Results
-
£44.95Christmas Truce, The - Jonathan Bates
DURATION: 7'30". DIFFICULTY: 2nd Section+. 'The Christmas Truce' was composed in 2018 for the Strata Brass Band and was used as part of their Christmas programme to mark 100 years since the end of the First World War. On the 24th December 1914, just a few weeks after war broke out, one of the most notable events of the 4-year conflict took place on the front line as the guns from both sides fell silent and soldiers came together on Christmas Eve. This composition for brass band and narrator tells the story of that night, painting a musical picture of the events as they unfolded. Using material from the carols 'In The Bleak Midwinter', 'O Tannenbaum' and 'Silent Night', the music weaves it's way around the events leading upto, during, and directly following the Christmas Truce, before culminating in a grand finale which incorporates the famous "the souls of the righteous are in the hands of God" quote from Eric Ball's 'Resurgam'. . .
In Stock: Estimated dispatch 1-3 working days
-
£29.95
The Pilgrim Way (Brass Band - Score and Parts) - Ball, Eric
Attempting to recreate the atmosphere of mediaeval pilgrims, this suite comprises three separate, yet linked movements. I. Based on John Bunyan's poem 'He Who Would Valiant Be', the music reminds us of the words 'No foes shall stay his might, though he with giants fight, he will make good his right to be a pilgrim'. II. A transcription of the composer's own setting of 'God be in my head'. III. The original themes in this movement express feelings of joy and excitement of present day pilgrims journeying on the Christian path.
Estimated dispatch 7-14 working days
-
£14.95
The Pilgrim Way (Brass Band - Score only) - Ball, Eric
Attempting to recreate the atmosphere of mediaeval pilgrims, this suite comprises three separate, yet linked movements. I. Based on John Bunyan's poem 'He Who Would Valiant Be', the music reminds us of the words 'No foes shall stay his might, though he with giants fight, he will make good his right to be a pilgrim'. II. A transcription of the composer's own setting of 'God be in my head'. III. The original themes in this movement express feelings of joy and excitement of present day pilgrims journeying on the Christian path.
Estimated dispatch 7-14 working days
-
£29.95Judd: Star Lake
Unbelievable to think that this march is 70 years old written when Eric Ball was a guest at the famous Star Lake music camp in the USA. Entertaining and easily within the grasp of all bands.
Estimated dispatch 7-14 working days
-
£29.95
Torchbearers! (Brass Band - Score and Parts) - Ball, Eric
This march was written for the Musical Troopers of 1933 to feature as a signature tune on their campaigns. This band was part of the Torchbearers session at the Salvation Army Training College (or School for Officer Training) and their sessional song can be heard sounding majestically in the third strain, the composer giving special emphasis to the first two words; Out there! Out there! Where the darkness reigns out there! Torchbearers are going...
Estimated dispatch 7-14 working days
-
£14.95
Torchbearers! (Brass Band - Score only) - Ball, Eric
This march was written for the Musical Troopers of 1933 to feature as a signature tune on their campaigns. This band was part of the Torchbearers session at the Salvation Army Training College (or School for Officer Training) and their sessional song can be heard sounding majestically in the third strain, the composer giving special emphasis to the first two words; Out there! Out there! Where the darkness reigns out there! Torchbearers are going...
Estimated dispatch 7-14 working days
-
£24.95
The Pilgrim's Prayer (Brass Band - Score and Parts) - Rouse, Sydney - Ball, Eric
Introduction - This could hardly be more simple. Inexperienced players may have some little difficulty in intonation, especially as they are starting 'cold', but a useful lesson can be learned in this connection when rehearsing these two bars. Section A - The music is hymn tune-like in character, but it should not become stilted. Close intonation is still a point to study, especially in view of the chromatic nature of some of the harmony. Section B - Aim to secure just balance in the accompanying parts, especially in the second phrase, where the 1st comets may be inclined to treat their moving part as an independent melody rather than part of the 'colour' background. Section C -This is a reprise of the first theme, with a different arrangement. The same comments apply, however. Section D - Here the music becomes more song-like in style, and provides an interesting contrast. The scoring, too, is more varied, and there are a number of points that call for attention. Note that the 1st and 2nd comets and 2nd trombone work as a team throughout; see that the pulsating, syncopated background adds to the movement of the music without giving a jerky effect; the new entries in the fourth and twelfth bars are to be made quite smoothly; and do not allow the texture of the music, especially in the last eight bars of the section, to overshadow the simplicity of the main tune. Section E - Here the first subject appears again. In the arrangement the colour contrasts are quite clear-cut. In order to secure true balance in the fifth and sixth bars, it may be necessary to adjust the amount of tone given by the bass trombone, as this part is not doubled as are the other parts. Section F -This section forms a simple but expressive coda.
