Results
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£39.95Liberty Trail (Brass Band - Score and Parts) - Bulla, Stephen
The Melbourne Staff Band celebrated its 125th anniversary in 2015 and this work was commissioned by Staff Bandmaster Ken Waterworth to feature in their programmes throughout the year.The music opens with fiery rhythmic figures, drawing on the band's technical brilliance. As the music progresses there are hits of traditional marches from early years, both in form and the minor key harmony used.The Trio section features The Homeward Trail, a song from the pen of Colonel Arthur Arnott, a Salvation Army officer who spent the majority of his career serving in Australia. The tune is then developed thematically and, following an interlude and key change, receives another treatment filled with fanfare and flourish that leads into the concluding moments of the work.Just prior to the closing bars, the music pays a brief homage to Australian composer Arthur Gullidge with a quote from his classic march Liberty, published in 1948, as a final salute to the great music that has come from this country.
Estimated dispatch 7-14 working days
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£74.95Aspects of Adiemus (Brass Band - Score and Parts) - Jenkins, Karl - Graham, Peter
Aspects of Adiemus is a collection from one of the world's most popular composers, Karl Jenkins. Adiemus, literally translated, means 'we will draw near' and represents a musical language which can be heard on five award winning albums from the composer.Since Adiemus has risen in popularity around the world, it has become a growing entity meaning many different things to many different people. Vocally, the spread of influence grows wider all the time, taking in Arabic and African sounds as well as Celtic and ecclesiastical ones. The percussion too has expanded using Indian, Middle Eastern, Japanese, Chinese and even Australian instrumentation.The evolving nature of Adiemus has meant that it has been difficult to categorise. New age, classical crossover, world music, even pop. Karl sees this as a good sign: To me, Adiemus transcends labels. The fact that it reaches people of different backgrounds, faiths and cultures gives it a universal appeal which is special. The compositions can be spiritual, religious, meditative - it's open to move people in any away they choose to experience.Ironically, the Adiemus project got off the ground initially due to a television commercial for an airline. Karl Jenkins explains, I'd been toying with a new idea, completely separate to my work in advertising, but at this time, Jenkins Ratledge were commissioned to come up with the music for an airline commercial. We presented the client with a demonstration tape of one of my completed compositions and they loved it.That composition became known as Adiemus. The music for the airline commercial was aired and immediately drew interest from the public. Karl: It's ironic that a piece of music not originally intended for a TV commercial should end up on a TV commercial, and that this music became the springboard for the success of the Adiemus project.Expertly arranged by Peter Graham, Aspects of Adiemus features the eponymous Adiemus, an uplifting and instantly recognisable opener. Chorale - Za Ma Ba and Chorale - Vocalise are songs of sanctuary, the latter featuring a chamber group from within the band. The vibrant Song of the Spirit is a cornet feature, and the finale, Song of the Plains combines intense rhythmic energy with tribal harmonies. Duration is variable depending on movement selection and optional cuts.Duration: 20.00
Estimated dispatch 7-14 working days
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£44.95Princethorpe Variations (Brass Band - Score and Parts) - Downie, Kenneth
Colourful harmony, rhythmic flair and melodic invention are the hallmarks of this excellent set of variations by Kenneth Downie, based on the well known church tune, Princethorpe.This major work demonstrates the well-known characteristics of the composer: colourful harmony, rhythmic flair and melodic invention, all encapsulated in scoring which is engulfing both to players and listeners alike. Following a presentation of the theme there are five variations culminating in what can be described as either a finale or coda.Theme. The composer shows his originality in the harmonic sense of this introduction. Perhaps it could be suggested that over-indulgence of rubato may be a temptation to be avoided.Sections A to F. Relentless rhythmic drive is of paramount importance in this first variation. Conscientious observance of dynamics is of course an essential requirement in conveying the exciting quality of the music; there are moments of sudden contrast of which all will need to be aware. Moving between the time-signatures of 5/4 and 6/4 these sections are built from strong easily-identifiable fragments of the theme. These is a significant increase in temp at letter F which will further the exciting impact of the music.Sections G & H. In a pastorale style this short, gentle variation affords a contrast in style between the previous and succeeding ones. The gentle undulating character of the melodic lines is governed by the Allegretto grazioso directive.Sections I to M. Commencing two bars before letter I the music is now exuberant and the tempo and style is that of a march in compound time. In this exhilarating movement there are moments of contrast and indeed of delicacy which are a foil to the more energetic moments. Rhythmic