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  • £59.99

    Turn the Beat Around Brass Band (Score & Parts)

    In the nineties, the Cuban-American singer Gloria Estefan recorded a sparkling version of Vicki Sue Robinson's disco classic Turn the Beat Around. She gave the song a catchy Latin beat, and with this new impulse, it was a worldwide hit. With the sentence from the song text "Love to hear percussion" in mind, Peter Kleine Schaars incorporated a compelling percussion solo in his arrangement. The result is a dynamic piece of music full of pace and passion. 03:27

    Estimated dispatch 7-14 working days

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  • £59.95

    The Plantagenets (Brass Band - Score and Parts) - Gregson, Edward

    A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30

    Estimated dispatch 7-14 working days

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  • £29.95

    The Plantagenets (Brass Band - Score only) - Gregson, Edward

    A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30

    Estimated dispatch 7-14 working days

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  • £50.90

    Farewell to the Mountain (Brass Band - Score and Parts) - Barry, Darrol

    An Original work from the expert pen of Darrol Barry

    Estimated dispatch 7-14 working days

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  • £15.00

    See, the Conquering Hero Comes - Handel

    Performance Notes from Andrew Duncan:This arrangement will introduce the players to the contrasting Marcato and Legato styles found within this fine majestic march.Dynamics play a big part in this arrangement and care should be taken to differentiate between these, especially between f and ff.It is advised that the optional Tenor Drum part is played as it will greatly help to maintain a strong rhythmic pulse throughout the louder sections of the arrangement.The Flexi-Collection ApproachFlexible scoring tailored to your needs - A perfect solution for expanding the repertoire of training and junior brass bands. The Flexi-Collection currently offers two series - Popular Classics and World Tour. Based on four-part harmony, these collections provide groups with the advantage of complete flexibility when they may not be balanced. If players or instruments are missing, the show can still go on!The Flexi-Collection - Popular Classics Series, encapsulates all that is great about the wonderful range of musical styles produced by Holst, Elgar, Handel, Verdi, Tchaikovsky, Grieg, Bizet and Parry.The thoughtful scoring and arranging by Andrew Duncan now means that groups of all abilities have access to a truly flexible set of music for their needs. With world parts, rudimentary theory, terminology translations and large format typesetting, The Flexi-Collection ticks all the boxes when it comes to bringing interesting music to the training and junior band/brass group environment.Available individually or as part of the money-saving Flexi-Collection Popular ClassicsAlbum.Scored for Brass Band and supplied with additional Easy Bb, Easy Eb and world parts - The Flexi-Collection offers flexibility in every sense of the word.

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    Silverado (Themes from the film) - Bruce Broughton

    In Stock: Estimated dispatch 3-5 working days

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  • £45.00

    The Pilgrim - Josiah Walters

    Josiah describes his composition'The Pilgrim' as a journey of development and emotion, encompassing three key stages of emotional state: from the opening sounds which are full of anticipation and uncertainty, through to a passage of disillusionment and frustration, then moving on to a concluding stage which reintroduces the positive elements of the opening optimism, yet closing quietly, symbolizing an inner peace and contentment at the end of the musical journey.The composer's emotive approach to the creation of the work embraces a wealth of passion, anguish and enlightenment. Through his use of imaginative melody, themes and harmonic texture, Josiah has represented a collection of powerful emotions. Essentially non-programmatic, the piece opens in a contemplative manner, building with enthusiasm, and first introducing the use of bells and bell effects as a musical metaphor which is used throughout the piece to signify the journey's destination.As the sentiment continues, the music evolves in to an Allegro Furioso section, opening up a strong sense of frustration. At this section's climax, the symbolic use of the bells is reintroduced to create an over-tone of hope and purpose, although this does not last long as they fade into the Misterioso Molto Rubato section.As the melodies and harmonies develop onwards, 'The Pilgrim' evolves into a more reflective phase, reintroducing the sounds and motifs of the more strident opening.This closing section symbolizes the realisation that everything needed was already available to The Pilgrim, but travelling the journey, confronting and overcoming all of the challenges was the only route of discovery - peacefulness prevails, bringing the work to a close with a sense of contentment and enlightenment.'The Pilgrim', highly emotive in its creation, offers a wealth of musical imagery.Even to the uninformed listener, this fascinating, powerful and beautiful work stirs and stimulates a variety of emotional reactions - offering each listener an opportunity to apply the music to their own journey, their own personal pilgrimage.

    In Stock: Estimated dispatch 3-5 working days

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  • £59.99

    Into The Sky - Stephen Bulla

    This music is a fanfare prelude that is designed to open concert programs with an impressive display of brass fireworks. It features every section of the band and reflects a modern spin on the style of the great Strauss fanfares for brass from the past.

    Estimated dispatch 5-14 working days

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  • £59.99

    Entry of the Celts - Bertrand Moren

    Entry of the Celts is a delightful light concert opener. As its title implies, this work features Celtic-inspired music. All the instruments in the band are given the opportunity to display their most beautiful sound colours: from the bass section to the cornets, via the tenor horns, euphoniums/baritones and trombones. Each section plays a solo passage, accompanied by percussion instruments. The solo for soprano cornet leads to a sparkling and impressive finale. A wonderful Celtic work that will enchant and delight your audiences.

    Estimated dispatch 5-14 working days

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  • £59.99

    The Eagle March - Morten J. Wallin

    This lively, modern concert march from the Norwegian composer Morten J.Wallin is an ideal opening piece for your concerts. Hearty rhythmic brass alternates with tuneful melodies in all instrument groups.

    Estimated dispatch 5-14 working days

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