Results
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£38.95Unity Series Band Journal - Numbers 502 - 505, February 2022
502: See, what a morning (Gary Rose)This music is based on the popular Easter song of the same title (also known as Resurrection Hymn) by Keith Getty and Stuart Townsend (S.B.S. Volume VII).503: Light Force (Stephen Gibson)Originally written for a Young People's Band play-day, this exciting work brings together original themes as well as references to Jesus bids us shine (S.A.S.B. 870) and Shine, Jesus, shine (S.A.S.B. 261).504: Cornet Solo - Into your holiness (Jrgen Ijsendorn)Written for Martin Oosterbeek, who served in the military and undertook a tour of duty in Afghanistan, this work uses When I look into your holiness (T.B. 927), a song that provided solace during his time away.505: March - Turn to the Lord (Charles Craig)A tradition-style march perfect for groups with little rehearsal time.
Estimated dispatch 7-14 working days
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£50.00Triumph Series Band Journal March 2017 Numbers 1283-1286
March - Proud to serve (Ray Steadman-Allen)One of the last works written by Lt. Colonel Ray Steadman-Allen and dedicated to the Chatham Corps, this march was featured by the International Staff Band at the composers tribute evening at the Adrian Boult Hall in Birmingham in 2015. The tunes featured are 'By the pathway of duty' and 'Marching Along'.Song Setting - His Grace! (Noel Jones)Noel Jones has for many years provided music of an attractive and accessible nature. This beautiful setting of the Herbert Booth song 'The Penitent's plea', along with touches of Major Howard Davies' song 'The wonders of his grace' will be a powerful addition to any bands repertoire.Song Arrangement - Blood of the Lamb (Ian Feltwell)Here is a bright setting of the old tune 'Are you washed?' which will provide many with a popular item for festival use.March - Makeover (Andreas Holmund)A bright and attractive work by Swedish Salvationist composer Andreas Holmund brings a traditional march with excellent harmonic and melodic interest.
Estimated dispatch 7-14 working days
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£44.95Reflections (Flugel and Tenor Horn Duet with Brass Band)
Duet for Flugel and Tenor Horn or Two Bb Cornets from War of the Worlds SuiteEach movement of War of the Worlds is available separately allowing for a variety of "mini-suite" combinations eg: Movements 1,2 and 5 or 3,4 and 5 etc. For movements 1, 4 and 5 see the BB Concert Music tab. Complete suite also available.Reflections is the second movement of the suite War of the Worlds which was commissioned by the Senzoku Gakuen College of Music Saxophone Orchestra and first performed by them in the Maeda Hall, Japan on June 29 2012, the composer conducting. The music is dedicated to Professor Shin-ichi Iwamoto. The transcription for brass band was first performed by the Brighouse & Rastrick Band, conductor David King, in the Bridgewater Hall Manchester on September 8 2012.The suite takes inspiration from the 1953 film script adaptation of the famous HG Wells novel and key scenes from the film are set as individual movements: Reflections - here mankind contemplates a life forever changed as the invaders progress their colonisation of Planet Earth.
Estimated dispatch 7-14 working days
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£89.95Judd: Infinity
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite.The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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£34.95Judd: My Hope - Roger Trigg
'My Hope' was written for, and premiered by Enfield Citadel Band (Bandmaster Jonathan Corry) on 11th October, 2013. The work formed part of the band's annual pre-contest festival on the eve of the National Brass Band Championships which are held in the august surroundings of the Royal Albert Hall, London each year. The words 'my hope' appear in both hymns that are referenced in the music. The notes 'E', 'C', 'B' also feature throughout the work as homage to Enfield Citadel Band. The verse of 'My hope is built on nothing less' (S.A.S.B. 662), to the tune 'Solid Rock' (T.B. 446), is then introduced and forms the basis of the end of the first section - set in the minor, unlike the usual setting of the melody. The more sedate middle section that follows features an original theme, again using the notes 'E', 'C', 'B' as a melodic stimulus.The tune 'Michael' (Herbert Howells), to which the text 'All my hope on God is founded' (S.A.S.B. 530) is sung, provided the original impetus for this work. The song features as a new addition to The Salvation Army's 2015 iteration of its song book. It is a noble tune and there are big majestic, organ-like sounds utilised in its final treatment which brings the work to a climactic end.
Estimated dispatch 7-14 working days
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£34.95You've Been Warne'd
One of David's favourite styles of music was swing music and in particular big bands. With this piece, I have composed it in a big band swing style with the sole intention when performing it - to have a lot of fun!There is opportunities for various soloists to play their respective solos stood up and facing the audience. There is finger clicking and clapping throughout the piece and there is even an opportunity for all the band to sing. With a catchy hook line and walking bass this piece should provide plenty of musical enjoyment for both player and audience member.Paul Lovatt-Cooper Suitable for 3rd Section Bands and above
Estimated dispatch 7-14 working days
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£89.99Torsion (Brass Band - Score and Parts)
Torsion was commissioned by the Leyland Band and first performed on 23 January 2010 at the Royal Northern College of Music Festival of Brass, Manchester, by Leyland Band conducted by Jason Katsikaris. This colourful and dynamic work is the most personal and ambitious that Simon Dobson composed during his residency with the Lancashire brass band. The dictionary defines torsion as the state of being twisted and the composer interprets this as the imagined dis-torsions and con-torsions of Time, Light and Sound in three contrasting movements. Simon Dobson fuses the traditional brass band sound with drive and energy of pop and funk jazz with optional digitally distorted 'echoes' providing added aural confusion at the points of climax. Although composed as a substantial concert work, Torsion would also make a challenging test-piece for contesting brass bands in the elite divisions. Suitable for Championship Section Bands. Duration: 15.00
Estimated dispatch 7-14 working days
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£45.00Triumph Series Band Journal March 2012 Numbers 1223-1226
No.1223 March - Joyful News (Ray Steadman-Allen)the composer freeli admits that it was probably 'doodling' on the piano that prompted this march! The title is linked to one of the incorporated tunes, 'My bonnie lies over the ocean' which, in The Salvation Army, is linked to the words, 'God's love is as high as the heavens'. In style, the march has a light swing feel.No.1224 Song Setting - Ask the Saviour (Michael Davis)A setting of the well-known melody, 'Yield not to temptation'.No.1225 Song Arrangement - Jesus Came! (Howard Davis)An arrangement of an old Salvation Army song, 'Jesus came with peace to me, His strong arm was stretched to me, Then my burden took from me - My Saviour'.No.1226 Processional - Shine on us (James Wright adapted by Andrew Mackereth)This bolero-style setting of Michael W Smith's anthem was originally made for s wedding at Sheffield Citadel. It was subsequently adapted for use at the Belfast Temple Music School when players entered the arena in groups, through several entrances, playing from memory.
Estimated dispatch 7-14 working days
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£25.95Scherzo (Brass Band - Score and Parts)
This energetic music was originally the second movement of 'Concerto for Brass Band' and was commissioned by Brass Band Treize Etoiles from Switzerland. It provides the opportunity for a glittering bravura moment in a concert, or can be performed as an additional movement to 'Concertino for Brass Band', placed before the slow movement and thereby re-creating the original 'Concerto'.
Estimated dispatch 7-14 working days
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£10.00Infinity (Brass Band - Study Score)
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days