control will be essential to maintain a consistent tempo. As elsewhere in the work, the percussion section will contribute much to the success of the performance there are bars where this section alone is heard and there are important entries for glockenspiel.Sections N & O. With emotional content this Adagio variation has the first two notes of the melody as its melodic impetus. Apart from just over two bars at O (where there is an interpolatory phrase from Cornets and Trombones), the melodic line is entrusted to the plaintive sounds of the horn section. Cornets and Trombones provide a change of tone colour at the beginning of section O. Under a poco rall, this very expressive variation is concluded; there is an important link supplied by Eb Bass.Sections P & Q. A lively march-tempo is launched immediately and these sections are in the nature of an introduction to the final variations. There is a quickening of pace at Q which assists the generation of excitement which should be an essential part of the performance. Solo Cornets introduce a melodic line at Q which anticipates the compound time of the following section.Sections R & S. The Solo Cornet theme of the previous section is now a contrapuntal line accompanying the theme tune. With an elongation of the notes in the melody, the conductor will need to call on the sustaining powers of the band and at no time should the interesting accompanying lines be allowed to detract from the sonorous presentation of the basic theme.Sections T, U & V. Following a poco rit, the finale begins at letter T with the directive, molto vivace. There is much detail to be rehearsed, not least being the dynamic contrasts which are encountered. As throughout the work, the listener should have no difficulty in identifying the thematic sources of the composer's music.
Estimated dispatch 7-14 working days
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£22.50
Princethorpe Variations (Brass Band - Score only) - Downie, Kenneth
Colourful harmony, rhythmic flair and melodic invention are the hallmarks of this excellent set of variations by Kenneth Downie, based on the well known church tune, Princethorpe.This major work demonstrates the well-known characteristics of the composer: colourful harmony, rhythmic flair and melodic invention, all encapsulated in scoring which is engulfing both to players and listeners alike. Following a presentation of the theme there are five variations culminating in what can be described as either a finale or coda.Theme. The composer shows his originality in the harmonic sense of this introduction. Perhaps it could be suggested that over-indulgence of rubato may be a temptation to be avoided.Sections A to F. Relentless rhythmic drive is of paramount importance in this first variation. Conscientious observance of dynamics is of course an essential requirement in conveying the exciting quality of the music; there are moments of sudden contrast of which all will need to be aware. Moving between the time-signatures of 5/4 and 6/4 these sections are built from strong easily-identifiable fragments of the theme. These is a significant increase in temp at letter F which will further the exciting impact of the music.Sections G & H. In a pastorale style this short, gentle variation affords a contrast in style between the previous and succeeding ones. The gentle undulating character of the melodic lines is governed by the Allegretto grazioso directive.Sections I to M. Commencing two bars before letter I the music is now exuberant and the tempo and style is that of a march in compound time. In this exhilarating movement there are moments of contrast and indeed of delicacy which are a foil to the more energetic moments. Rhythmic control will be essential to maintain a consistent tempo. As elsewhere in the work, the percussion section will contribute much to the success of the performance there are bars where this section alone is heard and there are important entries for glockenspiel.Sections N & O. With emotional content this Adagio variation has the first two notes of the melody as its melodic impetus. Apart from just over two bars at O (where there is an interpolatory phrase from Cornets and Trombones), the melodic line is entrusted to the plaintive sounds of the horn section. Cornets and Trombones provide a change of tone colour at the beginning of section O. Under a poco rall, this very expressive variation is concluded; there is an important link supplied by Eb Bass.Sections P & Q. A lively march-tempo is launched immediately and these sections are in the nature of an introduction to the final variations. There is a quickening of pace at Q which assists the generation of excitement which should be an essential part of the performance. Solo Cornets introduce a melodic line at Q which anticipates the compound time of the following section.Sections R & S. The Solo Cornet theme of the previous section is now a contrapuntal line accompanying the theme tune. With an elongation of the notes in the melody, the conductor will need to call on the sustaining powers of the band and at no time should the interesting accompanying lines be allowed to detract from the sonorous presentation of the basic theme.Sections T, U & V. Following a poco rit, the finale begins at letter T with the directive, molto vivace. There is much detail to be rehearsed, not least being the dynamic contrasts which are encountered. As throughout the work, the listener should have no difficulty in identifying the thematic sources of the composer's music.
