Results
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£59.99Hymn of Faith (Brass Band - Score and Parts) - Bourgeois, Louis T - Blanken, John
The French composer Louis Bourgeois lived from c.1510 to 1560. Bourgeois was cantor in Geneva and, commissioned by John Calvin, he composed melodies for metrical (rhyming) versions of the psalms. After completing about a hundred one-part psalms, he made some four-part arrangements, which were denounced and even resulted in his imprisonment for a day. Later, Bourgeois published a number of psalm collections, and judging from his book Le droict chemin de musique he was also an excellent educator. The melodies Bourgeois composed, are (contrary to Gregorian chants) particularly suitable for community singing. This applies to his hymn tune Saint Michael, which is why this melody has been used for various texts, written for many occasions. John Blanken made this arrangement for a wedding ceremony: an occasion in which faith and trust play a large - if not the largest - role. Hence the title Hymn of Faith. The arrangement contains four verses of the hymn. After a majestic opening the hymn follows twice, the second verse being embellished in the tenor register. After a short interlude verse three follows, played by a quartet. The majestic opening is then repeated as a modulation into the fourth verse, which concludes the work in a brilliant tutti.
Estimated dispatch 7-14 working days
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£57.50David of the White Rock (Brass Band - Score and Parts) - Sparke, Philip
This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for brass band retains all the beauty and simplicity of the original.Duration: 2:45
Estimated dispatch 7-14 working days
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£50.00Harry Potter and the Goblet of Fire (Brass Band - Score and Parts) - Doyle, Patrick - Littlemore, Phillip
Harry Potter and The Goblet of Fire is the pivotal fourth novel in the seven-part tale of Harry Potter's training as a wizard and his coming of age. This suite for brass band includes the themes Harry In Winter, The Quidditch World Cup, Hogwarts' Hymn, Hogwarts' March and The Death Of Cedric. Suitable for Advanced Youth/3rd Section Bands and above. Duration: 7.00
Estimated dispatch 7-14 working days
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£76.99Strathcarron (from Hymn of the Highlands) (Brass Band - Score and Parts) - Sparke, Philip
Strathcarron is a movement from Philip Sparke's Hymn of the Highlands, in which each movement reflects a different location in the beautiful Scottish highlands. Stratcarron, named after a village at the head of Loch Carron, near the Isle of Skye, takes the form of a sword dance which alternates between fast and slow tempi.Duration: 5:40
Estimated dispatch 7-14 working days
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£57.50Flowerdale (from Hymn of the Highlands) (Soprano Cornet Solo with Brass Band - Score and Parts) - Sparke, Philip
Flowerdale is a forest in Wester Ross, Scotland, which is well-known for it's beautiful waterfall. This piece, for solo soprano cornet, is one of the movements from Philip Sparke's epic suite Hymn of the Highlands. It depicts the tall trees swaying gently in the wind with the serenity of the area being reflected by the subtle accompaniment of the band. Let your soprano player bloom into colour with this exquisite solo. A real show stopper.Duration: 4:20
Estimated dispatch 7-14 working days
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£68.99Summer Isles (from Hymn of the Highlands) (Euphonium Solo with Brass Band - Score and Parts) - Sparke, Philip
The Summer Isles are a group of islands located off the North West coast of Scotland which are famous for their wildlife. This piece, written for solo euphonium and brass band, reflects the natural beauty and relaxing atmosphere of the islands. The wonderful melodious nature of the euphonium is displayed in this piece and the opening theme is followed by melodic interplay between the soloist and cornets. This piece will surely be enjoyed by any audience.Duration: 4:10
Estimated dispatch 7-14 working days
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£57.50Carol of the Shepherds (Brass Band - Score and Parts) - Sparke, Philip
Carol of the Shepherds is based on the hymn tune 'Quem Pastores Laudavere' which dates back to the 14th century and is widely known throughout the Christian world. Although the melody has been set to a number of different texts in different countries it was originally a carol celebrating the Christmas story, in particular the visit of the Angel Gabriel to the shepherds.Duration: 2:50
Estimated dispatch 7-14 working days
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£17.99The Bells of Peover (Cornet Solo with Brass Band - Score and Parts) - Doe, Philip
The Bells of Peover is a beautiful and lyrical cornet solo, conjuring up a pastoral scene with the distant ringing of church bells. The piece is named after a pub in the Cheshire village of Lower Peover, near Knutsford. Suitable for Youth/4th Section Bands and above. Duration: 4.00
Estimated dispatch 7-14 working days
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£74.99The Haunter of the Dark (Brass Band - Score and Parts) - Cesarini, Franco
The Haunter of the Dark is based on a tale by the author Howard Phillips Lovecraft (1890-1937) about a deserted church, where according to an old legend a monster had been lying low for years. A scientist who studies ancient religions visits this church. Besides some ancient writings he discovers a box, which contains a luminous stone. Every time the stone sheds its light, the scientist experiences all sorts of weird visions. The church in the tale actually exists, and can be found in Providence (USA). Franco Cesarini has visited it and sketches the mysterious and occult atmosphere in The Haunter of the Dark.Duration: 9:30
Estimated dispatch 7-14 working days
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£82.95The Flowers of the Forest (Brass Band - Score and Parts) - Bennett, Richard Rodney - Hindmarsh, Paul
In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.
Estimated dispatch 7-14 working days
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