd Section.The novels by Jules Verne have been a rich source of inspiration for composers over the years. Graham has taken elements of the epic work Around the World in Eighty Days as the outline for a series of adventures recorded in an imaginary diary by the hero of the story, Phileas Fogg.Commencing with London bells in the background, the ensuing journey takes our hero by boat train to Paris (passing the Moulin Rouge en route), Russia (where he is chased by Cossacks), Vienna at night, Spain (where he is a spectator at a bull fight) before a final circumnavigation by sea (where we hear hints of foreign lands) brings him back to London with rich memories of his trip.The Journal of Phileas Fogg was commissioned by Dr Nicholas Childs for the National Children's Brass Band of Great Britain and was first performed by them in July 2012, conducted by Dr Robert Childs.
Estimated dispatch 7-14 working days
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