Estimated dispatch 7-14 working days
-
£12.50
The Pilgrim's Prayer (Brass Band - Score only) - Rouse, Sydney - Ball, Eric
Introduction - This could hardly be more simple. Inexperienced players may have some little difficulty in intonation, especially as they are starting 'cold', but a useful lesson can be learned in this connection when rehearsing these two bars. Section A - The music is hymn tune-like in character, but it should not become stilted. Close intonation is still a point to study, especially in view of the chromatic nature of some of the harmony. Section B - Aim to secure just balance in the accompanying parts, especially in the second phrase, where the 1st comets may be inclined to treat their moving part as an independent melody rather than part of the 'colour' background. Section C -This is a reprise of the first theme, with a different arrangement. The same comments apply, however. Section D - Here the music becomes more song-like in style, and provides an interesting contrast. The scoring, too, is more varied, and there are a number of points that call for attention. Note that the 1st and 2nd comets and 2nd trombone work as a team throughout; see that the pulsating, syncopated background adds to the movement of the music without giving a jerky effect; the new entries in the fourth and twelfth bars are to be made quite smoothly; and do not allow the texture of the music, especially in the last eight bars of the section, to overshadow the simplicity of the main tune. Section E - Here the first subject appears again. In the arrangement the colour contrasts are quite clear-cut. In order to secure true balance in the fifth and sixth bars, it may be necessary to adjust the amount of tone given by the bass trombone, as this part is not doubled as are the other parts. Section F -This section forms a simple but expressive coda.
Estimated dispatch 7-14 working days
-
£29.95DEVON FANTASY (Extra score) - Ball, Eric
Score only. 2013 National Champsionship Area Qualifying Contest - 4th Section. About the lovely county of Devon are songs and stories galore, for it has 'the best of both worlds' in its seascapes and inland scenery. This suite will perhaps bring to remembrance a few aspects of its beauty. The fantasy is in four easily distinguished parts; I. Moorland Songs; here is loneliness as well as beauty. II. The Fair; containing a reference to the song, Widdicombe Fair. III. Quiet Village; little disturbs the even tenor of life, and the 'echo' of music from the church serves to deepen the peace all around. IV. Seafarers; swashbuckling music with reminiscences of half-forgotten shanties.
Estimated dispatch 7-14 working days
-
£29.95Salvation Army Classic 17-20 (Flexible Brass Band - Score and Parts)
Salvation Army Classics arranged for Flexible Brass Band Numbers 17 - 20March - Amsterdam Congress (Charles Skinner)Meditation - Thine Alone (Charles Skinner)Love Divine - Ave Verum (Mozart arr. Albert Jakeway)Meditation - Hold Thou My Hand (Eric Ball)This series features pieces that have been rescored for Unity Series (five-part) scoringPART I 1st Cornet BbPART II 2nd Cornet Bb and 1st Horn EbPART III 2nd Horn Eb and Baritone or Trombone BbPART IV Euphonium BbPART V Bass Eb and Bass BbThese transcriptions have been carried out in such a way to facilitate the addition of any original parts that may be available. Where relevant, suggestions are made for a variation in tone colour (i.e. 2nd Cornet, Flugel, Baritone, Trombone) as well as the occasional opportunity for rest.
Estimated dispatch 7-14 working days
View Music