Estimated dispatch 7-14 working days
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£25.00Prelude 1946
For seventy years, the North West Area Brass Bands Association has been representing bands in the North West of England and surrounding areas. Their members come from Cheshire, Derbyshire, Greater Manchester, Isle of Man, Lancashire, North Wales, Staffordshire and Yorkshire. Prelude 1946 was commissioned to mark this special land-mark year. Taking inspiration from John Williams 1988 Olympic Spirit, the work opens with a heraldic fanfare before moving into its stately main theme, which gradually builds into a triumphant climax. An ideal concert opener for those of you who want to start off a concert with some American-style flair. Duration: 00:03:45 Grade : 3
Estimated dispatch 5-7 working days
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£8.00Trumpet Concerto with Brass Band (Andrew Batterham) Soloist Parts in Bb & C
Andrew Batterham's tour de force Trumpet Concerto showcases the incredible spectrum of emotions the trumpet can convey, in the hands of a dedicated performer. The music ranges from Classical to minimalism, ballads to fanfares, culminating in a wild dance full of stamina and energy. Commissioned by ABC Classic through the ABC Fresh Start Fund, Concerto was premiered by David Elton, Principal Trumpet with the Sydney Symphony Orchestra (previously with London Symphony Orchestra). This brass band version was premiered by David and Victoria Brass, conducted by Matt van Emmerik. The original trumpet with strings, and trumpet with piano versions are available from Wirripang publishers. To view a video of David Elton performing the work with Victoria Brass, please visit www.youtube.com/watch?v=zImGHAL9mIE PDF download includes soloist part in Bb. The full set including score and parts can be purchased here. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level for Band: 1st Section + Instrumentation: Trumpet Soloist Bb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone 1st Euphonium Bb 2nd Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£96.14
Trumpet Concerto with Brass Band (Andrew Batterham)
Andrew Batterham's tour de force Trumpet Concerto showcases the incredible spectrum of emotions the trumpet can convey, in the hands of a dedicated performer. The music ranges from Classical to minimalism, ballads to fanfares, culminating in a wild dance full of stamina and energy. Commissioned by ABC Classic through the ABC Fresh Start Fund, Concerto was premiered by David Elton, Principal Trumpet with the Sydney Symphony Orchestra (previously with London Symphony Orchestra). This brass band version was premiered by David and Victoria Brass, conducted by Matt van Emmerik. The original trumpet with strings, and trumpet with piano versions are available from Wirripang publishers. To view a video of David Elton performing the work with Victoria Brass, please visit https://www.youtube.com/watch?v=zImGHAL9mIE PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level for Band: 1st Section + Instrumentation: Trumpet Soloist Bb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone 1st Euphonium Bb 2nd Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£59.99Game of Thrones (Main Theme) - Christopher Bond
The dark and dramatic theme from the popular HBO series Game of Thrones is one of the most distinctive and effective themes for TV or film to come along in several years. Arranged in a powerful setting for brass band and suitable for bands of all standards from Section 4 upwards, this is sure to be a hit with your musicians.
Estimated dispatch 5-10 working days
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£24.95Lest We Forget - Christopher Bond
Lest We Forget is a phrase added as a final line at the end of the Ode of Remembrance, taken from Laurence Binyon's poem For the Fallen, first published in The Times newspaper in September 1914. Providing the title for this work for brass band, the piece aims to combine both the acoustic nature of the brass band medium alongside narrated passages and pre-recorded extracts to provide a moving tribute. The words originally spoken by Prime Minister Herbert Asquith in 1914 can be narrated in performance. However, a free audio download, manipulated to sound like a 1914 radio broadcast is available from Prima Vista. Lest We Forget received its premiere at The Sage, Gateshead, on November 17th 2014, performed by the Grimethorpe Colliery Band, conducted by Robert Childs. The work opened their winning Brass in Concert programme, and has since been performed by bands all over the world as a fitting tribute to the Great War.
Estimated dispatch 5-10 working days
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£40.00
Five Lyric Pieces (Score & Parts) - Edvard Grieg
Mark Freeh's arrangement of five of Grieg's Lyric Pieces are taken from the orchestral adaptations from the composer himself. Grieg wrote 66 piano miniatures, all referred to as lyric pieces.Brass Band Grade 5: 1st SectionDuration: 12 minutes
In Stock: Estimated dispatch 1-3 working days
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